I’ve had to drop one of the panels I was on, but am still a panelist on one, presenting on my own for another, and have added DJing the Wednesday night dance! Here are the current details (now with links, since we’ve posted the full schedule):
From dance clubs in Alaska in the ’90s to being a recent regular DJ at Norwescon, DJ Wüdi spins an eclectic mix of dance tracks from across the decades. Pop, electronica/dance, wave, disco, goth/EBM/industrial, convention classics, mashups… (almost) anything goes! Already know there’s something that’ll get you out on the floor? Send in your requests ahead of time!
Conventions are getting more used to considering the physical accessibility of their hotels and convention centers, but how are we doing with digital accessibility? Ensuring that website and web applications, email marketing, and distributed documents are set up to be compatible with assistive technology keeps our members with disabilities included throughout the year. Learn about the basics of document accessibility and get a grounding of what your publications and marketing volunteers should be aware of in order to make sure your convention’s materials are accessible to everyone.
Founded in 1978, Norwescon (NWC) draws thousands of Pacific Northwest SFF creators and fans each spring. But did you know that NWC grew out of a desire to bring Worldcon back to Seattle? Well, we’ve finally done it, so come hear how we got here… and what’s next!
Wm Salt Hale (M), Michael Hanscom, Taylor Tomblin, Tim Bennett
I’m the website administrator for Seattle Worldcon 2025, and I decided to run a bit of an experiment with the site, playing with an idea I’d been toying with for next year’s Norwescon website.
As I’ve been learning more about accessibility over the past few years, I’ve been working on transferring what I learn over to both the Norwescon and Worldcon websites as I’ve been working on them. Since alt text on images is one of the baseline requirements for good accessibility, I’ve been making sure that we have decent alt text for any images added to either site.
Of course, when working with other people’s art and images, there’s always a little question of whether the alt text I come up with would be satisfactory for the artist creating the image. So, I figured, why not see if I could more directly involve them?
When we were collecting signups for the fan tables, art show, and dealers’ room, as I was building the registration forms, whenever we asked for a logo or image to be uploaded, I added an optional field to allow the user to include alt text for the image they were uploading. I didn’t expect everyone using the form would take advantage of this — not everyone is familiar with alt text, some might not entirely understand what the field was for, and some might just find the extra field confusing — but I figured it would be worth a shot to see what happened.
The logo upload field and associated alt text entry field for the art show application. The fan table and dealers’ room applications used very similar language.
Without showing how many of each type of application Worldcon received (because I don’t know if our Exhibits department would want that publicized beyond the “more than we have spots for” for each category that they’ve already said), here’s a breakdown of the percentages of each application type that included a logo image, and how many of those included alt text.
Area
Submitted Logo
Submitted Alt Text for Logo
Fan Tables
77.55%
63.16%
Dealers’ Room
99.60%
72.98%
Art Show
79.89%
87.05%
“Submitted Logo” is the percentage of applications that included a logo image. “Submitted Alt Text” is the percentage of submitted logos that included alt text.
As far as this goes, I’d say it was a pretty successful experiment, with between 63% and 87% of submitted images including alt text that we could then copy and paste into the website backend and code as we built the pages that used them, both saving us time and effort and ensuring that the alt text was what the people filling out the form would want it to be. Not bad at all!
Of course, simply having alt text is only part of the equation. The next question is how good is the submitted alt text?
Not surprisingly, it’s a bit all over the place. Some were very simple and straightforward, with just a business name, or the name with “logo” appended. Some described the logo in varying levels of detail. And some went far beyond just describing the logo, occasionally including information better suited other fields on the form that asked for a promotional description of the business, organization, or artist. That said, there were very few instances where I considered the submitted text to be unusable for its intended purpose.
Later on when I have more time, I might dive a bit more into the submissions to do a more detailed analysis of the quality of the submitted alt text. But for now, I’m quite satisfied with how this worked out. I fully intend on doing this for Norwescon’s website next year and onward, and would recommend that other conventions (and other organizations or businesses) that accept user image uploads to also allow users to provide their own alt text.
This one didn’t grab me as much as others in the series have so far. Not bad at all, and certainly has its amusing moments, but more of a “sure, this was fine” than a “I can see why so many people are so into this series” entry.
I have my (draft) paneling schedule for Worldcon! While there’s always the possibility that things may shift a bit between now and August, at the moment, I’m giving one solo presentation and will be a panelist on two panels.
Here’s the lineup:
The future of education technology
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Adaptive online learning, AI assisted classrooms, virtual reality schools … Things that used to be just science fiction are now science fact. How is education changing and what does it mean for the students?
Corey Frazier (M), Frank Catalano, Lia Holland, Mason A. Porter, Michael Hanscom
Well, as it turns out, I had a conflict come up, so I’ve had to drop this panel. This was a draft schedule, after all!
Digital Accessibility Basics for Conventions
to
Conventions are getting more used to considering the physical accessibility of their hotels and convention centers, but how are we doing with digital accessibility? Ensuring that website and web applications, email marketing, and distributed documents are set up to be compatible with assistive technology keeps our disabled membership included throughout the year. Learn about the basics of document accessibility and get a grounding of what your publications and marketing volunteers should be aware of in order to make sure your convention’s materials are accessible to everyone.
Michael Hanscom (M)
Norwescon: local but not little
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Founded in 1978, Norwescon draws thousands of PNW SF/F creators and fans each Spring. But did you know… NWC grew out of a desire to bring Worldcon back to Seattle? Well we’ve finally done it, so come hear how we got here… and what’s next!
Wm Salt Hale (M), Michael Hanscom, Taylor Tomblin, Tim Bennett
This is the third book I’ve read by Ab Hugh, and the third to get two stars. It’s obviously supposed to be comedic, but isn’t funny (the conceit of a Ferengi who speaks entirely like it’s “talk like a pirate day” may be hilarious to some; to me, it was increasingly annoying), there are numerous typos and inconsistencies, and it was just a slog. Not looking forward to when I get to more by this author (though I’ll read them, because I’m a stubborn Trek completist).
If you know much of anything about Heavy Metal, you know what to expect with this relaunch of the long-running comic anthology series. Sci-fi/fantasy/horror comics and art (often of the “muscle bound men and women wearing a whole lot of not very much no matter how impractical that might be” variety, of course). As the relaunch issue, this also has several short essays about the history of the magazine and some of the artists who have been involved, particularly Greg Hildebrandt, who died between painting the cover (of the edition I have) and when it was published. Though I was never a subscriber, I’d found the occasional issue, and certainly saw the movie (and have had it in my collection for years, even if it’s not a regular watch), and it’s good to know that the magazine is still going, and that it’s still exactly what your inner ’80s adolescent has been looking for.
And that’s it — this morning, I finished off Lois McMaster Bujold’s Vorkosigan Saga. A little under two years (non-consecutively; many other books have been read in between these) of the adventures of Miles Vorkosigan and his family, friends, and enemies.
This was neither planned nor expected. I started because I’m reading my way through all the Hugo Best Novel winners, and several of the Vorkosigan books are on that list, I continued because even though neither romance nor military sci-fi are genres I usually go for, the books are just so good that they pulled me in. (And, well, I don’t like coming into a series midway through if I can help it, so I had to read the books that were earlier or in between the Hugo winners.)
Bujold’s characters are wonderfully realized. Not always heroes or even particularly heroic (and sometimes rather disturbing), but always very real. The books are funny — I wouldn’t really call any of them comedies, but they are frequently comedic. And the world building (over multiple worlds scattered across a wormhole-connected galaxy) is great, with cultures that are obviously related while also being very separate and distinct.
All in all, while I certainly didn’t expect this when I started, this has become a favorite series, and I’m very much looking forward to seeing what Bujold does in a fantasy world, as I head into her World of the Five Gods series (of which the second, Paladin of Souls, is the next Hugo Best Novel book on my list). (It’s a good sign that both the Vorkosigan Saga and the World of the Five Gods series have won Best Series Hugos….)
In a fitting bookend for a series that began with a sci-fi romance between a military officer and a planetary surveyor, it ends with something essentially the same, even to one of the same characters. Much less adventuresome or military than others, this is more of a pleasant, comfortable wrap up for the series, bringing it back to where it started while checking in with many of the remaining characters. While the stories certainly good go on if Bujold chose to write more, this is also a very worthy ending to the series itself.
♿️ Officially launched the Accessibility Liaisons project at work on Tuesday, to help train more people and distribute the work of improving digital accessibility across the college. This was just a “soft” launch to introduce the program, with things kicking off more comprehensively in the fall, but it was good to get it started.
🌏 Yesterday we went to Kent’s annual International Festival. Got some good food from food trucks, learned a little bit about some of the many cultures represented in Kent’s population, and saw some good music and dance performances. My favorites were a kids group doing traditional Sri Lankan dance, and kids from the local School of Rock.
🏳️🌈🏳️⚧️ Happy Pride Month, all. Or if not that, have a well-focused Wrath month. Stonewall was a riot of queer and trans people, after all. And my occasional reminder that I describe myself as “statistically straight“, which allows for some variations in the trend line.
📸 Photos
The School of Rock kids performing; I think here they were doing Poison’s “Every Rose Has Its Thorn”.
📚 Reading
Finished James Swallow’s Star Trek: Strange New Worlds book Toward the Night.
Finished Andor. That was really good. Easily among the best of the modern Star Wars shows and films (that I’ve seen, at least, not having seen them all).
🔗 Linking
Eric Wilkinson at King 5: AI stepping up as backup for short-staffed PenCom dispatchers (which was headlined “AI now takes some calls for help on Olympic Peninsula” when I bookmarked this): “AI listens for keywords that may indicate crime or violence. It even picks up inflections in the caller’s voice to sense trouble. If any of those criteria are met, the call goes directly to a real person.” Yeah, I can see no way in which this could go wrong…
Helen Smith at King 5: The Cascadia Subduction Zone looks a little different than researchers thought. Here’s what that means for ‘The Big One’ (which was headlined “New research reshapes ‘The Big One’ tsunami risk” when I bookmarked it…what’s with King 5 renaming headlines?): “New findings show that tsunami risk may be different, though not less, in places along the subduction zone. This is due to the absence of a ‘megasplay fault,’ which was previously believed to run from Vancouver Island down to the Oregon-California border.”
Technology Connections on YouTube: Closed captions on DVDs are getting left behind. Half an hour, but a fascinating look at how closed captions are encoded into analog video, how it works with the digital video of DVDs, and why modern players and Blu-ray disks are falling over with their closed caption support. Some of the basics here I knew from my subtitle projects, but a lot of the technical details were new to me and neat to learn about.
Ben Cohen in The Wall Street Journal: They Were Every Student’s Worst Nightmare. Now Blue Books Are Back. (archive.is link): “Students outsourcing their assignments to AI and cheating their way through college has become so rampant, so quickly, that it has created a market for a product that helps professors ChatGPT-proof school. As it turns out, that product already exists. In fact, you’ve probably used it. You might even dread it. ¶ It’s called a blue book.”
Nadira Goffe in Slate: The Controversy Surrounding Disney’s Remake of Lilo & Stitch, Explained: I don’t have any interest in watching the remake (big fan of the original, though), but as a non-Hawaiian white guy, reading about the political undertones in the original that have been stripped out of the remake was really interesting, as it was a lot of stuff that I didn’t know.
Anil Dash: The Internet of Consent: “The growing frustration around “enshittification” is, in no small part, grounded in a huge frustration around having a constant feeling of being forced to use features and tools that don’t respect our choices. We’re constantly wrestling with platforms that don’t respect our boundaries. And we have an uncanny sense that the giant tech companies are going behind our backs and into our lives in ways that we don’t know about and certainly wouldn’t agree to if we did.”
Kelly Hayes: From Aspiration to Action: Organizing Through Exhaustion, Grief, and Uncertainty: “As an organizer, I’ve been thinking a lot lately about the gulf between what many people believed they would do in moments of extremity, and what they are actually doing now, as fascism rises, the genocide in Palestine continues, and climate chaos threatens the survival of living beings around the world.”
Chelsey Coombs at The Intercept: “Andor” Has a Message for the Left: Act Now: “‘Andor,’ the new series set in the universe, doubles down on its anti-authoritarian roots, focusing on the creation of the revolutionary Rebel Alliance. In the process, it gives us a glimpse into the messiness and conflict that often accompanies building a movement on the left, as activists fight over which political philosophies and strategies work best.”
Yona T. Sperling-Milner at The Harvard Crimson: Come At Me, Bro: “I propose an alternate strategy: I shall fight Secretary of Education Linda E. McMahon in a televised cage match, the winner of which gets $2.7 billion in federal grants and the power to uphold or destroy America’s continued technological and economic success.”
Suyi Davies Okungbowa: I Call Bullshit: Writing lessons from my toddler in the age of generative AI: “Software is as limited as the individuals, systems and institutions that define and prompt it, and as of today, mimicry is its highest form. But as you can see above, mimicry is not a significant endeavour. A human baby can mimic. A chameleon can mimic. Mimicry is basic.”
![Screenshot of a section of a website form. On the left is an option to upload a logo image, on the right is a text box asking for alt text. The prompt reads, 'A brief description of the image to support our Blind and low vision members. If no alt text is provided, '[display name] logo' will be used.' The field is limited to 1000 characters.](https://michaelhans.com/eclecticism/wp-content/uploads/2025/07/Screenshot-2025-07-01-at-9.13.55PM.png "Screenshot 2025-07-01 at 9.13.55 PM.png")
