Book 3 of 2026: Casual by Koji A. Dae.
First Philip K. Dick award nominee of the year. As such, not reviewed.

Enthusiastically Ambiverted Hopepunk
Book 3 of 2026: Casual by Koji A. Dae.
First Philip K. Dick award nominee of the year. As such, not reviewed.

Just a brief update to my prior Affinity by Canva Accessible PDF Output Test post. As Affinity recently updated to v3.0.2, I ran the test again.
The results are nearly identical; the only change I noticed was a regression: The footer text on the master page now appears once at the very bottom of the tag tree instead of being properly artifacted out. In the prior version of this test using Affinity 3.0.1, the footer text was properly omitted from the tag tree.
Updated versions of the test file and output may be downloaded if you’d like to play along at home:
Book 2 of 2026: Challenger by Diane Carey: ⭐️⭐️⭐️.
The tone of this one was really odd. Much of it is centered on the main crew of another ship, which is fine in and of itself, but there was something about their interactions that was so flippant and irreverent that for me, it blew right past “different ship with a different, quirkier feel than the Enterprise” all the way to “how are these people functioning with each other, within Starfleet, or in the universe in general?” As a capstone to the series, it wrapped up all the major plot points well enough, but the odd tone was really off-putting for me.

Saturday night we went out to see one of the 40th anniversary theatrical showings of Labyrith. I don’t remember seeing it in the theater when it came out — I would have been 12, so right in the target range, but I have no memory of doing so — and it was a real treat to be able to do this. It holds up well!
Sunday we headed up to Seattle’s Cal Anderson Park for one of this weekend’s “ICE Out for Good” rallies. I’ve uploaded my full photo set to Flickr, as usual.


Niki Tonsky: It’s hard to justify Tahoe icons: “The main function of an icon is to help you find what you are looking for faster. ¶ Perhaps counter-intuitively, adding an icon to everything is exactly the wrong thing to do. To stand out, things need to be different. But if everything has an icon, nothing stands out.”
Casey Newton at Platformer: Debunking the AI food delivery hoax that fooled Reddit: “For most of my career up until this point, the document shared with me by the whistleblower would have seemed highly credible in large part because it would have taken so long to put together. Who would take the time to put together a detailed, 18-page technical document about market dynamics just to troll a reporter? Who would go to the trouble of creating a fake badge? ¶ Today, though, the report can be generated within minutes, and the badge within seconds.”
Stefano Marinelli: The Virtue of Finished Things: “I received an email yesterday morning. It was a thank-you note for one of the open-source tools I created and maintain. The sender explained how useful the software was for their specific needs, and as always, this brought me an immense sense of satisfaction. ¶ But at one point in the email, a question appeared – one that has become a recurring theme in the modern software world: ‘I notice there haven’t been any new releases for about ten months. Should I consider the project abandoned?'”
Teresa Duryea Wong at Quiltfolk: One Year After an Uncomfortable Choice for Best in Show: “This is a protest quilt. It was made by an artist whose day job puts her on the front lines of one of the most grotesque realities in America today. She is a teacher. ¶ What We Will Use as Weapons: A List of School Supplies is the title for this provocative work of art that features school supplies hurling toward the center on the front and an assault rifle on the back. This long, narrow quilt is the actual size and shape of a door. An outline of a human is stitched through the layers. On the front, the person is meant to represent a shooter, and on the reverse side, a teacher.”
Jacquelyn Jimenez Romero at the South Seattle Emerald: A Fistful of Loud: Seattle Neighbors Build Whistle Kits to Protect Immigrants From ICE: “‘By making noise, you bring visibility to what is happening on the street,’ said Kate Macfarlane, who started the WA Whistles project. ‘ICE relies on shock tactics and moving in very quickly … it turns [an] otherwise pretty silent abduction into a loud, highly visible opportunity for neighbors to rally.'”
WA Whistles: “Our purpose is to spread whistles throughout WA to help communities protect themselves against ICE.”
Joseph Cox at 404 Media: DHS Is Lying To You (archive.is link of a paywalled original): “At least four videos show what really happened when ICE shot a woman in Minneapolis on Wednesday. DHS has established itself as an agency that cannot be trusted to live in or present reality.”
Melissa Turniten at Fox9 KMSP: Minneapolis ICE shooting: Eyewitness accounts contradict ICE statement: “Minneapolis Mayor Jacob Frey calls the claim the shooting was self-defense ‘bullshit’ and is a ‘garbage narrative’ after seeing video of the shooting. Minnesota Gov. Tim Walz has also seen the video, saying ‘Don’t believe the propaganda machine. The state will ensure there is a full, fair, and expeditious investigation to ensure accountability and justice.'”
Jennifer Mascia at The Trace: How Many People Have Been Shot in ICE Raids?: “Using Gun Violence Archive data and news clips, The Trace has identified 16 incidents in which immigration agents opened fire and another 15 incidents in which agents held someone at gunpoint since the crackdown began. At least three people have been shot observing or documenting immigration raids, and five people have been shot while driving away from traffic stops or evading an enforcement action.”
Joseph Cox at 404 Media: Inside ICE’s Tool to Monitor Phones in Entire Neighborhoods (archive.is link of a paywalled original): “A social media and phone surveillance system ICE bought access to is designed to monitor a city neighborhood or block for mobile phones, track the movements of those devices and their owners over time, and follow them from their places of work to home or other locations, according to material that describes how the system works obtained by 404 Media.”
Andy Greenberg and Lily Hay Newman at Wired: How to Protest Safely in the Age of Surveillance: “Two key elements of digital surveillance should be top of mind for protestors. One is the data that authorities could potentially obtain from your phone if you are detained, arrested, or they confiscate your device. The other is surveillance of all the identifying and revealing information that you produce when you attend a protest, which can include wireless interception of text messages and more, and tracking tools like license plate scanners and face recognition. You should be mindful of both.”
Joanna Kavenna at The Guardian: Mass surveillance, the metaverse, making America ‘great again’: the novelists who predicted our present: “From Jorge Luis Borges to George Orwell and Margaret Atwood, novelists have foreseen some of the major developments of our age. What can we learn from their prophecies?”
Ari Anderson at The Stranger: What I Learned About the Future at Seattle WorldCon: “Like the standing on threshold of a cosmic portal, Seattle’s convention center buzzed with bards, fae, aliens, monsters, warriors and spaceships, far away planets and misty forests, innumerable stories of heartbreak and triumph, all tantalizingly within reach between the covers of a thousand books.”
Elizabeth Lopatto at The Verge: Tim Cook and Sundar Pichai are cowards: “Since X’s users started using Grok to undress women and children using deepfake images, I have been waiting for what I assumed would be inevitable: X getting booted from Apple’s and Google’s app stores. The fact that it hasn’t happened yet tells me something serious about Silicon Valley’s leadership: Tim Cook and Sundar Pichai are spineless cowards who are terrified of Elon Musk.”
Julia Shumway at the Washington State Standard: Federal judge blocks Trump election order, siding with Oregon, Washington: “A federal judge in Washington state on Friday permanently blocked the Trump administration from enforcing a 2025 executive order that sought to require voters prove citizenship and that all ballots be received by Election Day.”
Happy holidays (part two)!
Well, we wrapped up 2025…and as happy as we were to see 2025 end, 2026 is already looking to keep the dumpster fires burning bright.
At work, the week was fine. Back in the office this week, though as it was still in the holiday break, it was another pretty slow week. Next week classes start, so things will pick back up again. The slowdown is always nice, but it’ll also be good to have things back to normal after the holidays.
Here at home, we had a nice quiet New Year’s Eve. It was even a bit quieter than we expected, as there weren’t as many local unsanctioned fireworks as there have been in years past.
Out in the wider world, though, we all woke up one morning just a few days into the year to discover that the US had invaded Venezuela and abducted its president and his wife. Because…sigh. We are continuing to speed run becoming everything as a country that I was brought up being told that we weren’t. And even though the older I get and the more I learn, the more obvious it is how far we always have been from the ideals we claimed to uphold, it’s still mind-boggling to be where we are now.
As I said on Mastodon: “I’m confused: Is being a brown-skinned person accused of being involved with drugs something that gets you kidnapped and forcibly kicked out of the country or kidnapped and forcibly brought into the country?”
Though really, after what we saw of Trump in his first term and so far in his second, the only thing that’s really surprising me about all of this is how many people are just…going along with it (most notably Congress — especially, but not at all limited to, the Republican party — and the Supreme Court). The system of checks and balances has apparently given up trying to either check or balance, and that’s perhaps the most troubling part of all of this.


This week I recorded my responses to the current SFWA survey on AI use in the SFF writing/publishing industry, did my annual reading wrap-up for the year, and posted my resolutions for this year.
Finished my last book of the year, Rough Trails by L.A. Graf, and my first book of the year, Thin Air by Dean Wesley Smith and Kristine Kathryn Rusch, both parts of a six-book TOS-era Star Trek series.
We watched two movies over the weekend:
Mission Impossible: The Final Reckoning (2025): ⭐️⭐️: A particularly disappointing finale to the series.
NOTE: For regular readers (assuming there are any), a bit of clarification on how I link some items: I use archive.is for pages on sites that are paywalled (including sites that will only show content if adblockers are disabled) and for Substack pages (because Substack is another Nazi bar). Starting with this week’s post, I will also include links to the original pages, as not everyone has the same attitudes as I do about these things and may have subscriptions to the sites in question, not be as annoyed as I am at dealing with paywalls, ads, and the like, or have either accepted Substack as a “necessary evil” or are unaware of their problematic practices.
National Society of Tax Professionals: USPS Announces Changes to the Postmark Date System: “…while a postmark confirms the USPS possessed a mail piece on the date inscribed, that date does not necessarily align with the date the USPS first accepted possession of the item.” Potentially impactful in a number of important scenarios, including voting by mail. Undated informational page, but the rule took effect in November 2025.
Foz Meadows: Against AI (archive.is link of Substack original): “AI is unethical on a scale that SFF authors should be uniquely placed to appreciate, its evils mirroring metaphors that are older than our present civilization. AI is the cursed amulet, the magic mirror, the deal with the devil, the doppelganger that learns our secrets and steals our face; it’s a faerie illusion, leprechaun gold, the fox’s trick that gives rot the look of resplendence, the naked emperor parading with his cock out; it’s the disembodied voice that whispers let me in, the zombie virus that transforms the known into the unrecognizable, the corrupting fungi whose tendrils invade and poison. It’s the literal fucking One Ring, telling us that of course we’d use its power for good, compelling us to pick it up so that through us, it might do great evil.”
Chuck Wendig: My Open Letter to That Open Letter About AI in Writing and Publishing: “AI IS NOT INEVITABLE. ¶ The only strategy here is the sum total pushback against its uncanny horrors and its non-consensual intrusion into every corner of our world — it steals our content, guzzles our water, increases our power bills, is crammed into services we didn’t ask for it to be crammed into while also charging us more money for the “privelege.” There is no strategy here except to find the fields where the AI grows and metaphorically set them aflame. ¶ And shame and anger against corporate overreach is a powerful fire.”
Trekorama!: 3D walkthroughs of locations on various Star Trek ships, including the Enterprise 1701 (main bridge), 1701-D (main bridge, engineering, sick bay, Ten-Forward, transporter room, Picard, Data, Troi, and Worf’s quarters, and a shuttle), 1701-E (bridge), and Kelvinverse version (bridge and corridor), Defiant (deck one), Voyager (deck one, sickbay, transporter room, engineering, mess hall), Discovery (bridge, transporter room, mess hall, and corridor), and Klingon Bird of Prey (bridge), plus the real-world ISS.
David Reamer at the Anchorage Daily News: Termination dust: Its history, evolution in meaning and possible origin (archive.is link of a paywalled original): “…the history and evolution of termination dust as a turn of phrase offers education, enlightenment and entertainment. Over the decades, there have been changes in meaning and connotation. Throughout those years, it remains a significant detail of local history, a widely recognizable bit of slang whose lore maps closely against that of the town itself.”
Robin Young and Emiko Tamagawa at WBUR: ‘Wake Up Dead Man’: Rian and Nathan Johnson on blending mystery and faith in new ‘Knives Out’ movie: Brief but interesting interview touching on the religious motifs in Wake Up Dead Man.
John Scalo: Was Daft Punk Having a Laugh When They Chose the Tempo of Harder, Better, Faster, Stronger?: “I think our helmet-clad robot friends might have been making a little joke that we’ve apparently all missed. The BPM of Harder, Better, Faster, Stronger is actually 123.45.” Fun bit of music trivia, plus a bit of a peek at the difficulties of having a computer do something that seems relatively easy for humans; in this case, determining a song’s tempo.
Book 1 of 2026: Thin Air by Dean Wesley Smith and Kristine Kathryn Rusch: ⭐️⭐️⭐️.
Another decent book in the series, with another crisis for the Enterprise to solve and the colonists to endure. I’m starting to wonder if they’ll actually be able to wrap up all the dangling threads in just one more book.

My resolutions for this year:
(That’s my Mac mini’s primary 4K monitor and secondary display, my MacBook Pro, and my iPad, iPhone, and Apple Watch, respectively. Yes, I make this same stupid joke every year, ’cause it makes me laugh.)
Every year, I set myself a goal of reading at least 52 books over the course of the year — an average of one a week. This year I made it to 67 books. Here’s a quick (not really) overview…

And again, the trend of the last few years holds true, with another year of primarily escapist fluff. Surprised? I’m not. Have you seen…everything? Still?
Non-fiction: Four books, counting for 6% of my reading, but I liked all four of them. On a historical bent, there was the World War II-era United States Office of Strategic Services Simple Sabotage Field Manual and Lucy Worsley’s A Very British Murder, John Tenuto and Maria Jose Tenuto’s Star Trek III: The Search for Spock: The Making of the Classic Film bridged the non-fiction world with my Star Trek fandom, and on a technical bent, Thom Hogan’s Complete Guide to the Nikon Z5II is a deep dive into the intricacies of my new camera.
Non-genre-fiction (where “genre” is shorthand — though not that short, if you include this parenthetical — for science fiction, fantasy, and horror): None, or perhaps almost none; the Nick Mamatas-edited anthology 120 Murders: Dark Fiction Inspired by the Alternative Era has a few speculative fiction entries, but as a whole probably wouldn’t be classified that way, so can count for this category.
Quality genre fiction: About the same as last year; primarily the Philip K. Dick nominees and my Hugo project, with a few others added here and there.
As usual, I read all of the books nominated for this year’s Philip K. Dick awards. However, I’m no longer posting my thoughts or review on the nominees, as I am the coordinator for the Philip K. Dick award ceremony at Norwescon. While I have no input into selecting any of the nominees or the eventual winner, I don’t want to give any appearance of impropriety. So, I’ll just read and enjoy each year’s nominees, and you all will have to make your own judgements as to your favorites.
I only added four books to my Hugo reading project, and one was somewhat accidental. Only getting through four was due to a few factors, including deciding to read the entirety of Martha Wells’s excellent The Murderbot Diaries series before attending this year’s Worldcon here in Seattle where she was a guest of honor (this also accounted for my “accidental” read, as I’d forgotten that Network Effect was a Hugo Best Novel winner), and slogging my way through Susanna Clarke’s Jonathan Strange & Mr Norrell, which took slightly over a month. Of the four I read this year, Network Effect was my favorite.
Outside of those two categories and in addition to reading all of the aforementioned Murderbot series, I also finished Lois McMaster Bujold’s Vorkosigan Saga, read two of the books in Bujold’s World of the Five Gods series (one of which, Paladin of Souls, is another Hugo Best Novel winner), and read both books of Catherynne Valente’s Space Opera series. All of those were good. Apparently it was a series binge sort of year.
Fluff genre fiction: Unsurprisingly, this once again ended up being the strong majority of this year’s reading. Lots of Star Trek novels, with a few detours here and there. And given everything that was going on in 2020 2021 2022 2023 2024 2025, it was very nice to have a bookshelf full of options that wouldn’t take a whole lot of brain power for me to disappear into. As I’ve now read most of the TOS books that have been released, most of this year’s reads were TNG-era, but I’m closing out the year with the TOS-era six-book “New Earth” series (again with “series” being something of a theme this year). That series will also start my 2026 reading, as I only got through four of the six before the end of 2025.
I’m still subscribing to two SF/F magazines (Uncanny and Clarkesworld), though I’ve slacked off on actually reading them for the past few months — not due to anything with the magazines themselves, but just because I’ve been more in the mood to work on emptying out my physical “to read” shelves. I’m not sure how much magazine reading I’ll do this coming year, but I will be continuing to subscribe, as I want both of these magazines to continue publishing, and it’ll be nice to have some back stock to dive into when I’m ready (or when I’m traveling, since these are both electronic distributions).
Finally, Storygraph’s stats on my year’s reading tell me:

On to 2026!
Book 67 of 2025: ⭐️⭐️⭐️
Almost a four-star, due to a particularly imaginative doomsday weapon that really had me lost as to how they were going to technobabble their way out of it. Settled on three, though, as it is a “middle book” that doesn’t stand alone on its own. Still, a more engaging entry than many middle books end up being.

While I’m not an SFWA member or even an author (beyond this little blog), as a lifelong reader of science fiction, I figured it was worth a few minutes to add my response to their current Survey on LLM Use in Industry. For the sake of posterity, here are my responses:
(Note: Some time ago there was an online tool to look up sources that were used in one of the earlier revisions of one of the larger LLMs; I don’t currently remember who offered the tool or the specifics of the training database being reviewed. I do remember that both this blog and the Norwescon website, of which I’ve been both author and editor of much of the content for the past 15 years, were included in the training database.)
How has your writing practice changed since the emergence of Generative AI and related LLM integrations?
(Note: The first and fourth of these options seem to contradict each other. For clarity, I either disable or, if it can’t be disabled, actively avoid using generative AI; as noted in the sidebar of this blog, I do use machine-learning/LLM-based tools such as speech-to-text transcription, but when I do, I check and edit the output for accuracy.)
Which of the following most closely resembles your position on the use of Large Language Models (LLMs) in the writing process?
My actual answer is probably somewhere between the first (no ethical use-case) and second (recognizing LLM use in some tools) options.
One of the biggest problems with the current discussions (including this survey and in the File770 threads started off of Erin Underwood’s open letter) is the grouping of several related but distinct technologies under the banner term of “AI”.
Machine learning and LLM-backed analysis models are one thing. These are the technologies that have been used for years in many different contexts, including (some) spelling and grammar checkers, speech-to-text transcription, simple text-to-speech generation (suitable for screen readers and similar applications, not for audiobook creation), medical analysis, and so on. These are analytical or simple transformative, not creative, processes. In all cases, though, the output should be reviewed and checked by humans, not accepted as-is by default.
Generative AI (genAI) is the severely problematic aspect, for all the reasons mentioned by many, many people advocating for its avoidance (the many unethical practices in the creation and ongoing use of the technology, social and environmental costs, high error rates, and many more).
It’s unfortunate that all of these aspects are now grouped together as “AI”, as it makes it nearly impossible to approach the subject with any amount of nuance. I suspect that was what Ms. Underwood was attempting to do, though, as she also falls victim to the same confusion, she sorely missed the mark (and has continued to do so in her responses).
As a reader, I would be very disappointed to see the Nebulas (and any other award) accepting the use of genAI in the creation of nominated (let alone awarded) works.
(Note:: I wrote about the machine learning vs. genAI confusion on this blog earlier this year.)
What forms of guidance do you think would most benefit writers trying to navigate the growing presence of LLMs in our industry?
Clarity in defining the differences among the technologies and determining which may be acceptable (such as speech-to-text transcription, spell/grammar checkers, etc.,) depending on the technology and its use, and which are unacceptable (genAI for text or art creation).