My thanks to whomever put out the table full of books at today’s #nwc39 meeting. Got some great additions to my collection. Particularly fond of the #StarTrek #TOS “choose your own adventure” (“Which Way Books”) book!

Enthusiastically Ambiverted Hopepunk
My thanks to whomever put out the table full of books at today’s #nwc39 meeting. Got some great additions to my collection. Particularly fond of the #StarTrek #TOS “choose your own adventure” (“Which Way Books”) book!

This morning, CBS announced a new Star Trek series debuting in January of 2017. Yay!
Well, maybe yay. Hopefully yay. But, of course, since we’re geeks, and since many of us feel that Trek hasn’t been treated terribly well lately, there’s a lot of trepidation mixed in with the general surprise at the news. So, a few thoughts on what little we know so far.
Kurtzman’s aforementioned screenwriting problems (Transformers, nuTrek) were done in concert with Roberto Orci (notorious for essentially telling Trek fans critical of the new films to fuck off). Since the two decided to go their separate ways, it’s possible that he might do better shepherding a Trek show on his own than in partnership with Orci. (It’s also interesting that Kurtzman is doing the new show for CBS, while Orci is still part of the production team for the upcoming Star Trek Beyond for Paramount. Maybe that will help us figure out which of the two has a better handle on Trek?)
I think it’s a safe bet that the new show will probably be part of the reboot universe. With three movies in the new universe out by the time the series debuts, and another planned for 2019, that simply makes the most sense. But that’s not definite: all we really know from the announcement is that it will “introduce new characters” and that “is not related to the upcoming feature film Star Trek Beyond“. This makes sense, as CBS controls Trek’s TV rights, while Paramount controls the feature film rights. So, while I think keeping it in the new universe (even if it doesn’t directly integrate with the films) makes the most sense, there’s no way to know for sure at this point.
I’m in agreement with Ron Moore (and others) that while the films are fun, Star Trek works best on TV.
I think that Star Trek, in its DNA, is a television show. The features are great. They’re a lot of fun and they’ve certainly opened it up to a lot of different audiences, but the features all are basically atypical episodes, if you think about it. The features are very big action-adventure movies, lots of spectacle, run and jump, shoot-em-up and blowing things up. The fate of the Earth, or the universe itself, is always at stake. It’s always about the captain, and one other character has a strong B-story, and everyone else sort of has very small roles beyond that. But Star Trek, as originally conceived, and as you saw play out in all the other series, was really a morality play every week, and it was about an ensemble of players. They were exploring science fiction ideas, sociological ideas and moral ideas. That’s really what the shows are about….
It’s still over a year away. There’s a lot of time for rumors, speculation, hopes, fears, and everything else. I choose to remain cautiously optimistic.
Yay…more behind-the-scenes Trek geekiness! Only 1,000 printed, and mine is one of only the first 100 to come autographed. #startrek #trekkie #trekker #geek More info: http://creaturefeatures.com/shop/books/returntotomorrow/

Saw the @trekmovie #trekselfie tag today. Here’s a gem I found this weekend at an antique store!

I know what I’m reading next! 638 pages, all covering Season Two of TOS. I’m such a Star Trek nerd. :D

Just a bit of silliness here. A little selective editing of premium pieces of this YouTube video gives us this particularly choice piece of audio. Feel free to download and use as your favorite ringtone. ;)
Long Version (201KB .mp3): “Hello, I’m George Takei. You are…a douchebag. That’s right! A douchebag. You are always going to be a total douchebag. I can only suspect that you have some…shall I say…’issues’ to work out?”
Medium Version (106KB .mp3): “You are…a douchebag. That’s right! A douchebag. You are always going to be a total douchebag.”
Short Version (29KB .mp3): “You are…a douchebag.”
I couldn’t resist.
So the Star Trek universe is now in an alternative timeline. Everything that we ‘know’ of Trek’s future history (save, of all things, the Enterprise series) has been wiped out, and our beloved crew (and all the writers tasked with coming up with new and interesting things to do) has a blank slate to work with. However, it’s still a pretty big universe, and there’s a lot of stuff out there that won’t have been affected by the timeline split. While I’d rather see new adventures from here on out, if writers ever need some inspiration, there’s a fair amount of stuff that we already know is going to be a problem down the line.
So, with a little digging around on Memory Alpha, I present a (very incomplete) list of things that Spock Prime could warn the Federation about, as they should still exist to pose future threats to the Federation. Obviously, one could just list every bad guy and alien encounter seen in all the series and films, but I just wanted to grab a few of the ‘biggies’ (that is, major potential death toll events) that came to mind.
Feel free to toss out more that might be interesting, this is just a few minutes of pondering.
Update: Pop Culture Zoo has taken a much more in-depth look at the ramifications of the new timeline that’s well worth reading. Touches on some of the things I mentioned in the list above, and brings up a few others.
Now that we know how the new Star Trek film handles the continuity issues, what exactly does it all mean and what are the greater implications to not just the original series, but the greater Trek mythos as a whole? I freely admit I may be the only one who really cares, but the more I started thinking about what this new timeline meant, the more it spiralled out of control. So, I decided to take a stroll through established Star Trek history and was surprised at all the events, large and small, that are affected as a result of two actions on Nero’s part. It all starts in the time of Mark Twain.
As briefly mentioned earlier, Prairie and I went out to see Star Trek on Friday evening, and, long story short: given the unenviable and potentially disastrous goal of reinvigorating a much-beloved but floundering and stagnant franchise that most people had written off as long past its prime, J.J. Abrams and company managed to beat the odds and pull it off with style. In the many long months leading up to the release of the film, I’d wanted it to be good, I’d hoped it would be good, and as we got closer, the many outstanding reviews gave me hope — and for once, I wasn’t let down.
The biggest question, of course — beyond even the redesign of the Enterprise and her big nacelles, or how well the story would mesh with established canon — was whether recasting characters that we’ve known for so many decades would even work. Could they manage to be the characters without either slavishly aping the original actors, or fall into parody? Would Kirk be Kirk without Shatner’s (not quite) inimitable delivery?
Thankfully, the answer is yes. As I’ve been thinking back over the film over the past couple days, the biggest thing that stands out to me is just how incredibly well the cast did at inhabiting the essence of the characters and their personalities without falling into the trap of mimicking the original actors. Pine, Quinto and Urban as the “holy trinity” of Kirk, Spock and McCoy likely had the toughest jobs in making us believe in them as the characters, but all three of them (along with the rest of the primary cast) managed to make me a believer.
Given that much of what was done in this film was necessary to ‘reset’ the franchise so that they could move forward from here without being trapped by canon — really, I don’t quite understand how people can be upset about the device used to reset things, as without that, we’d know the future of the characters and there wouldn’t be much long-term suspense or real sense of danger — I am really looking forward to seeing where we go from here on out.
I want to see this movie in the theater again, I want to have it at home to watch again, and I already can’t wait to see what this team can do with the sequel, when they’re free to move forward.
More thoughts under the cut, as they’re going to be more than a little spoileriffic…
So I turn 36 on Sunday. Pretty sure I can still claim “mid-30’s” at this point, though I’m getting perilously close to the “late-30’s.”
Upcoming or recent birthday-related bits include:
On Sunday, I’ll be losing the ponytail and sending it off to Locks of Love. This will mark six years since I decided that if I ever wanted to have long hair again, I better start growing it out now. I shaved my head one last time on my 30th birthday, then started letting it grow, and outside of a few trims to take care of split ends, have just let my hair grow since then. As the hairline goes and the forehead grows, though, it’s time to dodge the skullet bullet and shave it all back down again.
Also on Sunday, we’ll be going to the zoo to see the brand-new penguin exhibit. H, P, and N will be joining us. Penguins yay!
On Friday the 8th we’re going to the 7pm showing of the new Star Trek movie. Set phasers to ‘awesome’ (I hope…advance word is looking pretty good though).
At some as-yet unspecified Saturday night in mid- to late-May, I’ll be heading down to Vogue Night. It won’t really be a birthday party as much as my monthly “gotta get out and bounce” night, but if someone were to say hello and perhaps spot me a drink, I doubt I’d complain.
On July 3rd we’re going to Jason Webley‘s 11-year Extravaganza concert at Seattle’s Town Hall. This is very exciting for both of us. For a number of years, Jason did two big shows a year, one in fall and one in spring, which would always be very close to either my birthday or Prairie’s (which is Nov. 3rd, exactly six months after mine). It’s been a few years since we’ve been to any of his shows, though, as he’s been playing venues more suited to his younger, more energetic crowd, and as we’d prefer to sit in the back and enjoy the show rather than getting pushed about and stepped on (not intentionally or in a mean way, just the kind of thing that happens in a club show atmosphere) by rambunctious young’uns, we’ve been less inclined to head down to his more recent Seattle-area shows. Town Hall works very well for everyone, though — the kids get to bounce around in front of the stage, and us old fogies get to sit in the back and enjoy the music and show — so we’re looking forward to this.
And that’s everything I can think of.
And, of course, the annual bit of shameless greed*: on the off chance that someone should feel all birthday present-ish, feel free to poke around at my Amazon wishlists (helpfully categorized into photography, audiovisual, literary, gadgets, and other) or just hit the PayPal button on my about page and contribute to my Nikon D700 fund. ;)
* Disclaimer: this is mostly tongue-in-cheek, the economy sucks, and I expect nothing except perhaps some rolling of eyes and gentle mocking. Hugs and/or kind words are always acceptable birthday presents. Still, you never know what might happen, and it can’t hurt to toss the idea out there, right?
After having spent much of the past few weeks working my way through the Star Trek film series, this is how I rank them, best to worst. Obviously, this is my personal ranking. Feel free to disagree.
The #1 and #2 spots are tough, very nearly a tie — and probably where I’ll get the most disagreement — but for me, that’s how they stack up. As good as TWoK is, the combination of the underlying theme of recognizing and overcoming racism and prejudice, and Christopher Plummer’s gleeful scenery chewing, Shakespeare-quoting, bolted-in-eyepatch General Chang (“Cry havoc! And let slip the dogs of war!”) make TUD work for me. Some of this may be that I saw TUD in theaters, which I was too young to do with TWoK, and I have very fond memories of the theater erupting in cheers watching the Enterprise and Excelsior hammer Chang’s Bird of Prey into oblivion — that scene still gets my blood pumping when I watch it.
(Plus, while I know he’s done something like six million other things, I love that General Chang and Captain Von Trapp from The Sound of Music are the same actor.)