Year 50 Day 207

Screenshot of my DJ broadcast stream. I'm in the center, wearing headphones and looking up. Behind my head is an audio waveform; to either side of my head are album covers as if they were on physical turntables. A green border near the edges of the frame includes my DJ Wüdi name and my social media addresses (djwudi on Twitch, Mixcloud, and Facebook). Behind me is a sci-fi cityscape. Text on the lower part of the screen says 'Difficult Listening Hour 2023.11.25 Who knows? No plan. Just getting back in practice. Now playing: The Chemical Brothers: Where Do I Begin (Copycat)'.

Day 207: In a few months I’ll again be DJing the Thursday night dance at Norwescon 46, so to make sure I’m not entirely rusty when I set up that evening, it’s time for me to start practicing again. Whenever I do this, I broadcast to Twitch, and so this is what I look like when I’m streaming. Obviously, it’s very serious business.

I’m actually rather proud of the look I came up with some time ago, after a few rounds of tweaking and playing with ideas.

The “turntables” to either side of my head display the art for whatever track is playing (and they rotate as if they were physical turntables), and the audio waveforms behind my head are the waveforms of the playing tracks; deck A (the left side) on the top, and deck B below. Those elements are all pulled from the UI of DJay Pro, the DJ software I use.

The sci-fi cityscape behind me is actually a video clip. I have a small library of interesting looping video backgrounds that I can choose from.

The text in the bottom third is pulled from a text file that I keep open on my screen; as I’m mixing, I take a quick moment to update the text file with the name of whatever track I’m playing at the moment. I think there are ways to automatically pull that info from DJay, but I’ve never quite liked the look of the ones I’ve seen, and this works for me.

The caricature of me on the lower right was drawn for me a number of years ago by Sharii Chankhamma. In the original, I’m wearing an “NSFW” t-shirt; for streaming, I’ve created a small library of shirt designs that randomly update every 15 seconds.

Today’s mix is now available on my Mixcloud page if you’d like to give it a listen, along with many, many hours of other mixes I’ve uploaded in the past. And more will come — I may not do this every week, but I will need to make sure to get some more practice in over the coming months, so I’ll be popping up from time to time.

Why Don’t You Get A Job-La-Di, Cecilia? (Simon & Garfunkel vs. The Beatles vs. The Offspring)

This is one I’ve had bouncing around in my head for years, knowing it was ridiculous, but all three songs are so similar that I had to give it a shot. Now you get to suffer too! ;)

Download: DJ Wüdi – Why Don’t You Get A Job-La-Di, Cecilia? (2.7 MB .mp3)

Highline College 2023 Student Employee of the Year Celebration

Pre- and post-ceremony background music for the 2023 Student Employee of the Year celebration at Highline College. Much poppier than my usual style, heavily (and welcomely) influenced by suggestions provided to me beforehand by the organizing committee. Thanks to the SEotY committee for inviting me to help with the event!

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Norwescon 45 Wrap-Up

Norwescon 45 is done, I’m back at home, and have had a day to rest and do the usual day-after duties (unpack, laundry, and various post-con website updates and scheduling social media posts). Our second year back was a good one and went smoothly from everything I could see, and was particularly good for me on a personal level.

On Wednesday, during the evening pre-con volunteer party, I was awarded a Lifetime Member award, given to ConCom members in recognition of years of contributions and hard work. It was a really wonderful surprise — this was something I’d thought I might achieve someday, but certainly hadn’t been expecting it. As many of the existing Lifetime members noted, there’s no escape now! :) Long-time photographer Thom Walls also received Lifetime Status.

Me and Thom holding our Lifetime Member award plaques.

Thursday night marked the return of DJ Wüdi, as I let my alter-ego out for the Thursday night dance. The Thursday night dances may be the most sparsely attended, but I still had what I’d consider a good turnout, and those that were there seemed to be having a good time. I’d also had fun adapting the OBS graphics I’d created for my Twitch streams so that I could throw them up on the video wall behind me on stage, so I had a pretty good-looking setup as well. I snapped a quick pre-dance selfie, and hopefully one of the con photographers got some good shots of me and the full setup as things were going on. As usual, I recorded the full set and have it uploaded it to my MixCloud page.

Me in front of the video wall with my graphics on display.

And Friday, of course, was all about the Philip K. Dick Award ceremony. Two of the nominated authors were able to join us this year, and so the first official-ish (-ish because for this, I was just a member of the audience) part of the day was the “All About the Philip K. Dick Award” panel, where the nominees and award administrator Gordon Van Gelder discussed the award and its namesake. Later that evening, after my inaugural Lifetime Dinner (an annual invite-only event for Lifetime members, Guests of Honor, PKD nominees, and Norwescon Exec Team members; until Wednesday evening, I’d thought my invite was only due to my position as PKD ceremony coordinator) was the award ceremony itself.

Happily, the ceremony went just fine, and I didn’t fall on my face, set anything or anyone on fire, or otherwise embarrass myself or the convention. So I’d say that’s a success! Both attendees read from their works, the other readers read from the works of those nominees who couldn’t attend, and then the winner was announced — and it was one of the two attending authors, which is always a lot of fun. The only downside is that a technical glitch dropped the audio from the first six minutes of the video stream of the ceremony, which was the section where I was talking, so there’s no good recording of my first time doing this. But as far as potential issues go, that’s really not that big, if a little personally disappointing. We’re going to work on using subtitles to approximate what I said, and it’ll do well enough.

Award winner Kimberly Unger holding her award certificate.

Saturday and Sunday, then, were fairly unscheduled days for me…though, somehow, I managed to find a surprising number of things that needed doing or that I could assist with. But even with that, I did make sure to get naps, food, and plenty of time hanging out, socializing, and being silly with friends old and new. And eventually, the closing ceremonies rolled around, and mid-afternoon on Sunday saw me packed up and heading home.

Other highlights: Being gifted some adorable wee little 3D-printed gnomes from one friend and a “LOOTR” (Loyal Order of the Ribbon) pin from Dragoncon from another, seeing a number of friends I hadn’t seen in a long time, soaking my feet in the hot tub one evening (must remember my swimsuit next year), dancing a lot at the two dances I wasn’t DJing for, and generally reveling in my annual geek vacation.

Two small gnomes and a dragon hatching from an egg, all 3D printed in grey, but the gnomes have had their hats painted red.A small square purple enamel pin with a stylized black dragon and the letters “LOOTR” in fancy type.

It’s been a good weekend. And now it’s less than a year until Norwescon 46!

Norwescon 45 Multiverse of Music

Recorded live on Thursday night at Norwescon 45: After opening ceremonies, get moving at the Multiverse of Music with DJ Wüdi, spinning dance tunes crossing decades, styles, and genres with something for everyone. From con standards to pop hits, dance floor classics to modern mashups, new wave to dark wave, enjoy an evening of eclectic tunes chosen to keep the dance floor moving.

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Difficult Listening Hour 2023.03.20

Just a short 30-minute practice set as I get used to using a mobile (laptop-based) setup instead of my home (iMac-based) setup, and to incorporating Beatsource as a track source instead of solely relying on my own library.

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