Book 9 of 2025: Alien Clay by Adrian Tchaikovsky.
Sixth and final Philip K. Dick award nominee of the year. As such, not reviewed.
Enthusiastically Ambiverted Hopepunk
Whatever I’m geeking out about at the time.
Book 9 of 2025: Alien Clay by Adrian Tchaikovsky.
Sixth and final Philip K. Dick award nominee of the year. As such, not reviewed.
So I noticed Cygnoir do one of these, and I really liked the template, and thought (as she did) that it might be a good way to help me reboot my blogging habits. So here we are! My thanks to Cygnoir (and to Jedda for inspiring her) for the template and inspiration!
Not much of a week for photos. But since this is my first time doing one of these weekly notes, here’s a simple one from last week, showing my current set of laptop stickers.
That’s an A11Y (accessibility) sticker I got at this year’s Accessing Higher Ground conference, the seal of the United Federation of Planets, Norwescon, a classic rainbow Apple logo that I’d had stashed away for probably close to two decades (maybe more, I don’t know when they stopped producing these), Seattle Worldcon 2025, and Gothic Pride Seattle.
For Reasons™, I’ve recently added the Chipmunks’ The A Files album to my collection, where they cover a bunch of vaguely SF-themed songs.
They do a cover of “The Purple People Eater” that I swear sounds like it could have been produced by the same team behind The Rednex’s “Cotton Eye Joe”, and they’d probably mix together disturbingly well.
“Cotton Eye Joe” is always something of a guilty pleasure (except that I’m not fond of the “guilty pleasure” thing, and prefer to just enjoy things I enjoy without guilt, however cheezy they are), and now I’m sitting here being amused at how catchy The Chipmunks’ “Purple People Eater” is. If you’re into goofy ’90s technopop, it’s better than it has any right to be.
WSDOT: Brick-by-brick: The quest to get a custom Lego model on a ferry
Local artist Wayne Hussey is a lifelong Lego lover and architect. One of his creations now lives aboard our ferry Issaquah. Getting it aboard was also quite a puzzle.
Even taking into consideration their years of exploitation and abuse, Neil Gaiman and Amanda Palmer remain models of artistic success in the 21st century. Gaiman created an extremely sellable brand — affable, “oh goodness,” harmless Britishness wrapped up in a “I have read a lot of books” kind of storytelling — and the publishing industry used that not only to sell a lot of his books but that of his friends as well. Amanda Palmer has crowdsourced her way into a perfect little Patreon pyramid scheme, where all money flows to her and she gives back vibes and requests for domestic labor. This is the ideal artistic arrangement these days, where stars receive 95% of Patreon/Substack/other crowdsourced forms of income and everyone else competes for scraps. Both are reliant on a dedicated, servile audience, willing to turn over their time and bodies and cash to get a piece of that bohemian existence that only millionaires can manage these days. It’s the bohemianism not of Weimar, which Palmer constantly references, but the bohemianism of contemporary Burning Man, full of tech billionaires wearing the worst outfits you’ve ever seen in your life.
Book 8 of 2025: Time’s Agent by Brenda Peynado.
Fifth Philip K. Dick award nominee of the year. As such, not reviewed.
Book 7 of 2025: City of Dancing Gargoyles by Tara Campbell
Fourth Philip K. Dick award nominee of the year. As such, not reviewed.
My Thursday night dance at Norwescon is going to have a “Star Trek vs. Star Wars” theme, so I put together a video to play behind me of starship shots from the movies. I alternated clips between franchises, and most of them have been in the 10-20 second range; a few as short as 4, a few as long as 40.
In my alternating, when I made it up to the refit Enterprise reveal in The Motion Picture, you may be surprised to read that I restrained myself, and did not just drop the full eight-minute sequence in there.
Cutting out Kirk and Scotty’s reactions and some shots that are mostly spacedock scaffolding got it down to two minutes, fifty-one seconds.
I’m biased, and I’m not even sorry about it. 😆
Here’s a two-minute sneak peek (originally posted to Facebook, and so is silent so as not to run afoul of their automated audio copyright bots; feel free to listen to whatever audio you wish as you watch) of my background graphic setup for the Norwescon Thursday night dance. This will be playing on the big projection screen/video wall on the stage behind me.
The background video is 2 hours and 12 minutes of mixed Star Wars and Star Trek spaceship and battle shots (space and space ships only, no on-the-ground battles, so no Hoth or Endor). Two hours of that goes back and forth between Trek and Wars, but the last ten minutes is all Trek, because I was only pulling from the theatrical films, and there are two more Trek films than there are Wars films.
The “vinyl” platters at the top left and right automatically update with the cover art for whatever track is being played, and rotate as if they were actual turntables.
The waveform display at the top is live waveforms of the audio being played; the top waveform is the left turntable, the bottom is the right.
The title and artist of the currently playing track at the bottom automatically update.
The graphics on the t-shirt that the mini-cartoon-me is wearing randomly change every few seconds, with a selection of mostly (but not entirely) Trek or Wars themed images.
Some slightly more technical details for those who may be interested:
All the elements are assembled in OBS, and when I’m DJing, I’ll be pushing that video stream out to the the on-stage screen behind me.
The turntables and audio waveforms are pulled from djay Pro using OBS’s window capture feature, cropping down to the elements I need, playing with the color levels, and adding an alpha channel to turn dark/black pixels transparent. Cover art with dark/black pixels that become transparent is accounted for by placing the turntable graphics over PNGs of black circles to act as “platters” and black out the background video.
The “now playing” text also comes from djay Pro; in this case, djay Pro automatically creates a “now playing” text file, and I tell OBS to read and display that text file.
The Norwescon and DJ Wüdi logos are simple static PNG files.
The cartoon me is a static PNG file with a plain black shirt. I point OBS to a directory with small square white-on-black images that it randomly picks from on a five second rotation to create the “print” on the t-shirt.
🎥: Groundhog Day (1993): ⭐️⭐️⭐️⭐️⭐️
As tongue-in-cheek as it may sound to call this one of the most rewatchable films made…it’s also true. Always good, every time.
🎥: Back in Action (2025): ⭐️⭐️⭐️
A fun action-adventure comedy. It’s good to see Diaz back again after her break, and still quite able to kick butt. Nothing groundbreaking, sure, but makes for a fine bit of afternoon entertainment.
IF YOU’RE GOING TO BE PROTESTING or in any sort of situation where there’s a higher-than-average chance of having potentially adversarial encounters with the police, and if you have an iPhone, please remember these two tips:
While there are some legal disputes over this, currently the police cannot force you to surrender your phone passcode, but they might be allowed to force you to use Touch ID/Face ID to unlock it. By hard locking your phone, you’re locking them out until/unless they get a warrant. If the police ever ask you to surrender your phone, hard lock it as you hand it to them.
I also recommend switching from a standard 4- or 6-digit passcode to a longer, alphanumeric password. To set this up, go to Settings > Touch ID/Face ID & Passcode, tap Turn Passcode On, and tap Passcode Options and set your passcode. This is much more secure than a short numerical passcode, and if your phone ever gets confiscated, will make it much more difficult for authorities to gain access to your phone.
Either before you join the protest, or if you see the police presence start to ramp up, TURN ON LOCKDOWN MODE.
Settings > Privacy & Security > Lockdown Mode > On
Note: This is not a setting that most people need to have enabled full-time. It’s designed, in Apple’s words, “for the very few individuals who, because of who they are or what they do, might be personally targeted by some of the most sophisticated digital threats.” Turning it on will severely restrict how your phone works in a number of ways (see Apple’s Lockdown Mode support document for details). However, it also makes it much more difficult for anyone to track you, intercept your communications, or otherwise gain access to your phone.
Make your voices heard! But keep yourself safe as you do.
Android users will have to do their own research for these or similar techniques. Or get better phones. ;) (Yes, I’m kidding. Use what works for you.)
(Image yoinked from AppleInsider’s Lockdown Mode post until I can make my own.)
While I wasn’t specifically tagged (I’m not that well known), I saw Matthew Haughey do this (via his Mastodon post), and figured I’d jump in. Nothing like a little narcissistic navel gazing to distract from <waves hands around expressively>, right?
Trick question (kind of, unplanned): I didn’t even know I was blogging in the first place, because the “blog”/”blogging” terms hadn’t been coined yet! I created my first personal site probably sometime in 1995 (that archive is from February of 1996), and that site had an “announcements” page that was essentially an early blog, with short little updates mostly detailing what changes I’d most recently made, but also with occasional bits about my life. All hand-coded, of course, as this was well before any sort of website builder apps existed, let alone CMS software. It wasn’t until February of 2001 when I discovered the words and realized that I was “blogging”.
I’m using WordPress (self hosted), and have been since November 16, 2006. At the time, I had been using Movable Type, which was the Big Thing for self-hosted blogging in the early 2000s. However, they’d been moving towards a more corporate model, and I figured I’d check out this new up-and-comer. Almost 20 years later, I guess it worked out.
Yup! Between WordPress and the previously mentioned Movable Type, I was also on TypePad (a hosted blogging platform originally by the Movable Type people, though I have no idea if there’s any relationship anymore); before Movable Type I used a system called NewsPro (which no longer has a web presence). I’ve also at times dabbled with Blogger, LiveJournal (no link because that account got purged), Tumblr, and others; I currently mirror this blog to a DreamWidth blog (like LiveJournal before the Russians bought it).
Most of the time, as long as I’m on my desktop or laptop, I use MarsEdit. If I’m mobile on my phone or iPad, I just use the WordPress web interface, because I haven’t found a good mobile app. (Yes, I know WordPress has an app; it just annoyed me when I tried to use it.)
Sometimes I’ll start writing elsewhere as I get thoughts together; if I do that, it’s likely to either be in Apple’s Notes app or BBEdit.
When I’m really excited about something or really ticked off about something. Other than that, it’s kind of random. And it’s been more random than I like for a long time (honestly, and unfortunately, my blogging frequency has existed in somewhat inverse relation to the rise of Facebook/Twitter and other non-blog forms of social media), but I’m in the midst of (yet another) attempt at making a real push to blogging here more regularly instead of pushing it all to Facebook. Facebook and its associated Meta products becoming an ever more overt dumpster fire and prompting an exodus is certainly helping with that.
Usually I write, publish, and go. If it’s something I’m really invested in (due to the aforementioned excitement or rage), then I might take a little more time to work and polish it before pushing it live. But my general approach is to just dump it out of my brain and onto the pixels.
Whatever catches my interest. This is definitely not a single-topic blog; hence the “Eclecticism” name.
My first audience is me — in large part, because I so rarely know if anyone else is reading (few people comment, and I long ago turned off any sort of site statistic tracking). My secondary audience is friends and family or anyone who might be interested enough in my ramblings to read regularly, whether by stopping by my site, following the links I put on social media, or who have me in their RSS feeds. The tertiary audience is whomever else happens to stumble by for whatever reason.
With 29 years of archives (34 if you include the earliest entries in my “beyond the blog” category that collects email list and usenet posts I made before I had my own website; the oldest one dates from October 17, 1991), that’s a difficult question to answer. However, I do keep a “Worth Reading” page that I’ll occasionally update with posts that I think are among the most…well, worth reading…and of those, I’d say my current favorite is the most recent addition: Change is good, where I advocate growth and learning and my own journey ever leftward, as occasionally evidenced by older posts here.
Nothing solid. I do occasionally look at options for moving away from WordPress (most recently due to what I consider highly questionable choices by the primary face of WordPress), but so far, between having limited time and energy to devote to diving into my computer (my wife does appreciate actually interacting with me from time to time, after all) and not having found quite the right solution to move to, things are probably stable for the time being.
I do have a wishlist of what I’d like to have in a blogging tool (summarized as “early-2000s MovableType, only with some modern updates”) that, if I could find a solution that supported all of these, would get me off of WordPress in a heartbeat. But until someone builds my dream blogging tool, inertia is probably going to keep me with something that works, even if I’m not entirely happy with it.
I haven’t got a clue! Especially since “tagging” as a way to notify someone is more difficult over multiple services. Of course, if anyone finds this and wants to jump in without being specifically tagged (like I did), feel free! Harken back to the pre-Facebook/Twitter days when blogs like this were how we kept up with each other and these were memes instead of silly text on an image!
Book 6 of 2025: The Practice, the Horizon, and the Chain by Sofia Samatar.
Third Philip K. Dick award nominee of the year. As such, not reviewed.