Weekly Notes: May 26–June 1, 2025

  • ♿️ Officially launched the Accessibility Liaisons project at work on Tuesday, to help train more people and distribute the work of improving digital accessibility across the college. This was just a “soft” launch to introduce the program, with things kicking off more comprehensively in the fall, but it was good to get it started.
  • 🌏 Yesterday we went to Kent’s annual International Festival. Got some good food from food trucks, learned a little bit about some of the many cultures represented in Kent’s population, and saw some good music and dance performances. My favorites were a kids group doing traditional Sri Lankan dance, and kids from the local School of Rock.
  • 🏳️‍🌈🏳️‍⚧️ Happy Pride Month, all. Or if not that, have a well-focused Wrath month. Stonewall was a riot of queer and trans people, after all. And my occasional reminder that I describe myself as “statistically straight“, which allows for some variations in the trend line.

📸 Photos

A rock group of seven teens and pre-teens performing on an outdoor stage as people watch.
The School of Rock kids performing; I think here they were doing Poison’s “Every Rose Has Its Thorn”.

Social media post by Claire Willett saying, "for pride month this year can straight people focus less on 'love is love' and more on 'queer and trans people are in danger'".

A rainbow-colored unicorn with a skull face striding through a black and grey landsdape with flames at its hooves, trailing a banner that says, "we called off pride, now it's gay wrath month".

📚 Reading

📺 Watching

Finished Andor. That was really good. Easily among the best of the modern Star Wars shows and films (that I’ve seen, at least, not having seen them all).

🔗 Linking

  • Eric Wilkinson at King 5: AI stepping up as backup for short-staffed PenCom dispatchers (which was headlined “AI now takes some calls for help on Olympic Peninsula” when I bookmarked this): “AI listens for keywords that may indicate crime or violence. It even picks up inflections in the caller’s voice to sense trouble. If any of those criteria are met, the call goes directly to a real person.” Yeah, I can see no way in which this could go wrong…

  • Helen Smith at King 5: The Cascadia Subduction Zone looks a little different than researchers thought. Here’s what that means for ‘The Big One’ (which was headlined “New research reshapes ‘The Big One’ tsunami risk” when I bookmarked it…what’s with King 5 renaming headlines?): “New findings show that tsunami risk may be different, though not less, in places along the subduction zone. This is due to the absence of a ‘megasplay fault,’ which was previously believed to run from Vancouver Island down to the Oregon-California border.”

  • David Friedman at Ironic Sans: Proof that Patrick Stewart exists in the Star Trek universe: Fun interview with Star Trek fan and researcher Jörg Hillebrand.

  • Technology Connections on YouTube: Closed captions on DVDs are getting left behind. Half an hour, but a fascinating look at how closed captions are encoded into analog video, how it works with the digital video of DVDs, and why modern players and Blu-ray disks are falling over with their closed caption support. Some of the basics here I knew from my subtitle projects, but a lot of the technical details were new to me and neat to learn about.

  • Ben Cohen in The Wall Street Journal: They Were Every Student’s Worst Nightmare. Now Blue Books Are Back. (archive.is link): “Students outsourcing their assignments to AI and cheating their way through college has become so rampant, so quickly, that it has created a market for a product that helps professors ChatGPT-proof school. As it turns out, that product already exists. In fact, you’ve probably used it. You might even dread it. ¶ It’s called a blue book.”

  • Nadira Goffe in Slate: The Controversy Surrounding Disney’s Remake of Lilo & Stitch, Explained: I don’t have any interest in watching the remake (big fan of the original, though), but as a non-Hawaiian white guy, reading about the political undertones in the original that have been stripped out of the remake was really interesting, as it was a lot of stuff that I didn’t know.

  • Anil Dash: The Internet of Consent: “The growing frustration around “enshittification” is, in no small part, grounded in a huge frustration around having a constant feeling of being forced to use features and tools that don’t respect our choices. We’re constantly wrestling with platforms that don’t respect our boundaries. And we have an uncanny sense that the giant tech companies are going behind our backs and into our lives in ways that we don’t know about and certainly wouldn’t agree to if we did.”

  • Kelly Hayes: From Aspiration to Action: Organizing Through Exhaustion, Grief, and Uncertainty: “As an organizer, I’ve been thinking a lot lately about the gulf between what many people believed they would do in moments of extremity, and what they are actually doing now, as fascism rises, the genocide in Palestine continues, and climate chaos threatens the survival of living beings around the world.”

  • Chelsey Coombs at The Intercept: “Andor” Has a Message for the Left: Act Now: “‘Andor,’ the new series set in the universe, doubles down on its anti-authoritarian roots, focusing on the creation of the revolutionary Rebel Alliance. In the process, it gives us a glimpse into the messiness and conflict that often accompanies building a movement on the left, as activists fight over which political philosophies and strategies work best.”

  • Yona T. Sperling-Milner at The Harvard Crimson: Come At Me, Bro: “I propose an alternate strategy: I shall fight Secretary of Education Linda E. McMahon in a televised cage match, the winner of which gets $2.7 billion in federal grants and the power to uphold or destroy America’s continued technological and economic success.”

  • Suyi Davies Okungbowa: I Call Bullshit: Writing lessons from my toddler in the age of generative AI: “Software is as limited as the individuals, systems and institutions that define and prompt it, and as of today, mimicry is its highest form. But as you can see above, mimicry is not a significant endeavour. A human baby can mimic. A chameleon can mimic. Mimicry is basic.”

Norwescon Thursday Dance Sneak Peek

Video still showing Star Trek's Enterprise behind graphics of audio being played.

My Thursday night dance at Norwescon is going to have a “Star Trek vs. Star Wars” theme, so I put together a video to play behind me of starship shots from the movies. I alternated clips between franchises, and most of them have been in the 10-20 second range; a few as short as 4, a few as long as 40.

In my alternating, when I made it up to the refit Enterprise reveal in The Motion Picture, you may be surprised to read that I restrained myself, and did not just drop the full eight-minute sequence in there.

Cutting out Kirk and Scotty’s reactions and some shots that are mostly spacedock scaffolding got it down to two minutes, fifty-one seconds.
I’m biased, and I’m not even sorry about it. 😆

Here’s a two-minute sneak peek (originally posted to Facebook, and so is silent so as not to run afoul of their automated audio copyright bots; feel free to listen to whatever audio you wish as you watch) of my background graphic setup for the Norwescon Thursday night dance. This will be playing on the big projection screen/video wall on the stage behind me.

The background video is 2 hours and 12 minutes of mixed Star Wars and Star Trek spaceship and battle shots (space and space ships only, no on-the-ground battles, so no Hoth or Endor). Two hours of that goes back and forth between Trek and Wars, but the last ten minutes is all Trek, because I was only pulling from the theatrical films, and there are two more Trek films than there are Wars films.

The “vinyl” platters at the top left and right automatically update with the cover art for whatever track is being played, and rotate as if they were actual turntables.

The waveform display at the top is live waveforms of the audio being played; the top waveform is the left turntable, the bottom is the right.

The title and artist of the currently playing track at the bottom automatically update.

The graphics on the t-shirt that the mini-cartoon-me is wearing randomly change every few seconds, with a selection of mostly (but not entirely) Trek or Wars themed images.

Some slightly more technical details for those who may be interested:

All the elements are assembled in OBS, and when I’m DJing, I’ll be pushing that video stream out to the the on-stage screen behind me.

The turntables and audio waveforms are pulled from djay Pro using OBS’s window capture feature, cropping down to the elements I need, playing with the color levels, and adding an alpha channel to turn dark/black pixels transparent. Cover art with dark/black pixels that become transparent is accounted for by placing the turntable graphics over PNGs of black circles to act as “platters” and black out the background video.

The “now playing” text also comes from djay Pro; in this case, djay Pro automatically creates a “now playing” text file, and I tell OBS to read and display that text file.

The Norwescon and DJ Wüdi logos are simple static PNG files.

The cartoon me is a static PNG file with a plain black shirt. I point OBS to a directory with small square white-on-black images that it randomly picks from on a five second rotation to create the “print” on the t-shirt.

Year 50 Day 355

Me wearing a black t-shirt with the word ‘coexist’ made up of objects and symbols from several science fiction and fantasy franchises.

Day 355: Though the fabric is still in fine shape, I’m afraid the print on this shirt is degrading to the point where soon it won’t be remotely legible. So, for posterity: The “coexist” is made up of the Death Star, the One Ring, a xenomorph, the X-Files ‘X’, the Tardis, Shazam’s bolt (not a lightning bolt scar, though it is often mistaken for that), and a Star Trek Type TOS II phaser.

Year 50 Day 94

Me standing in front of a white wall, wearing a black t-shirt riffing on the classic Joy Division Unknown Pleasures album artwork, only with text that says Tosche Station / Power Converters.

Day 94: A classic album by the best band under the twin suns of Tatooine! Amusingly, though I have three different spoofs of the Joy Division Unknown Pleasures album artwork shirt (this one which I’m pretty sure I got from Diesel Sweeties but the store appears to be down right now, Nimoy Division / Vulcan Pleasures, and Depeche Mode / Boys Don’t Cry), I’ve yet to add the original to my shirt drawer.

📚 five of 2020: Return of the Jedi, by James Kahn ⭐️⭐️⭐️

A much better adaptation than Empire was. Most interesting moment: Wicket’s long speech convincing the Ewok leaders to assist the Rebels in their attack on the bunker. Those teddy bears are pretty eloquent!

📚 four of 2020: The Empire Strikes Back, by Donald F. Glut ⭐️⭐️

A clumsy and unimaginative adaptation. Most interesting for the handwritten notes contributed by a former owner of this copy, correcting all the Han/Leia romance to be screen-accurate.

Baby Yoda and ‘The Dark Crystal’ Prove We Still Need Puppetry in the Age of CGI: “Frankly, I don’t always want my entertainment to look effortless. Instead, I want to stand in awe of these feats of creation: painstakingly crafted miniature worlds, marionettes that fire arrows, extraterrestrial tots that beg you to scoop them up and kiss them on the forehead. I want to shout, ‘How the hell did they do that?!’”

The Rise of Skywalker

A few more brief non-spoilery thoughts on The Rise of Skywalker, while it’s still fairly fresh in my mind.

I thought the first hour or so of the movie was far too rushed. There was no time to breath, to take anything in, and it felt like Abrams was concerned that if he gave the audience time to actually think about what we were watching, instead of just reacting, the film would fall apart. Which, in a lot of ways, it would.

This Twitter thread by @ZenOfDesign raises a lot of good points and questions about The Rise of Skywalker, many (but not all) of which came to my mind as I was watching it. Obviously, spoilers all through the thread, and if you absolutely loved the film, maybe you don’t want to click through.

It was very pretty, of course, and I was generally entertained. However, there were so many moments (like many of those in the above-linked Twitter thread) that pulled me out of the film that I never really got truly invested. I’ve seen other people comment on how fanservice-heavy the film was, and I’m very much in agreement; I think it was so concerned with trying to 1) touch on as many pieces of the saga as possible, and 2) satisfy as many fans as possible (unfortunately, particularly those most vocal about not liking The Last Jedi) that it hindered more than helped.

I also think it shares some DNA with Avengers: Endgame in that it was so wrapped up in being the end of a saga that there’s simply no way the film can stand on its own. Neither of these films are comprehensible at all without having watched some (and, preferably, all) of the films that came before them, and as such, suffer when thought of as single entities rather than as chapters in a larger work. These certainly aren’t the only films to be in such a position, of course, but it seems particularly the case for these.

Of course, that saga theoretically stretches over nine films, but I was very amused that everything about the end of TRoS calls back to the original trilogy, and there’s actually very little at all in the film that is a direct or even offhand reference to the prequel trilogy (one line about Gungans is all I’m immediately remembering). It’s very possible to ignore the prequels entirely, and just view episodes IV-IX as a complete story.

In the end, as I noted just after seeing it, it is an entertaining film, and an acceptable, though not incredible, end to the Skywalker saga. But it’s definitely the weakest of the three new films (with The Last Jedi being the strongest).

Well, now. That was definitely a movie!

Spoiler-free mini-review: It’ll do as an acceptable end to the Skywalker saga (and rather amusingly, you really don’t need the prequels at all; this could easily be a six-movie story), but also the weakest of the latter three films. 🎬