(Collects All Systems Red and Artificial Condition.)
I’d read the first half of this back in 2018, when All Systems Red was nominated for the Philip K. Dick award, but until now, hadn’t gone any further into the series. Having Martha Wells as a Guest of Honor for this year’s Worldcon was a great reason to pick these up and read them all.
Definitely enjoyed All Systems Red as much as I remembered from the first time around, and Artificial Condition is just as fun, picking up almost exactly where ASR ends and exploring more of Murderbot’s past. Murderbot is such a great character.
As there have been Things Going On lately, I missed last Sunday’s “Weekly Notes” post, so this becomes a “Fortnightly Notes” post instead, partly because “biweekly” is vague, and “fortnight” is a term should be used more often (outside of a gaming context).
🏥 The major part of the Things Going On has been that two weeks ago, my wife had a (planned and necessary) hysterectomy, and I’ve been on caretaker duty. She had two nights in the hospital following the surgery, and then came home and has been recuperating here. She’s healing well, and had a good post-op checkup a few days ago, so things are going well! This does mean that our summer is going to be mostly uneventful, but that’s obviously quite okay under the circumstances.
♿️ Due to the aforementioned Things Going On, I’ve spent the past two weeks working remotely. I’m incredibly fortunate to have a job that lets me do that when it’s necessary, and I wish more people had the ability to do this.
🚀 On the convention front, the Seattle Worldcon schedule was released this past week. Since I’m our website admin, I’m quite happy with the technical side of things, as I was able to present the full 5-day schedule on a single page, filterable by day, track, or both, and with clean (for WordPress), semantic, and accessible (to the best of my ability to verify) code.
A bit of geekery:
The Javascript code that does the filtering could quite probably be improved and optimized, as it’s just a result of me digging through the web and hacking things together until it did what I wanted, and my JavaScript knowledge is just barely at the level that allowed me to figure this out. But hey, it works, and that was the most important part.
Each panel is wrapped in an article tag, each panel title is a heading, and start and end times are wrapped in proper time tags. Panel titles are linked self-anchors so that it’s easy to link directly to individual panels, which is discoverable either by tabbing to the title or by mousing over them. Here’s a sample of the code for one (totally randomly chosen) panel:
<article class="track dan eve">
<h4 id="EVE03"><a href="#EVE03">Wednesday Night Dance with DJ Wüdi</a></h4>
<div class="sched">Events; Dance/Movement<br>Sheraton: Metropolitan Ballroom, <time datetime="2025-08-13T20:00-07:00">Wed. 8 p.m.</time>–<time datetime="2025-08-14T02:00-07:00">2 a.m.</time></div>
<p class="desc">From dance clubs in Alaska in the '90s to being a recent regular DJ at Norwescon, DJ Wüdi spins an eclectic mix of dance tracks from across the decades. Pop, electronica/dance, wave, disco, goth/EBM/industrial, convention classics, mashups… (almost) anything goes! Already know there's something that'll get you out on the floor? <a href="https://app.limedj.com/shows/djwudi/9NWMHW">Send in your requests ahead of time!</a></p>
<p class="pros">DJ Wüdi</p>
</article>
Keyboard navigation for the page works fine, checking it with WAVE comes up with zero errors (and 400-some “alerts”, but that’s because WAVE incorrectly thinks the panelist listings should be headers), checking with ANDI also looks good, and I was able to navigate and interact (at least as well as a non-regular screen reader user can) with VoiceOver and NVDA. This certainly doesn’t mean that there aren’t things that could be improved, but I’m pretty happy with where I got things to be.
📸 Photos
Our old recliner broke, so we got a new one. Of course, once assembled, I had to give it a good test. It works! Which is good, since this is my wife’s primary recuperation spot.Working from a hospital room isn’t quite as comfortable as from home or at the office, but at least I could do it!
📝 Writing
In addition to the release of the Worldcon schedule, we also recently posted lists of all of our fan tables, dealers, and artists, and I took the opportunity to talk about running a small experiment with asking for image alt text on the application forms for those areas.
Bugsy Malone: ⭐️⭐️⭐️ – I’d had vague memories of kids shooting marshmallows out of tommy guns in a ’20s gangster film, and finally tracked down that memory. Odd, but entertaining!
Johnny Dangerously: ⭐️⭐️⭐️⭐️ — Another ’20s gangster parody I vaguely remembered watching as a kid; this one is still really funny, and I realized while watching it that some old jokes I’ve had in my head for years came from this film. “You shouldn’t grab me, Johnny. My mother grabbed me once. Once.“
KPop Demon Hunters: ⭐️⭐️⭐️ — Somehow this one popped into conversations around me, I gave it a shot, and was entertained…and suspect that it would be a good idea to make sure the soundtrack ends up in my convention DJing playlist.
🔗 Linking
Patrick Clark in Businessweek: American Mid: Hampton Inn’s Good-Enough Formula for World Domination: I’ve occasionally wondered about how the mid-range hotel breakfast buffet got started; this was a surprisingly interesting look at how strategically aiming for the middle of the road made Hampton Inn the US’s largest hotel chain (which I wouldn’t have guessed).
Lynda V. Mapes in The Seattle Times: These orcas have been trying to feed people, new research shows: “So just what are the orcas doing, offering food to people? ¶ Researchers ruled out play, because the incidents were short, lasting only about 30 seconds. And it’s mostly young orcas that play, and orcas of every age offered food. So it seems what is going on is exploration, the scientists surmised: The orcas are curious to see what happens if they offer us food.”
Gaurav Sood at Yanko Design: World’s Narrowest Fiat Panda is One Anorexic 19-Inch-Wide EV Destined for the Record Books: “Italian mechanic Andrea Marazzi has transformed a 1993 Fiat Panda into what is now being described as the world’s narrowest functioning car. At just 19.6 inches wide, the one-seater electric vehicle looks more like a cartoon sketch brought to life than a road-ready hatchback. Yet it can move, steer, stop, and drive like any other car.”
Sarah Perez at TechCrunch: Facebook is asking to use Meta AI on photos in your camera roll you haven’t yet shared: “Facebook is asking users for access to their phone’s camera roll to automatically suggest AI-edited versions of their photos — including ones that haven’t been uploaded to Facebook yet. […] To work, Facebook says it will upload media from your camera roll to its cloud (meaning its servers) on an “ongoing basis”….
Sitara at Sitara’s Garden: How Fantasy Fuelled 60s Counterculture: “That pirated Tolkien paperbacks hit like a bomb in 60s campuses. The bootleg copy was printed due to a loophole in copyright law and quickly became a cult phenomenon, selling over 100,000 copies in 1965 alone. The biggest fans of the book seemed to be hippies, protesters and rockstars. It makes sense when you look at the context.”
Laura Michet: Touching the back wall of the Apple store: “When I was in high school, my friends and I had a game we used to play at the mall: we would go into the Apple store and try to make it to the back wall of the store, touch it, and exit out the front without an Apple staff person talking to us.”
Elizabeth Lopatto and Sarah Jeong at The Verge: The American system of democracy has crashed: “The declaration pronounces these rights to be so important that it’s worth overthrowing a government over them. But one should not undertake revolution against a tyrannical government lightly, the declaration says, going on to provide a massive litany of complaints as justification. In modern times, the full list was considered to be the boring part of this document, lacking the vim and vigor of ‘we hold these truths to be self-evident’ and other such bars from the preamble. But this year, it’s become a… bracing read.”
Jason Kottke: There’s No Undo Button For Our Fallen Democracy: “America’s democratic collapse has been coming for years, always just over the horizon. But when everything that happened during Trump’s first three months in office happened and (here’s the important part) shockingly little was done by the few groups (Congress, the Supreme Court, the Democratic Party, American corporations & other large institutions, media companies) who had the power to counter it, I knew it was over. And over in a way that is irreversible, for a good long while at least.”
Sarah Taber on Mastodon (as a nice chaser to Kottke’s link above): “Hello Americans on Mastodon, I know we don’t feel like there’s much to celebrate this July 4th. It’s been a rough several years. ¶ So I want to talk about how we’re making history right now.”
Marcus Medford-Kerr at CBC Radio: These sea spiders use the bacteria on their bodies to turn methane into food: “Most sea spiders are hunters. They tend to eat anemones, worms, sponges and soft corals, getting their nutrients by piercing their prey and sucking up their internal fluids. ¶ The Sericosura spiders, on the other hand, are more like intergenerational farmers.”
Catherynne M. Valente in Uncanny Magazine Issue 65: When He Calls Your Name: So good, and a wonderful homage to…well, that would just be giving it away, wouldn’t it?
Daniel Villarreal at LGBTQNation: GOP erases all mentions of bisexuals from Stonewall Monument webpages: “Transgender journalist Erin Reed noted that the Stonewall National Monument page once said, ‘Before the 1960s, almost everything about living openly as a lesbian, gay, bisexual, transgender, or queer (LGBTQ+) person was illegal.’ The newly revised version says, ‘Before the 1960s, almost everything about living authentically as a gay or lesbian person was illegal.'”
I’ve had to drop one of the panels I was on, but am still a panelist on one, presenting on my own for another, and have added DJing the Wednesday night dance! Here are the current details (now with links, since we’ve posted the full schedule):
From dance clubs in Alaska in the ’90s to being a recent regular DJ at Norwescon, DJ Wüdi spins an eclectic mix of dance tracks from across the decades. Pop, electronica/dance, wave, disco, goth/EBM/industrial, convention classics, mashups… (almost) anything goes! Already know there’s something that’ll get you out on the floor? Send in your requests ahead of time!
Conventions are getting more used to considering the physical accessibility of their hotels and convention centers, but how are we doing with digital accessibility? Ensuring that website and web applications, email marketing, and distributed documents are set up to be compatible with assistive technology keeps our members with disabilities included throughout the year. Learn about the basics of document accessibility and get a grounding of what your publications and marketing volunteers should be aware of in order to make sure your convention’s materials are accessible to everyone.
Founded in 1978, Norwescon (NWC) draws thousands of Pacific Northwest SFF creators and fans each spring. But did you know that NWC grew out of a desire to bring Worldcon back to Seattle? Well, we’ve finally done it, so come hear how we got here… and what’s next!
Wm Salt Hale (M), Michael Hanscom, Taylor Tomblin, Tim Bennett
I’m the website administrator for Seattle Worldcon 2025, and I decided to run a bit of an experiment with the site, playing with an idea I’d been toying with for next year’s Norwescon website.
As I’ve been learning more about accessibility over the past few years, I’ve been working on transferring what I learn over to both the Norwescon and Worldcon websites as I’ve been working on them. Since alt text on images is one of the baseline requirements for good accessibility, I’ve been making sure that we have decent alt text for any images added to either site.
Of course, when working with other people’s art and images, there’s always a little question of whether the alt text I come up with would be satisfactory for the artist creating the image. So, I figured, why not see if I could more directly involve them?
When we were collecting signups for the fan tables, art show, and dealers’ room, as I was building the registration forms, whenever we asked for a logo or image to be uploaded, I added an optional field to allow the user to include alt text for the image they were uploading. I didn’t expect everyone using the form would take advantage of this — not everyone is familiar with alt text, some might not entirely understand what the field was for, and some might just find the extra field confusing — but I figured it would be worth a shot to see what happened.
The logo upload field and associated alt text entry field for the art show application. The fan table and dealers’ room applications used very similar language.
Without showing how many of each type of application Worldcon received (because I don’t know if our Exhibits department would want that publicized beyond the “more than we have spots for” for each category that they’ve already said), here’s a breakdown of the percentages of each application type that included a logo image, and how many of those included alt text.
Area
Submitted Logo
Submitted Alt Text for Logo
Fan Tables
77.55%
63.16%
Dealers’ Room
99.60%
72.98%
Art Show
79.89%
87.05%
“Submitted Logo” is the percentage of applications that included a logo image. “Submitted Alt Text” is the percentage of submitted logos that included alt text.
As far as this goes, I’d say it was a pretty successful experiment, with between 63% and 87% of submitted images including alt text that we could then copy and paste into the website backend and code as we built the pages that used them, both saving us time and effort and ensuring that the alt text was what the people filling out the form would want it to be. Not bad at all!
Of course, simply having alt text is only part of the equation. The next question is how good is the submitted alt text?
Not surprisingly, it’s a bit all over the place. Some were very simple and straightforward, with just a business name, or the name with “logo” appended. Some described the logo in varying levels of detail. And some went far beyond just describing the logo, occasionally including information better suited other fields on the form that asked for a promotional description of the business, organization, or artist. That said, there were very few instances where I considered the submitted text to be unusable for its intended purpose.
Later on when I have more time, I might dive a bit more into the submissions to do a more detailed analysis of the quality of the submitted alt text. But for now, I’m quite satisfied with how this worked out. I fully intend on doing this for Norwescon’s website next year and onward, and would recommend that other conventions (and other organizations or businesses) that accept user image uploads to also allow users to provide their own alt text.
This one didn’t grab me as much as others in the series have so far. Not bad at all, and certainly has its amusing moments, but more of a “sure, this was fine” than a “I can see why so many people are so into this series” entry.
I have my (draft) paneling schedule for Worldcon! While there’s always the possibility that things may shift a bit between now and August, at the moment, I’m giving one solo presentation and will be a panelist on two panels.
Here’s the lineup:
The future of education technology
to
Adaptive online learning, AI assisted classrooms, virtual reality schools … Things that used to be just science fiction are now science fact. How is education changing and what does it mean for the students?
Corey Frazier (M), Frank Catalano, Lia Holland, Mason A. Porter, Michael Hanscom
Well, as it turns out, I had a conflict come up, so I’ve had to drop this panel. This was a draft schedule, after all!
Digital Accessibility Basics for Conventions
to
Conventions are getting more used to considering the physical accessibility of their hotels and convention centers, but how are we doing with digital accessibility? Ensuring that website and web applications, email marketing, and distributed documents are set up to be compatible with assistive technology keeps our disabled membership included throughout the year. Learn about the basics of document accessibility and get a grounding of what your publications and marketing volunteers should be aware of in order to make sure your convention’s materials are accessible to everyone.
Michael Hanscom (M)
Norwescon: local but not little
to
Founded in 1978, Norwescon draws thousands of PNW SF/F creators and fans each Spring. But did you know… NWC grew out of a desire to bring Worldcon back to Seattle? Well we’ve finally done it, so come hear how we got here… and what’s next!
Wm Salt Hale (M), Michael Hanscom, Taylor Tomblin, Tim Bennett
This is the third book I’ve read by Ab Hugh, and the third to get two stars. It’s obviously supposed to be comedic, but isn’t funny (the conceit of a Ferengi who speaks entirely like it’s “talk like a pirate day” may be hilarious to some; to me, it was increasingly annoying), there are numerous typos and inconsistencies, and it was just a slog. Not looking forward to when I get to more by this author (though I’ll read them, because I’m a stubborn Trek completist).
If you know much of anything about Heavy Metal, you know what to expect with this relaunch of the long-running comic anthology series. Sci-fi/fantasy/horror comics and art (often of the “muscle bound men and women wearing a whole lot of not very much no matter how impractical that might be” variety, of course). As the relaunch issue, this also has several short essays about the history of the magazine and some of the artists who have been involved, particularly Greg Hildebrandt, who died between painting the cover (of the edition I have) and when it was published. Though I was never a subscriber, I’d found the occasional issue, and certainly saw the movie (and have had it in my collection for years, even if it’s not a regular watch), and it’s good to know that the magazine is still going, and that it’s still exactly what your inner ’80s adolescent has been looking for.