Weekly Notes: November 10–16, 2025

  • The work week was pretty normal, but felt a little busier than usual because of the Tuesday holiday. Mid-week holidays always throw me off.

  • Other than that, it’s pretty much just another normal week without much to tell.

📸 Photos

Wide-angle shot of fall trees shrouded in morning fog.
We had a really good fall Seattle fog this morning; I snapped this out of our bedroom window.

📺 Watching

Damsel (2024): Slightly flat dialogue and performances, but great creature design and effects. Not destined to be a classic, but an enjoyable fantasy adventure.

🎧 Listening

I happened to discover that Pop Will Eat Itself just released a new album, Delete Everything. I haven’t really dived in yet, but new PWEI is never a bad thing.

🔗 Linking

  • Dahlia Bazzaz at the Seattle Times: Why WA community colleges are about to see their funding change: “Thousands rely on community college as a transition to the rest of their careers: They are the first stop for teenagers on their way to university, or adults who want to switch careers to vital fields like nursing and dentistry. And even in the best of times, they are notorious for running on shoestring budgets.”

  • Jason Bergman at The Comics Journal: Talking Oglaf with Trudy Cooper and Doug Bayne: ‘We’d Stay Up All Night Drawing Stuff To Make Each Other Laugh’: “Other than some time off every year for Christmas, Trudy Cooper and Doug Bayne have delivered a new Oglaf comic, skewering fantasy tropes with absolutely not safe for work humor, every week since 2008. Which, if you do some quick napkin math, makes it nearly old enough to pass its own age check. That’s quite a remarkable run for a sexually explicit, gag-a-week strip with only a handful of recurring characters and no ongoing storyline.”

  • Terrence O’Brien at The Verge: The algorithm failed music (archive.is link): “…in a sort of feedback loop, labels started prioritizing artists that sound like what people were already listening to. And what people were listening to is what the algorithm suggested.”

  • Mike Brock at TechDirt: Chuck Schumer Doesn’t Know What Time It Is: “Chuck Schumer just taught Donald Trump that hostage-taking works. ¶ Not because he had to. Because the framework he operates within cannot imagine doing what this moment requires: actually fighting power instead of managing accommodation to it.”

  • Lana Lam at the BBC: Evidence of ancient tree-climbing ‘drop crocs’ found in Australia: Australia has always wanted to kill you.

  • Mac Mouse Fix: “Make Your $10 Mouse Better Than an Apple Trackpad!”

  • Adrian Roselli: Pre-order “Digital Accessibility Ethics”: “Lainey Feingold, Reginé Gilbert, and Chancey Fleet gathered 36 authors across 10 countries and a commonwealth to write 32 chapters about ethics in digital accessibility. I am one of those 36 authors. ¶ The book introduces the first (that I’ve heard of) Digital Accessibility Ethics Framework. It’s a three-part tool intended to influence, change, & disrupt patterns of disability exclusion.”

  • Alison Green at Ask a Manager: the fake charity, the Photoshop predator, and other times AI got it wrong: “We recently talked about times AI got it really wrong, and here are 20 of the most ridiculous stories you shared.”

  • Jacob Beckert at The Atlantic: The Disappearance of Everyday Nudity (archive.is link): “Today, the only naked bodies that many Americans will likely ever see are their own, a partner’s, or those on a screen. Gone are our unvarnished points of physical comparison—the ordinary, unposed figures of other people. In their place, we’re left with the curated ideals of social-media posts, AI-generated advertising, and pornography. The loss may seem trivial, but it also may change how people see themselves. Without exposure to the normal variety of bodies, we may become less comfortable with our own, more likely to mistake common characteristics for flaws—and more inclined to see every bare body as an inherently sexual object, making nudity even more charged.”

  • Trae Dorn: You Need to Start a Blog.: “Yes, you — the person who is reading this right now, either on my blog or a syndicated version on one of the websites I distribute this to. You need to go out, find some web space or a blog host, and start writing a blog.”

  • Tim Bray: Time to Migrate: “Dear World: Now is a good time to get off social media that’s going downhill. Where by “downhill” I mean any combination of “less useful”, “less safe”, or “less fun”. This month marks the third anniversary of my Mastodon migration and I’m convinced that right now, in late 2025, it’s the best place to go. Come join me. Here’s why.”

Seattle Worldcon 2025 Wednesday Night Dance

As described on the Seattle Worldcon 2025 schedule:

From dance clubs in Alaska in the ’90s to being a recent regular DJ at Norwescon, DJ Wüdi spins an eclectic mix of dance tracks from across the decades. Pop, electronica/dance, wave, disco, goth/EBM/industrial, convention classics, mashups… (almost) anything goes!

Me standing at a table in front of a MacBook on a stand, in front of a large screen with fancy graphics including cover art and audio waveforms of the songs being played.
I may not have the most attended dances, but I have fun trying to make them look good.

The opening night’s dance at Seattle Worldcon 2025, recorded live at the Sheraton Grand hotel in downtown Seattle where the Worldcon After Dark programming was held, just a few blocks away from the Convention Center Summit building that was home to the daytime programming. Because this is an unedited live recording, there are a few flubs (some subtle, but some notable train wrecks right off the bat)…but hey, that’s just proof that I’m a real human and not genAI. ;) Pop it on in the background and enjoy four hours of the Seattle Worldcon nightlife!

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Difficult Listening Hour 2021.04.17: It’s About Time!

First there was a time change, then I had other things monopolizing my time, then my computer crashed and I couldn’t get it back online in time to broadcast last Saturday, so this week, I’m finally back, and it’s about time! As in, every track has “time” in the title.

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Difficult Listening Hour 2021.01.09

Unrehearsed, seat-of-the-pants, let’s-see-what-happens mixing. This week ended up being (nearly) all ’80s alternative. Some of my favorite classics in here, and some transitions that I’m quite happily surprised by. Enjoy!

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Difficult Listening Hour 2020.07.25

Week twenty-two of my unplanned, unrehearsed, seat-of-the-pants goofing around. As a way of getting back into practice and doing something regularly, I’ve started doing regular Twitch broadcasts, now on Saturday mid-mornings. These are the results. Anything goes.

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The DJ tried to kill me

Last night at The Vogue was really good — Ogre was DJing, standing in for Evan, and he kept making it damn near impossible for me to get off the dance floor. Always a good thing, of course, since it means that the music is consistently good — but then he topped it all off by playing Pop Will Eat Itself‘s “Can U Dig It?“, off of This is the Day…This is the Hour…This is This! I’m a big PWEI fan, and would never have expected to hear that at a club. Too cool.

iTunesDef.Con.One” by Pop Will Eat Itself from the album This is the Day…This is the Hour…This is This! (1989, 3:59).

[From Usenet: 8.13.95 2300]

[Note: This was originally a post to the rec.music.industrial Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

In article <DD7JG7.586.0.qu...@torfree.net>, bm...@torfree.net (Coire Cadeau) wrote:

Stupid question: There was this song that had an industrial feel to it that I heard at a club last night… The only words I remember weren’t english, but they were something like: “Ich bin ein hauslander” (forgive me… I don’t speak german. That was just a phonetic attempt.) Has anybody heard this song? What’s it called and who does it?

Pop Will Eat Itself, “Ich bin ein Auslander,” off of Dos Deidos mi Amigos.
Sweet album…lots of good stuff.