Weekly Notes: December 29, 2025–January 4, 2026

Happy holidays (part two)!

Well, we wrapped up 2025…and as happy as we were to see 2025 end, 2026 is already looking to keep the dumpster fires burning bright.

At work, the week was fine. Back in the office this week, though as it was still in the holiday break, it was another pretty slow week. Next week classes start, so things will pick back up again. The slowdown is always nice, but it’ll also be good to have things back to normal after the holidays.

Here at home, we had a nice quiet New Year’s Eve. It was even a bit quieter than we expected, as there weren’t as many local unsanctioned fireworks as there have been in years past.

Out in the wider world, though, we all woke up one morning just a few days into the year to discover that the US had invaded Venezuela and abducted its president and his wife. Because…sigh. We are continuing to speed run becoming everything as a country that I was brought up being told that we weren’t. And even though the older I get and the more I learn, the more obvious it is how far we always have been from the ideals we claimed to uphold, it’s still mind-boggling to be where we are now.

As I said on Mastodon: “I’m confused: Is being a brown-skinned person accused of being involved with drugs something that gets you kidnapped and forcibly kicked out of the country or kidnapped and forcibly brought into the country?”

Though really, after what we saw of Trump in his first term and so far in his second, the only thing that’s really surprising me about all of this is how many people are just…going along with it (most notably Congress — especially, but not at all limited to, the Republican party — and the Supreme Court). The system of checks and balances has apparently given up trying to either check or balance, and that’s perhaps the most troubling part of all of this.

📸 Photos

My wife's outstretched arms hold an iPhone taking a selfie, with her smiling face and me holding up my camera in front of my face visible on the iPhone's screen.
Got this really cute shot of Prairie getting a selfie of us as we were on an evening walk on the last day of 2025.
Selfie of me, a white man with greying red beard, weraing glasses and a black coat and hoodie with the hood up, and my wife a white woman with wavy blonde hair and glasses, both of us smiling.
And then this selfie on our first walk of 2026, during which I discovered that my new camera has an automatic selfie mode with a short timer that is activated when you flip the screen out and backwards.

📝 Writing

This week I recorded my responses to the current SFWA survey on AI use in the SFF writing/publishing industry, did my annual reading wrap-up for the year, and posted my resolutions for this year.

📚 Reading

Finished my last book of the year, Rough Trails by L.A. Graf, and my first book of the year, Thin Air by Dean Wesley Smith and Kristine Kathryn Rusch, both parts of a six-book TOS-era Star Trek series.

📺 Watching

We watched two movies over the weekend:

🔗 Linking

NOTE: For regular readers (assuming there are any), a bit of clarification on how I link some items: I use archive.is for pages on sites that are paywalled (including sites that will only show content if adblockers are disabled) and for Substack pages (because Substack is another Nazi bar). Starting with this week’s post, I will also include links to the original pages, as not everyone has the same attitudes as I do about these things and may have subscriptions to the sites in question, not be as annoyed as I am at dealing with paywalls, ads, and the like, or have either accepted Substack as a “necessary evil” or are unaware of their problematic practices.

  • National Society of Tax Professionals: USPS Announces Changes to the Postmark Date System: “…while a postmark confirms the USPS possessed a mail piece on the date inscribed, that date does not necessarily align with the date the USPS first accepted possession of the item.” Potentially impactful in a number of important scenarios, including voting by mail. Undated informational page, but the rule took effect in November 2025.

  • Foz Meadows: Against AI (archive.is link of Substack original): “AI is unethical on a scale that SFF authors should be uniquely placed to appreciate, its evils mirroring metaphors that are older than our present civilization. AI is the cursed amulet, the magic mirror, the deal with the devil, the doppelganger that learns our secrets and steals our face; it’s a faerie illusion, leprechaun gold, the fox’s trick that gives rot the look of resplendence, the naked emperor parading with his cock out; it’s the disembodied voice that whispers let me in, the zombie virus that transforms the known into the unrecognizable, the corrupting fungi whose tendrils invade and poison. It’s the literal fucking One Ring, telling us that of course we’d use its power for good, compelling us to pick it up so that through us, it might do great evil.”

  • Chuck Wendig: My Open Letter to That Open Letter About AI in Writing and Publishing: “AI IS NOT INEVITABLE. ¶ The only strategy here is the sum total pushback against its uncanny horrors and its non-consensual intrusion into every corner of our world — it steals our content, guzzles our water, increases our power bills, is crammed into services we didn’t ask for it to be crammed into while also charging us more money for the “privelege.” There is no strategy here except to find the fields where the AI grows and metaphorically set them aflame. ¶ And shame and anger against corporate overreach is a powerful fire.”

  • Trekorama!: 3D walkthroughs of locations on various Star Trek ships, including the Enterprise 1701 (main bridge), 1701-D (main bridge, engineering, sick bay, Ten-Forward, transporter room, Picard, Data, Troi, and Worf’s quarters, and a shuttle), 1701-E (bridge), and Kelvinverse version (bridge and corridor), Defiant (deck one), Voyager (deck one, sickbay, transporter room, engineering, mess hall), Discovery (bridge, transporter room, mess hall, and corridor), and Klingon Bird of Prey (bridge), plus the real-world ISS.

  • David Reamer at the Anchorage Daily News: Termination dust: Its history, evolution in meaning and possible origin (archive.is link of a paywalled original): “…the history and evolution of termination dust as a turn of phrase offers education, enlightenment and entertainment. Over the decades, there have been changes in meaning and connotation. Throughout those years, it remains a significant detail of local history, a widely recognizable bit of slang whose lore maps closely against that of the town itself.”

  • Robin Young and Emiko Tamagawa at WBUR: ‘Wake Up Dead Man’: Rian and Nathan Johnson on blending mystery and faith in new ‘Knives Out’ movie: Brief but interesting interview touching on the religious motifs in Wake Up Dead Man.

  • John Scalo: Was Daft Punk Having a Laugh When They Chose the Tempo of Harder, Better, Faster, Stronger?: “I think our helmet-clad robot friends might have been making a little joke that we’ve apparently all missed. The BPM of Harder, Better, Faster, Stronger is actually 123.45.” Fun bit of music trivia, plus a bit of a peek at the difficulties of having a computer do something that seems relatively easy for humans; in this case, determining a song’s tempo.

Thin Air by Dean Wesley Smith and Kristine Kathryn Rusch

Book 1 of 2026: Thin Air by Dean Wesley Smith and Kristine Kathryn Rusch: ⭐️⭐️⭐️.

Another decent book in the series, with another crisis for the Enterprise to solve and the colonists to endure. I’m starting to wonder if they’ll actually be able to wrap up all the dangling threads in just one more book.

Me holding Thin Air

2026 Resolutions

My resolutions for this year:

  • 3840 x 2160
  • 1920 x 1080
  • 3024 x 1964
  • 1668 x 2224
  • 1179 x 2556
  • 396 x 484

(That’s my Mac mini’s primary 4K monitor and secondary display, my MacBook Pro, and my iPad, iPhone, and Apple Watch, respectively. Yes, I make this same stupid joke every year, ’cause it makes me laugh.)

2025 Reading Round-Up

Every year, I set myself a goal of reading at least 52 books over the course of the year — an average of one a week. This year I made it to 67 books. Here’s a quick (not really) overview…

Screenshot from The Storygraph showing my reading goal of 52 books at 129% complete with 67 books, exceeding my goal by 15 books.

And again, the trend of the last few years holds true, with another year of primarily escapist fluff. Surprised? I’m not. Have you seen…everything? Still?

Non-fiction: Four books, counting for 6% of my reading, but I liked all four of them. On a historical bent, there was the World War II-era United States Office of Strategic Services Simple Sabotage Field Manual and Lucy Worsley’s A Very British Murder, John Tenuto and Maria Jose Tenuto’s Star Trek III: The Search for Spock: The Making of the Classic Film bridged the non-fiction world with my Star Trek fandom, and on a technical bent, Thom Hogan’s Complete Guide to the Nikon Z5II is a deep dive into the intricacies of my new camera.

Non-genre-fiction (where “genre” is shorthand — though not that short, if you include this parenthetical — for science fiction, fantasy, and horror): None, or perhaps almost none; the Nick Mamatas-edited anthology 120 Murders: Dark Fiction Inspired by the Alternative Era has a few speculative fiction entries, but as a whole probably wouldn’t be classified that way, so can count for this category.

Quality genre fiction: About the same as last year; primarily the Philip K. Dick nominees and my Hugo project, with a few others added here and there.

As usual, I read all of the books nominated for this year’s Philip K. Dick awards. However, I’m no longer posting my thoughts or review on the nominees, as I am the coordinator for the Philip K. Dick award ceremony at Norwescon. While I have no input into selecting any of the nominees or the eventual winner, I don’t want to give any appearance of impropriety. So, I’ll just read and enjoy each year’s nominees, and you all will have to make your own judgements as to your favorites.

I only added four books to my Hugo reading project, and one was somewhat accidental. Only getting through four was due to a few factors, including deciding to read the entirety of Martha Wells’s excellent The Murderbot Diaries series before attending this year’s Worldcon here in Seattle where she was a guest of honor (this also accounted for my “accidental” read, as I’d forgotten that Network Effect was a Hugo Best Novel winner), and slogging my way through Susanna Clarke’s Jonathan Strange & Mr Norrell, which took slightly over a month. Of the four I read this year, Network Effect was my favorite.

Outside of those two categories and in addition to reading all of the aforementioned Murderbot series, I also finished Lois McMaster Bujold’s Vorkosigan Saga, read two of the books in Bujold’s World of the Five Gods series (one of which, Paladin of Souls, is another Hugo Best Novel winner), and read both books of Catherynne Valente’s Space Opera series. All of those were good. Apparently it was a series binge sort of year.

Fluff genre fiction: Unsurprisingly, this once again ended up being the strong majority of this year’s reading. Lots of Star Trek novels, with a few detours here and there. And given everything that was going on in 2020 2021 2022 2023 2024 2025, it was very nice to have a bookshelf full of options that wouldn’t take a whole lot of brain power for me to disappear into. As I’ve now read most of the TOS books that have been released, most of this year’s reads were TNG-era, but I’m closing out the year with the TOS-era six-book “New Earth” series (again with “series” being something of a theme this year). That series will also start my 2026 reading, as I only got through four of the six before the end of 2025.

I’m still subscribing to two SF/F magazines (Uncanny and Clarkesworld), though I’ve slacked off on actually reading them for the past few months — not due to anything with the magazines themselves, but just because I’ve been more in the mood to work on emptying out my physical “to read” shelves. I’m not sure how much magazine reading I’ll do this coming year, but I will be continuing to subscribe, as I want both of these magazines to continue publishing, and it’ll be nice to have some back stock to dive into when I’m ready (or when I’m traveling, since these are both electronic distributions).

Finally, Storygraph’s stats on my year’s reading tell me:

  • I’ve read 18,822 pages read across 67 books, with August and December being my reading-est months
  • Format: 67% print, 33% digital
  • Longest book: Thom Hogan’s Complete Guide to the Nikon Z5II (1,246 pages)
  • Shortest book: Martha Wells’s Compulsory (9 pages)
  • Longest time reading: Susanna Clarke’s Jonathan Strange & Mr Norrell (39 days)
  • Most read authors: Neil Clarke, Martha Wells, Lois McMaster Bujold
  • Most shelved book: Susanna Clarke’s Jonathan Strange & Mr Norrell
  • Least shelved book: Thom Hogan’s Complete Guide to the Nikon Z5II
Graph of my books and pages read over the year. I read the most in August and December, the least in April and November.

On to 2026!

The Flaming Arrow by Jerry Oltion and Kathy Oltion

Book 67 of 2025: ⭐️⭐️⭐️

Almost a four-star, due to a particularly imaginative doomsday weapon that really had me lost as to how they were going to technobabble their way out of it. Settled on three, though, as it is a “middle book” that doesn’t stand alone on its own. Still, a more engaging entry than many middle books end up being.

Me holding The Flaming Arrow

Answering the SFWA’s Survey on LLM Use in Industry

While I’m not an SFWA member or even an author (beyond this little blog), as a lifelong reader of science fiction, I figured it was worth a few minutes to add my response to their current Survey on LLM Use in Industry. For the sake of posterity, here are my responses:

  1. I am a…
    • SFWA member in good standing (“Active”)
    • lapsed SFWA member
    • writer considering SFWA for future membership
    • ✅ member of the general public
  2. I create SFF in the following forms (choose as many as apply)
    • short fiction
    • longform fiction
    • poetry
    • comics / graphic novels
    • video games
    • analog games
    • film, theatre, and/or TV
    • nonfiction
    • ✅ I’m a reader/player of SFF.
  3. Has any of your writing been identified as part of stolen data sets in AI-related industry crises?
    • Yes, and I am part of a certified class action.
    • ✅ Yes, and I am not eligible for most/any class actions.
    • No, but people in my circles have been directly impacted.
    • No, but this issue remains a pressing concern.
    • I don’t know.

    (Note: Some time ago there was an online tool to look up sources that were used in one of the earlier revisions of one of the larger LLMs; I don’t currently remember who offered the tool or the specifics of the training database being reviewed. I do remember that both this blog and the Norwescon website, of which I’ve been both author and editor of much of the content for the past 15 years, were included in the training database.)

  4. How has your writing practice changed since the emergence of Generative AI and related LLM integrations?

    • ✅ I proactively turn off every new AI feature I can.
    • ✅ I switch away from writing tools that promote AI integrations wherever possible.
    • ✅ I avoid search engines and other summary features that rely on AI.
    • ✅ I accept AI features selectively, avoiding or switching off all the Generative AI tools I can identify, while leaving translation, spelling and grammar, and/or research assistants mostly intact.
    • I engage with AI chat features to brainstorm story elements, and/or for research questions of relevance to my writing.
    • I have used Generative AI for the development of story plots, characters, and/or scene construction.
    • I’m not a writer or editor.

    (Note: The first and fourth of these options seem to contradict each other. For clarity, I either disable or, if it can’t be disabled, actively avoid using generative AI; as noted in the sidebar of this blog, I do use machine-learning/LLM-based tools such as speech-to-text transcription, but when I do, I check and edit the output for accuracy.)

  5. Which of the following most closely resembles your position on the use of Large Language Models (LLMs) in the writing process?

    • ✅ There is no ethical use-case for writers, because this technology was developed through piracy and/or continues to negatively impact environmental systems and marginalized human beings.
    • Putting aside the historical and environmental issues, Generative AI needs to be approached differently from other LLMs, because other forms of LLM sometimes show up in tools (e.g., spell-check, grammar-check, translation software) that are normal parts of a writer’s workflow.
    • The use of any AI system for any part of the writer’s workflow that is not the writing itself (so, including brainstorming and research phases) is perfectly fine. It is only the words on the page that matter.
    • There are cases where the use of Generative AI for active storytelling might be a critical part of the story we want to tell, so it’s really a case-by-case determination.
    • Some writers are working for companies that make choices about AI without their involvement in the decision-making process, and this matters when deciding how we respond to the presence of AI in their work as individual creators.
    • I am not opposed to the use of LLMs in any capacity in the creative process.
  6. Tell us more about where you agree with or deviate from the statement you chose above.

    My actual answer is probably somewhere between the first (no ethical use-case) and second (recognizing LLM use in some tools) options.

    One of the biggest problems with the current discussions (including this survey and in the File770 threads started off of Erin Underwood’s open letter) is the grouping of several related but distinct technologies under the banner term of “AI”.

    Machine learning and LLM-backed analysis models are one thing. These are the technologies that have been used for years in many different contexts, including (some) spelling and grammar checkers, speech-to-text transcription, simple text-to-speech generation (suitable for screen readers and similar applications, not for audiobook creation), medical analysis, and so on. These are analytical or simple transformative, not creative, processes. In all cases, though, the output should be reviewed and checked by humans, not accepted as-is by default.

    Generative AI (genAI) is the severely problematic aspect, for all the reasons mentioned by many, many people advocating for its avoidance (the many unethical practices in the creation and ongoing use of the technology, social and environmental costs, high error rates, and many more).

    It’s unfortunate that all of these aspects are now grouped together as “AI”, as it makes it nearly impossible to approach the subject with any amount of nuance. I suspect that was what Ms. Underwood was attempting to do, though, as she also falls victim to the same confusion, she sorely missed the mark (and has continued to do so in her responses).

    As a reader, I would be very disappointed to see the Nebulas (and any other award) accepting the use of genAI in the creation of nominated (let alone awarded) works.

    (Note:: I wrote about the machine learning vs. genAI confusion on this blog earlier this year.)

  7. What forms of guidance do you think would most benefit writers trying to navigate the growing presence of LLMs in our industry?

    • ✅ Informational pages on SFWA.org explaining key terms and use-cases.
    • ✅ Articles on how to recognize and navigate forms of LLM in writing tools, and where to look for alternatives.
    • ✅ Full bans on any and all AI use in submissions and nominations processes, with consequences for failure to disclose.
    • ✅ Bans on Generative AI in submissions and nominations processes, with clear and severe consequences for failure to disclose.
    • ✅ Market reports that explicitly set a rigid bar for inclusion based on the publication’s commitment to not working with AI.
    • Other (please elaborate below).
  8. [Continued] What forms of guidance do you think would most benefit writers trying to navigate the growing presence of LLMs in our industry?

    Clarity in defining the differences among the technologies and determining which may be acceptable (such as speech-to-text transcription, spell/grammar checkers, etc.,) depending on the technology and its use, and which are unacceptable (genAI for text or art creation).

Weekly Notes: December 22–28, 2025

Happy holidays (part one)!

This past week was, of course, Christmas week. One of the really nice things about working at Highline is that this entire week was designated a work from home week, and Wednesday and Friday (the two days on either side of Christmas) are considered “personal development” days, with a pleasantly broad definition of “personal development”. Email was monitored and work was done, but it definitely makes for a comfortably low-key week.

Our Christmas day was quite nice: Slept in as late as we could, had a fun breakfast of chocolate chip pancakes with chocolate-infused butter and chocolate whipped cream (there was a bit of a theme there…), a comfortable walk around the neighborhood, opening presents, and a lot of relaxing and reading.

📸 Photos

A Nikon Z5II camera sitting on a green cushion with a Christmas tree just visible in the background.
My big present this year was upgrading my camera to a Nikon Z5II mirrorless camera, with the 24–50mm f/4–6.3 kit lens and the FTZ II adapter to allow me to continue to use my existing lineup of F-mount lenses.
A Nikon Z5II with an old 500mm reflex lens attached.
I did make myself laugh by half-seriously wondering if the Z5II is still a mirrorless camera if I attach a 500mm reflex lens to it (if you’re unaware, this is a catadioptric or mirror lens which, as the name implies, uses a pair of mirrors to pack a long telephoto range into a physically short lens).
Me aiming my camera at an odd-looking tree in a planter; the tree is bowed over into an arch shape, and there is a large holiday bauble hanging from the top of the arch.
Taking the new camera out for a first test run around our neighborhood. (Photo by my wife.)
Art installation of around 35 identical very cute little clouds with smiling faces hung evenly spaced and symmetrically from the ceiling of the Seattle Art Museum's lobby.
On Saturday we went up to the Seattle Art Museum, partly because it had been a few years, and partly as a good opportunity to take the new camera out for a spin. I posted a small set of photos from the museum to my Flickr account.

📚 Reading

  • I’m on a bit of a Star Trek binge to wrap up the year. Last week (though I forgot to include it in my weekly notes) I read Kij Johnson and Greg Cox’s TNG novel Dragon’s Honor; this week I’ve been working my way through the TOS “New Earth” series, getting through the first two of the six books, Diane Carey’s Wagon Train to the Stars and Dean Wesley Smith and Diane Carey’s Belle Terre. I thought I might get through the third book in the series today, but didn’t end up making it.

  • I also “finished” one I’ve been working on for a few months now (since this year’s major gift wasn’t a surprise), Thom Hogan’s Complete Guide to the Nikon Z5II. “Finished” is in quotes because as it’s something of a reference book, there were sections that I skimmed, and this is one that I’ll be sure to keep on my iPad to refer back to whenever I need.

📺 Watching

  • As befitting the season, we’ve binged our way through two seasons of The Great American Baking Show: Holiday Edition, which is just The Great British Baking Show but with American contestants. It’s a little jarring to be in the GBBS tent and hearing American accents, but it’s also really nice to see Americans in a competitive baking show actually being nice to each other (as is the standard for GBBS) rather than being snarky and rude to and about each other (as is the standard for, well, virtually every American reality show out there).

We’ve also watched several movies, two from the stable of holiday favorites, one new holiday favorite, and a couple that we’ve been looking forward to seeing. This week’s lineup was:

  • The Nightmare Before Christmas (1993), which is always good.
  • Violent Night (2022), which was new to us, but which we enjoyed more than we thought we would. It lives up to its title, but it’s a very fun holiday action/comedy.
  • Die Hard (1988), our annual Christmas Eve tradition (along with many others).
  • Fackham Hall (2025) has been on our radar for a while now, and it just became available to rent this week. It’s Downton Abbey meets The Naked Gun, and we laughed a lot — it will definitely eventually be going in our home collection once it’s available on physical media.
  • Wake Up Dead Man (2025), the latest Knives Out film, is excellent. Continues the twisty mystery fun of the prior two, and incorporates some really neat political and religious commentary as well. Rian Johnson is so good at what he does (I need to go back and watch Brick again at some point, too).

🔗 Linking

  • Walter Chaw at Film Freak Central: Avatar: Fire and Ash (2025): Absolutely devastating zero-star review of James Cameron’s latest “Dances With Ferngully” film. “The indigenous people, the Na’vi, are giant blue cats who literally meld with the natural elements on their planet, Pandora, through their naked mole-rat tails, and boast of a harmonious existence that nonetheless requires a warrior class because those are the two things indigenous people in white fantasies are allowed to be: ferocious warriors and children of the Earth.”

  • Randall Munroe’s xkcd: Funny Numbers: “The teens picked a new funny number.”

  • Ben Keough at The New York TimesWirecutter: The First Nikon Z-Mount Mirrorless Lenses You Should Buy (archive.is link): Now that I have a new camera, though I can use (and absolutely will be using) my existing F-mount lenses, eventually I’ll be adding newer Z-mount lenses to my collection. Time to start dreaming!

  • Barry Petchesky at Defector: What Did We Get Stuck In Our Rectums Last Year?: The annual report! “This is the time of year to be grateful for not having things stuck in our asses, and to think of those less fortunate than us. So spare a thought for those Americans who misjudged the capacity of their own orifices.”

  • Lorraine Boissoneault at Smithsonian Magazine: A Civil War Cartoonist Created the Modern Image of Santa Claus as Union Propaganda: I had no idea about any of this.

  • Infinite Ball Drop: “On New Year’s Eve, the Times Square Ball drops for only 60 seconds over a measly 139 feet. What if we extrapolated from that and covered the entire year?”

  • Robin Buller at The Guardian: How effective is protesting? According to historians and political scientists: very: “From emancipation to women’s suffrage, from civil rights to Black Lives Matter, mass movement has shaped the arc of American history. Protest has led to the passage of legislation that gave women the right to vote, banned segregation and legalized same-sex marriage. It has also sparked cultural shifts in how Americans perceive things like bodily autonomy, economic inequality and racial bias.”

  • Doug Henwood at Jacobin interviews Émile Torres: Tech Capitalists Don’t Care About Humans. Literally.: “…there’s also a kind of capitalist influence, the idea that human beings do not matter in and of ourselves. In this worldview, we matter for the sake of value, rather than value mattering for the sake of us. ¶ …we are just means to an end. The only end is value, this abstract yet quantifiable concept that should be maximized to the physical cosmic limits. We matter only as the conduits through which this value can come into existence.

Complete Guide to the Nikon Z5II by Thom Hogan

Book 65 of 2025: ⭐️⭐️⭐️⭐️

Really, this kind of needs two ratings: Five stars for the content, and two stars for the editing. Thom is incredibly knowledgeable about photography and Nikon cameras, and this book is an incredible deep dive into the Z5II, how it works, why it works the way it does, what all those settings mean, and suggestions on how to get the best results out of the camera. However, as he has obviously (and quite transparently; he mentions some of this on his website) adapted large swaths of this book from very similar books on other cameras in Nikon’s Z series, there are a lot of instances where the shift from one camera to another wasn’t caught, leading to everything from the wrong camera model being mentioned to slight errors (I’ve not come across anything major or that would cause a problem, though). Still very worthwhile, and I’ll be sure to keep this easily available on my iPad so I can reference it whenever I need.

Me holding The Complete Guide to the Nikon Z5II on my iPad

Belle Terre by Dean Wesley Smith and Diane Carey

Book 64 of 2025: ⭐️⭐️⭐️

Having made it through saboteurs and alien conflicts, the colonists now need the Enterprise’s help dealing with a moon set to explode in a week. The setup sounds far-fetched, but works to keep the overall tension going, plus a few new mysteries are tossed in, sure to be addressed again later in the series.

Me holding Belle Terre