20 Minute Tesla Model Y Review

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Entirely unintentionally and much to my chagrin, I had my first ride in a Tesla today; one of the newest Model Ys, in fact. I’d never have done this voluntarily, but I was taking a Lyft from a work conference at a school about 20 minutes away from my home, and didn’t realize it was a swasticar until it pulled up.

What an absolutely foolish design.

The touchscreen display on a Tesla Model Y, showing the display as described in the rest of this post.

Virtually no physical controls. Nearly everything is on this display, mounted dead-center, so none of the critical info is directly in front of the driver; you have to look down and to the right to check anything. I think the only physical controls were the wheel, with a couple buttons, and the pedals. There was no stalk on the right side to control things like the wipers, I couldn’t see if there was a left-side stalk for turn signals or not.

The left third of the display is a live updating animation of whatever the car sees, which means there’s a large, constantly moving distraction just barely out of your eyeline, primed to pull your attention away from the road in front of you. Every car or pedestrian the car senses is shown on the display. It will even show whether a car is a sedan, pickup, or box truck, if it can figure that out (more likely when they’re crossing side-on rather than directly in front or behind). I’m a little surprised that it doesn’t distinguish other Teslas with some sort of special icon or coloring or something.

The right two thirds are all the controls, presented with a low-contrast dark grey on light grey color scheme, with small text and icons, all of which makes it difficult to distinguish any one control from another at a quick glance. And, of course, because it’s all a touch screen, you can’t do anything by feel, because it’s one flat pane of glass and you have to look at the screen to make sure you’re touching the right spot.

Even if the owner of the company wasn’t a raging monomaniacal ego-driven techno fascist doing everything he can to rip this country apart and grift as much money out of the process as he can (which, to be clear, he is, and if Republicans were actually at all serious about getting dangerous immigrants out of the country, he should be at the top of the list), I’d still be baffled that these cars are approved to be on the roads and that people are as enamored with them as they are. It’s like a master class in designing a user interface that’s as potentially dangerous for the driver as possible.

Norwescon 47 Thursday Night Star Trek vs Star Wars Dance

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From Norwescon 47: Are you Team Enterprise or Team Skywalker? Do you dream of the final frontier, or a galaxy far, far away? Lightsaber or phaser? The Force or the Prime Directive? Let your attire display your affiliation as we dance the night away with DJ Wüdi!

One note: Due to technical issues that plagued the start of the dance, the first 20-some minutes of this has been reconstructed at home. Everything from 27 minutes on was recorded live at Norwescon. This also means there’s one duplicated track…have fun finding it!

Costumed people, inculding Ursula from the Little Mermaid, a Starfleet science officer, and a Vulcan, dance in a circle to The Firm's "Star Trekkin'" as I stand on stage with my DJ gear in front of a video backdrop showing a Super Star Destroyer maneuvering through an asteroid field.

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Weekly Notes: April 14–20, 2025 (Norwescon 47 wrap-up edition)

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This week was all about Norwescon! Well, Monday and Tuesday were normal workdays, but from then on, it was all con, all the time.

Cat Valente, Wayne Barlowe, Tracy Drain, Jenny Jarzabski, Mike Kimmel, Isis Asare, and Lydia K. Valentine on the main stage in front of the Norwescon logo on the video wall. The Opening Ceremonies, with the guests of honor being introduced and briefly interviewed.

  • Wednesday: Day zero of con is load-in, setup, and generally getting things ready. I spent the morning at home packing up all my stuff, and at noon drove to pick up my wife from work, then she dropped me off at the hotel and headed home for a quiet weekend on her own. From there, it was a lot of wandering around and helping where I could help until I could check into my room, then more of the same.
  • Thursday: Day one of con starts with more helping with setup, plus a lot of general wandering around, saying hi to people, socializing with friends, and so on. I had two official duties for Thursday:
    • 8 p.m.: Introduction to Fandom Dancing was my first time paneling at a convention…though rather than the usual “sit at a table and talk”, this was “play music and help teach people how to do dance”. We concentrated on the Time Warp, the Rasputin, the Macarena, and Thriller, plus encouraging people to just have fun and get out and move and not worry about what you look like.
    • 9 p.m.: Immediately following that was the Thursday Night Dance: Star Trek vs. Star Wars. Unfortunately, I had some technical issues that made the first 20-30 minutes really dodgy, with a lot of starting and stopping and apologizing as I tried to figure out why my headphones weren’t working, making it impossible for me to pre-cue and mix upcoming tracks. Everyone there understood that these things happen, and once I figured out a solution (though I still need to go back and experiment to really nail down what was going on so it doesn’t happen again), I got a good three-hour set in, going until 12:30 a.m., which is pretty good for Thursday night. I was a little frazzled from the clumsy start, so many of my ideas for what I was going to do disappeared from my brain and I know I didn’t play a lot of the tracks I had planned, but people danced and had fun, which was the important part. I recorded the set, and will have it processed and uploaded to my MixCloud page as soon as I can get around to it.
  • Friday: Friday morning I had free to wander and socialize, but the afternoon and evening of day two of the con was all about the Philip K. Dick Award.
    • 3 p.m.: All About the Philip K. Dick Award is held on Fridays to give people a bit of a history of the award and introduce the attending PKD nominees and let them talk about their work for a bit. This year we had three attending nominees, Bora Chung, Tara Campbell, and Subodhana Wijeyeratne. Normally this panel is moderated by award administrator Gordon Van Gelder, but travel difficulties had him delayed, so I stepped up to moderate instead. I was a bit nervous, having only done one panel before (the prior night’s dance panel, where I mostly played DJ) and never having moderated, but I’d sat in on the panel enough to have a pretty good idea of what Gordon usually said. Between myself and a little assistance from audience members asking questions, we had a very nice conversation with the nominees.
    • 4 p.m.: The Philip K. Dick Award social is a private event for the nominees to spend some time meeting and chatting with each other. I got them set up in the room, hung around and chatted for about half an hour, and then left them on their own as I headed down to my room to change.
    • 5 p.m.: The Lifetime Member dinner is another private event for Norwescon’s lifetime members (a group I was inaugurated into two years ago) along with our guests of honor, PKD nominees, and charitable partner representatives. I had a table with all of the PKD nominees and their plus-ones, so we were able to continue the conversations from the prior couple hours as we ate. I left about 6:15 to head to the next room over to do some final setup, and then it was time for…
    • 7 p.m.: The Philip K. Dick Award Ceremony! This was my third year as ceremony coordinator, and after first-year jitters and second-year “we’re switching the room the ceremony is held in three hours before the ceremony” scrambling, this year went off smoothly and without a hitch. Our three attending nominees read selections from their nominated works, readers read for those nominees who were unable to attend, and it all went well. This year’s winners were Brenda Peynado for Time’s Agent and Adrian Tchaikovsky getting the special citation for Alien Clay, and though neither winner was in attendance, a good time was had by all.
    • At that point, I was done for the day, and spent the rest of the evening bouncing back and forth among the dance, room parties, and general socializing as I came across people.
  • Saturday: Day three of the con is normally a free day for me that I can spend doing whatever seems right in the moment. However, this year I was giving a presentation panel in the evening, and though I’d had “finish the presentation materials” on my to-do list for months…well, yeah. Sometimes procrastination bites us in the butt, and I ended up spending nearly my entire Saturday holed up in my room getting everything finished and ready to go. And so, finally, I emerged, got some socializing in, and then it was time for…
    • 7 p.m.: Basics of Accessible Documents and Websites. This is essentially an adaptation of the kind of thing I do for my day job all the time, and a variation on a panel I gave at last winter’s SMOFcon and will be giving at Seattle Worldcon 2025 in August. For SMOFcon and Worldcon I aim it more at “why/how your convention can make your materials more accessible”; for Norwescon, I tweaked it a bit to be aimed more at authors, especially if self-publishing or marketing, and publishers. While I only had five attendees, all of them were interested and engaged with good comments and questions, and as this was the first time trying this out, with a somewhat niche interest, and programmed at 7 p.m. on Saturday against the masquerade, I’m counting it as a success, and hopefully will be bringing it back next year as well.
    • After the panel, it was another evening of floating among the dance, parties, and chatting with whomever I came across as the evening rolled on.
  • Sunday: And finally, it was Sunday, day four and the final day, with nothing on my schedule except packing up and loading out. I took the day slow, got packed up, and headed home just after the closing ceremonies. With that, another con was done!

📸 Photos

Me outside the hotel, standing next to a hotel luggage cart with all my stuff on it, smiling and wearing a black kilt and black t-shirt. The now-traditional photo my wife takes as she drops me off for “nerd summer camp”.

Me wearing a black kilt and black shirt with the vulcan salute on it, standing next to a trio of women in Star Trek: The Next Generation themed 50s style poodle skirts. Star Trek poodle skirts!

Me standing next to a woman in Vulcan ceremonial robes, both of us giving the Vulcan salute. With T’Resik, who was stoically bemused by the shenanigans of the humans around her.

Me wearing a t-shirt with that says Star Trek but is written in the style of the Star Wars logo, in front of a video wall showing my DJ graphics, including turntables and waveforms for the currently playing tracks, the Norwescon logo, a cartoon version of me, and a video loop of Star Trek and Star Wars spaceship shots, here showing the Enterprise in drydock from The Motion Picture. I may have the smallest dance, since it’s on Thursday night, but in my not-at-all humble opinion, I have the best looking dance graphics!

The three attending PKD award nominees and myself at the About the PKD Award panel. Philip K. Dick Award nominees Bora Chung, Tara Campbell, and Subodhana Widjeyeratne and myself at the All About the Philip K. Dick Award panel.

Me on stage wearing a black kilt and black suit jacket, holding a microphone and gesturing as I speak. Opening and welcoming the audience to the Philip K. Dick Award ceremony.

A few more photos are available in this Flickr album.

🔗 Linking

  • Radek Sienkiewicz: Why do AI company logos look like buttholes?: “The fluidity and warmth of human-centered thinking through the use of circles is perhaps the most elegant way anyone has ever described making a logo that resembles an anus.”
  • Jeremy Reimer at Ars Technica: An Ars Technica history of the Internet, part 1: “In our new 3-part series, we remember the people and ideas that made the Internet.” I actually haven’t read this one yet, but want to remember to do so and continue on through the series.

Myth Conceptions by Robert Asprin

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Book 22 of 2025: ⭐️⭐️⭐️

Like the first, it’s cute, but that’s about it. I really think I’d have enjoyed it more if I’d read it when we were both much younger. Not that it’s bad or juvenile, just that it’s, well, lightly humorous fantasy from 1980, and its not going to appeal to me as a 51 year old in 2025 the same way it might have as a tween/teen in the ‘80s.

Me holding Myth Conceptions

Weekly Notes: April 7-13, 2025

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  • 🚀 Almost to Norwescon! So, lots of that when I’m not doing other things.
  • 🥚 While we’re not terribly religious, we do like the cuteness and spring celebration of Easter, so since Norwescon takes place over Easter weekend, we continued our annual tradition of celebrating spring a week early. It was a gorgeous day, so we took a nice walk in the morning, and then dyed eggs in the afternoon.

📸 Photos

Eighteen eggs dyed bright colors sitting in an egg carton in the sun.

Colors and speckles and eggs, oh my!

📚 Reading

📺 Watching

We got sucked into the reality tripe of Million Dollar Secret. It’s ridiculous, many of these people are horrible, and it’s keeping us entertained.

🔗 Linking

  • Online Markdown is a pretty impressive web-based Markdown editor. I’m starting to find some annoyances with Markdown (it focuses on presentational markup rather than structured markup — for example, _using underscores_ to add italics adds italics as <em> tags rather than <i> tags, but since I’m often marking up book titles, <em> is the incorrect tag to be using), but until/unless I decide to go another way, this looks like a good tool to know about.
  • Daniel Hunter at Waging Nonviolence: What to do if the Insurrection Act is invoked: “With the Insurrection Act looming, now is the time to learn how it might unfold and the strategic ways to respond — including the power of ridicule.” I’m hoping this is just paranoia, but afraid it isn’t.
  • Nicholas Barber at the BBC: ‘It was a magical chemical balance’: How Monty Python and the Holy Grail became a comedy legend: “An independent British comedy made on a shoestring by a television sketch troupe? It sounds like a film destined to be forgotten within weeks of leaving cinemas – assuming it reaches cinemas in the first place. But Monty Python and the Holy Grail is still revered as one of the greatest ever big-screen comedies, 50 years on from its release in April 1975.”
  • Nancy Friedman at Strong Language: “Smut”: “Although the lyrics reflected a set of social and legal circumstances specific to mid-1960s America, their sentiment has proved to be timeless. In honor of its 60th anniversary and Tom Lehrer’s long, remarkable life, here’s our salute to ‘Smut.'”
  • Ex Astris Scientia: Design Issues of the Original Enterprise: “The article discusses problems or uncertainties about the design of the original Enterprise by Matt Jefferies, as it appeared in TOS.”
  • Tim Hardiwck at MacRumors: How to Adjust Mac Volume and Brightness More Precisely: “Before you press the volume or brightness controls, hold down the Option and Shift keys together on your keyboard. Now go ahead and make your adjustments, and you should see the onscreen indicator move forwards and backwards in smaller increments (four over each segment).” I’ve been using macOS since it was Mac OS, and I never knew this trick.
  • Bauhaus Clock: “A Bauhaus clock screensaver for Mac, designed to be present even when you’re not.” Pretty! But apparently I should have downloaded it sooner; the page is now saying “currently unavailable”. Oh dear….

Hominids by Robert J. Sawyer

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Book 21 of 2025: ⭐️⭐️ 2003 Hugo Best Novel

A portal is accidentally opened between our Earth and a parallel Earth, where Neanderthals became the dominant human species, bringing one Neanderthal scientist over to our world. Some amusing moments as the scientist comes to grips with the oddities of our world when compared to his. However, I was quite thrown off by the introductions of the two primary female characters: one, in order to dive into water for a rescue attempt, strips down to her underwear, pausing to reflect that she wished she hadn’t donned such a lacy pair that morning; the other is raped at knifepoint. After finishing the book, I have only the vaguest ideas of what either character looked like; one is blonde and beautiful, the other more average. That got the book off on poor footing, and I never really warmed up to it after that. Not what I’ve come to expect from these more recent Hugo winners, and I won’t be continuing on with this series.

Me holding Hominids.

Weekly Notes: March 31–April 6, 2025

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  • 🚀 This weekend was a little bit of convention conflict, as Saturday we had the final Norwescon 47 planning meeting before the con, and Sunday was Seattle Worldcon‘s announcement of this year’s Hugo finalists. Got everything done, but it did make me glad there aren’t many weekends where I’m trying to do stuff for two conventions at the same time.

📸 Photos

Single-panel comic of two men sitting on a park bench, one is about eight inches tall. The small one is saying, "You think you've got problems! Not only am I the incredible shrinking man, but I've also been bitten by a werewolf so every full moon I turn into a gerbil!"

From a conversation with a friend, one of my all-time favorite Bizarro comics, clipped and saved back when I was in high school.

📝 Writing

📚 Reading

🔗 Linking

  • Guillaume Lethuillier: The Myst Graph: A New Perspective on Myst: “Upon reflection, Myst has long been more analogous to a graph than a traditional linear game, owing to the relative freedom it affords players. This is particularly evident in its first release (Macintosh, 1993), which was composed of interconnected HyperCard cards. It is now literally one. Here is Myst as a graph.”

  • Jessica Bennett at The Cut: If Hetero Relationships Are So Bad, Why Do Women Go Back for More? A new straight-studies course treats male-female partnerships as the real deviance.: “‘In this class, we’re going to flip the script,’ she went on. ‘It’s going to be a place where we worry about straight people. Where we feel sympathy for straight people. We are going to be allies to straight people.'”

  • Nilay Patel at The Verge: Best printer 2025: just buy a Brother laser printer, the winner is clear, middle finger in the air: “This is the third year in a row that I’ve published a story recommending you just stop thinking about printers and buy whatever random Brother laser printer is on sale, and nothing has happened in the miserably user-hostile printer industry to change my recommendation in that time.”

  • Sarah Jones at the Intelligencer: Then They Came for People With Disabilities The right-wing effort to roll back civil rights finds a new target.: “Though the Rehabilitation Act and the Americans With Disabilities Act had bipartisan support and were signed by Republican presidents, it’s hard to imagine Trump signing either piece of legislation. A more ruthless strain of conservatism always percolated within the party, and now it dominates and threatens the protections that Cone, and Lomax, and so many others once fought to win. At risk is the concept of civil rights itself.”

  • Shelly Brisbin at Six Colors: Twenty Thousand Hertz Dives Deep Into Apple Accessibility History: “The latest episode of the Twenty Thousand Hertz podcast takes a stab at telling Apple’s accessibility story through sound—not only the sound of a host and his interview subjects, but the way Macs and iPhones sound when they speak to people who use their accessibility features.”

  • Watts Martin: What makes an app feel “right” on the Mac?: “So it’s possible that the right question—at least for me—isn’t ‘is this app using a native UI toolkit,’ it’s ‘is this app a good Mac citizen.’ In other words, does it embrace long-standing Mac conventions?”

  • Seattle Worldcon 2025: 2025 Hugo Award Finalists: “Seattle Worldcon 2025, the 83rd World Science Fiction Convention, is delighted to announce the finalists for the 2025 Hugo Awards, Lodestar Award for Best Young Adult Book, and Astounding Award for Best New Writer.”

Star Trek: Strange New Worlds Season Three Teaser

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Star Trek Strange New Worlds title card.

You can only get so much from a one-minute teaser, but hey! First glimpse of season three!

Okay, sure, first impressions are pretty good, and we have two strong seasons to build off of, so I’m inclined to trust them.

But….

  • I’m still not really sold on the whole Gorn thing, and they’ve yet to do anything to explain why and how the Gorn were so unknown in TOS’s “Arena” if Starfleet had had this much contact with them before that time.
  • A holodeck episode? TNG’s “Encounter at Farpoint” established pretty well that this was new tech that everyone was amazed by. But here we appear to have the full interactive holodeck experience, complete with yellow-gridded black box room. Can they really not come up with any other way to tell similar stories?

We’ll find out this summer.

“It’s a moral imperative.”

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Sad to see the news of Val Kilmer’s death. While he did a lot of good stuff over the years, my personal favorite is and has always been one of his earlier films, Real Genius.

Poster for Real Genius, with Val Kilmer sitting on a desk wearing dealybobbers and a t-shirt that says I Heart Toxic Waste.

As a too-smart-for-my-own-good kid (in many ways, the classic “nerd”: glasses, unruly curly hair, big gap in my teeth, played the violin, read constantly — mostly science fiction, got into computers really early, got beat up and shoved in lockers by bullies, etc.), Real Genius was foundational. It was the first (and is still one of the few) comedies I saw where the nerds were the heroes, and where their quirkiness, oddity, and intelligence was celebrated rather than mocked. (Revenge of the Nerds may purport to have nerds as its heroes, but it mocks, not celebrates.)

While I wasn’t genius level smart, of course, these were characters that I could identify with (in Mitch), aspire to be like (in Chris), see what to avoid (in Kent and Hathaway), and fall for (in Jordan). They saw the world in much the same way I did. Big and scary and intimidating, but also funny and intriguing and mysterious, and something to be explored and enjoyed. They accepted each other in all of their weirdness.

It has one of the most start-to-finish quotable scripts I’ve ever come across, and lines from it regularly pop into my mind. It’s one I never tire of watching, and I think I need to queue it up again sometime soon.

Some other times I’ve mentioned Real Genius here in the past:

Mitch: You know, um, something strange happened to me this morning…
Chris Knight: Was it a dream where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?
Mitch: No…
Chris Knight: Why am I the only one who has that dream?

Mitch: What are you doing?
Chris Knight: Self-realization. I was thinking of the immortal words of Socrates, who said, “… I drank what?”

Chris Knight: So, if there’s anything I can do for you – or, more to the point, to you – just let me know.
Susan: Can you hammer a six-inch spike through a board with your penis?
Chris Knight: Not right now.
Susan: A girl’s gotta have her standards.

Chris Knight: This? This is ice. This is what happens to water when it gets too cold. This? This is Kent. This is what happens to people when they get too sexually frustrated.
Kent: You’re all a bunch of degenerates.
Chris Knight: We are? What about that time I found you naked with that bowl of Jell-O?
Kent: You did not.
Chris Knight: This is true.
Kent: Look, it was hot and I was hungry, okay?

Professor Hathaway: I want to see more of you around the lab.
Chris Knight: Fine. I’ll gain weight.

Mitch: Did you know there’s a guy living in our closet?
Chris Knight: You’ve seen him too?
Mitch: Who is he?
Chris Knight: Hollyfeld.
Mitch: Why does he keep going into our closet?
Chris Knight: Why do you keep going into our closet?
Mitch: To get my clothes – but that’s not why he goes in there.
Chris Knight: Of course not, he’s twice your size – your clothes would never fit him.
Mitch: Yeah…
Chris Knight: Think before you ask these questions, Mitch. Twenty points higher than me? Thinks a big guy like that can wear his clothes?

Dr. Dodd: Why is that toy on your head?
Chris Knight: Because if I wear it any place else, it chafes.

Professor Hathaway: You still run?
Chris Knight: Only when chased.