Twenty-five years ago today:
Enthusiastically Ambiverted Hopepunk
Things that catch my geeky interests that don’t fall into a more specific tag.
Twenty-five years ago today:
Sometime between January 19th and January 20th, I thought this stuff was interesting. You might think so too!
Sometime between January 12th and January 14th, I thought this stuff was interesting. You might think so too!
Something that’s been fascinating me over the past few weeks during all the weather weirdness has been how incredibly valuable Twitter has been in keeping track of everything that’s happening. The #seatst (Seattle Twitter! Storm! Team!) and #pdxtst (Portland Twitter! Storm! Team!) tags were the single best sources for moment-by-moment information during the snowstorms, #waflood is still running strong for tracking flood info, and last night I was reading about an #earthquake in California just minutes after it happened. I’ve been enjoying Twitter for day-to-day trivialities and quick bursts of drivel that wouldn’t be worth making a full formal post for, but it’s Twitter’s growing usefulness as a crowdsourced quick-response news channel is mindblowing.
Of course, I’m far from the only person noticing this trend, and there’s a neat article at Publishing 2.0 (which I found via a #waflood tagged tweet from Evan Calkins this morning) looking into the creation, evolution, and use of the #waflood tag over the past few days.
The discussion about journalism’s future so often focuses on Big Changes — Kill the print edition! Flips for everyone! Reinvent business models NOW! — that it’s easy to forget how simple innovation can be.
Sometimes all you need is a few Tweets, a bunch of links, and some like-minded pioneers.
That’s how a quiet revolution began in Washington state Wednesday. Four journalists spontaneously launched one of the first experiments in collaborative (or networked) link journalism to cover a major local story.
But it gets better. Those four journalists weren’t in the same newsroom. In fact, they all work for different media companies. And here’s the best part: Some of them have never even met in person.
It’s a great look at how the collaboration allowed the journalists and their respective news organizations to stay on top of the stories, and put together stories and information pages that were far more comprehensive than if they’d each stuck to their own individual “old media style” resources.
The Washington link projects should serve as models for the entire news industry. They show that collaborative linking draws readers, is easy, and costs nothing more than time (and not even much of that).
Seth said the December snowstorm link roundup was on the homepage for three or four days — but it was the site’s most-trafficked story for the entire month.
[…]
This is the power of collaborative news networks. By forming a network, newsrooms can discover not just a greater volume of news, but a greater volume of relevant, high-quality news than one person, one newsroom, or one wire service could alone.
Compare the Washington group’s great waflood link roundup to a Google News search for “Washington flood” — I know which one I’d rather have as a resource if I lived in that area.
Neat stuff. Even though I’m “just” a consumer, not a journalist in any sense, and not involved with or affiliated with any of these organizations, I’m fascinated by the effects of the evolving connections that technology is making possible between the media and the public, and within and among the various media organizations themselves.
Sometime between December 28th and January 8th, I thought this stuff was interesting. You might think so too!
Looks like I’ve got my answer: our Limited Basic service shouldn’t change. Here are the relevant tweets:
@djwudi Limited basic will be channels below 30 will not need a box. What channel number are you concerned about? #
@djwudi This isn’t happening immediately; it’s where we’re eventually moving. As you said, it’s seperate from the FCC broadcast transition. #
@ShaunaCausey @comcastcares You two are fast! :) I know we’ll miss 99 (CBUT), they were great during the Olympics, and we’ve kept watching. #
@ShaunaCausey @comcastcares My concern: there aren’t many channels above 29 on Limited Basic, but having them go poof isn’t “unaffected”. #
@djwudi Good point. you will still get CBUT. If you are a “limited” customer, you will not lose any channels. 75-99 WILL still be there. #
Sounds like a good end to this particular adventure to me!
Update: There have been some additions to the Seattle Times article that cover this same information. Here’s the relevant sections of their article:
Q: What about public access channels above 29? (NEW)
A: Comcast must still offer a handful of public access channels in analog format, per its franchise agreements. Tony Perez of Seattle’s cable office said that in Seattle, those channels include 75 (KCTS Plus) 76 (UW 2 TV); 77 (SCAN, the public access channel) and perhaps a few more.
Q: What about Canadian public television channel 99 (CBUT)? (NEW)
A: It will remain available to “limited basic” customers, spokesman Steve Kipp said in an email: “In addition to C-SPAN, C-SPAN2, the local broadcast channels and the local government and education channels, the Limited Basic lineup includes: Northwest Cable News, ION, Discovery Channel, KMYQ, KBCB, KHCV, QVC, HSN, KWDK, Hallmark Channel, KTBW, TVW, Univision, The Weather Channel and CBUT.”
Kipp said the limited basic channel numbers won’t change: “As for channel locations here, they will remain the same so the Limited Basic channels that are in the 75 to 99 range would remain the same.”
Well, maybe this transition thing isn’t as cleared up as I thought.
An update to the earlier article about Comcast’s transition to (nearly) all-digital broadcasting went online, and it seems to be contradicting what I was told earlier. Here’s the relevant part of the new article (added emphasis is mine):
Comcast is switching channels higher than 29 to digital format and requiring all televisions to have some sort of cable box to receive those channels. For “expanded basic” customers who don’t have cable boxes, the company will provide a free box. It also will provide two free adapters that expanded and digital customers can use on additional TVs that don’t have a box. Limited basic customers — who only receive channels 2 to 29 — won’t be affected.
This seems to agree with my initial interpretation from the first article: that there will be no change in service for Limited Basic subscribers, and it’s only Expanded Basic customers that will be receiving cable boxes and/or DTAs. Looking again at the tweets I received yesterday from Shauna, I wonder about the wording of this one (again with added emphasis):
@djwudi Hi,Re:Comcast—You will not lose channels, you will actually get more. If you have basic cable, we’ll give you very small conver … #
The problem I’m seeing, and the potential breakdown in communication, is that “basic cable” could be interpreted two ways: Limited Basic (the package I have), and Expanded Basic (the package planned to get the new boxes).
Under Comcast’s current channel line up (which I can’t link to, given the joys of Comcast’s website), Limited Basic customers get channels 2-29 as stated in the article, but they also get 75-79, 99, a run of HD channels (which you would need a $6.50/mo HD box to receive: 104-107, 109-111 and 113), and four high-digit channels (115-117 and 119) that I’ve never seen, so I don’t know if they’re HD or if my TV just doesn’t pick them up. Based on the information provided so far, I can’t find a situation where Limited Basic subscribers “won’t be affected,” as stated in both articles from the Seattle Times. There appear to be two possible situations:
After the transition, Limited Basic service will actually be reduced to only channels 2-29.
I’m going to continue poking at Comcast to see if I can get a solid answer to this, but at the moment it’s a little confusing.
As long as I’m babbling about the boob tube and whining about cable pricing, I might as well toss out my pie-in-the-sky, never-going-to-happen concept for what I want as an option. I actually have two possible concepts, both of which seem like they’d be very doable in the present or soon-to-exist all-digital world.
TV as a Utility: Open the pipe and give me access to everything, but track what I watch and bill me for what I watch. Watching a few shows here and there is a small bill, feeling lonely and desperate for company and leaving the TV on 24/7 is a larger bill. Bill me for what I actually consume, not what you hope I might try to consume in my most desperate, anti-social, couch-potato moments of depression.
I don’t expect that either of these options are likely to appear anytime soon, if ever, but they make a lot more sense to me than any of the current pay-TV models do.
For Christmas this year, Prairie and I have decided to treat ourselves and upgrade our TV set from the one I bought when I moved to Seattle seven and a half years ago (!!!!!). It’s a nice enough TV (a Sony Wega 27-inch), but it’s huge, heavy, and while still in good shape, it’s old tech. The original plan was to wait until it died, but between Sony’s generally good longevity (my parents had a little Sony 13″ TV that went for almost thirty years) and my geeky techno-lust, Prairie surprised me by suggesting that we go ahead and upgrade to the new hotness.
So, the hunt is in progress. At this point, I’m pretty much decided on a 32″ Samsung, most likely either the LN32A550 or the LN32A650, depending on where prices land in the weeks between Black Friday and Christmas.
Of course, with the jump to an HDTV comes the jump to HD programming. Day-to-day entertainment will come courtesy of Comcast — we’re already getting our cable through them, so we’ll just upgrade that to the minimum possible digital/HD package. For movies, though, we’re doing a bit of back-and-forth (though, to be honest, Prairie’s on the “back” — that is, staying with what we have — while I’m on the “forth” side of the discussion).
My movie-loving, technology-geeking little heart tends to go all a-pitter-pat at upgrading to Blu-Ray. I jumped onto the DVD bandwagon as soon as it dropped into the realm of affordability, loved the jump in video and audio quality from my old VHS tapes, and have been looking forward to the next step forward.
Prairie, however, doesn’t really see what all the fuss is about, and her approach is one that I’m having an amusingly tough time arguing against: if we can see the show and enjoy the story, than what’s the big deal? She never saw a big difference between VHS and DVD, doesn’t really care about surround sound (a moot point at the moment, as living in an apartment building means that standard stereo at reasonable levels is far more realistic than full surround and gut-thumping subwoofers — something we really wish our neighbors would realize…), and just doesn’t see the point in adding another piece of electronics and another remote to the stack we have to keep track of already.
I’ve gotta admit, it’s hard to really say, “But…it’s better!” without realizing just how foolish that sounds.
Not that I don’t try. I’d have my geek card revoked if I didn’t at least try.
(And on a not-unrelated-at-all side note, I think it works wonderfully that our respective geek levels generally balance out into reasonable end results. I don’t know how couples made of dual übergeeks can manage!)
In any case, I think part of the conversation is simply the fact that we don’t really know how much of a change we’re going to see when we upgrade. Sure, I’ve looked at all the numbers and can see the mathmatical difference between SD 640×480 and FullHD 1920×1080, I’ve done simple little experiments looking at resolution increases, and I’ve been working with digital photography long enough that I can get a feel for the difference betweeen a .3 megapixel image and a 2 megapixel image (the approximate difference between SD and FullHD). But running numbers and reading webpages is no substitute for actually seeing what happens when we plug it all together.
So I tried a little experiment today, and tossed out two questions on Twitter…
You who’ve moved from “old school” TV to a new HDTV (pref. w/some form of HD feed): is it really that big of a difference? Turned up to 11?
Same question, part 2: Along the same lines, how about the DVD to Blu-Ray transition? Again, is it that much visibly better?
…and got the following responses:
So the final consensus (admittedly, since I used Twitter, drawing from a very weighted sample of at least somewhat geeky-type people), while not clear-cut across the board, seems to be that yes, there is a difference, ranging from “better” to “A-FUCKIN’-MAZING”. We’ll just have to wait and see where we fall along that spectrum with the equipment we have (we’ll have the HDTV and HD cable from Comcast for the pretty pretty pixels, and a non-upconverting DVD/VHS combo deck for movies), and maybe see if I can find anyone with a Blu-Ray player for us to borrow for a night to help us decide if we want to add that piece, too (of course, if the Blu-Ray players don’t drop into affordability, that’ll make the whole point moot as well).
Did I miss anything?
Over the course of the week, Newsweek has published a fascinating seven-part series called Secrets of the 2008 Campaign, an “in-depth look behind the scenes of the campaign, consisting of exclusive behind-the-scenes reporting from the McCain and Obama camps assembled by a special team of reporters who were granted year-long access on the condition that none of their findings appear until after Election Day.”
Since I wanted to read the whole thing, but have also been experimenting with reading eBooks on my iPod Touch, I figured this was as good a time as any to play with seeing what it would take to create an eBook. As it turns out, it’s not terribly difficult at all, at least as far as the .epub format goes. After some time with this tutorial and a little bit of minor troubleshooting, I had it all set up.
If you have an eBook reader that supports .epub files and would like to take a peek, here it is. It’s been working fine for me in both the desktop and iPhone versions of Stanza, but I can’t at this point vouch for any other eBook reader.
Obviously, seeing as how the only thing keeping me from breaking copyright criminally (rather than simply flagrantly, which is were I stand now) is that I’m not charging for this, so should Newsweek decide to give me the smackdown, this will be disappearing faster than Sarah Palin leaving the stage after McCain’s concession speech.
Still, it was a fun exercise in figuring out eBooks.