Gruber: If I never see it, I don’t care.

I’ve been reading John Gruber’s Daring Fireball for years. His posts generally fall into one of three categories: Apple and tech sphere commentary that I tend to respect and appreciate reading, even when I don’t necessarily agree; baseball blather that I don’t care at all about; and occasional current events and political commentary that sometimes works for me, sometimes doesn’t.

But last week he surprised me with a remarkably blatant and forthright declaration of uncaring privilege. I’ve let it sit for a few days, but kept coming back to it, so here we are.

In responding to a post by Anil Dash about Substack, primarily advocating for writers to stop calling their posts/newsletters “Substacks” and therefore doing Substack’s marketing for them, Gruber notes Dash’s reminder that Substack has no issues with platforming Nazis and others on the far-right.

And his take is, despite many people whose opinions he says he respects refusing to support Substack because of this policy, he hasn’t personally seen stuff like this, so he doesn’t care. Literally, that’s what he said:

I know a bunch of good, smart people who see Substack like Dash does, and refuse to pay for any publication on Substack’s platform because of their “Hey we’re just a neutral publishing platform, not an editor, let alone a censor” stance. What I can say, personally, is that I read and pay for several publications on Substack, and for the last few weeks I’ve tried using their iOS app (more on this in a moment), and I’ve never once seen a whiff of anything even vaguely right-wing, let alone hateful. Not a whiff. If it’s there, I never see it. If I never see it, I don’t care.

Sure, this is a pretty common attitude to have. But it’s surprising to me to see it stated so publicly and blatantly. Instead of listening to and believing Dash and the other people in Gruber’s circles who have called Substack out on this (and it’s not like it’s difficult to find people talking about this: here’s TechCrunch, The Verge, the New York Times, and NBC News, and that’s just the first four links on a Duck Duck Go search for “substack won’t ban nazis“), he just shrugs it all away with “if I never see it, I don’t care”.

Look, lots of people publish on Substack. Not everyone is going to want to cut it out entirely, especially if writers they rely on use that as their primary or sole outlet. I have a few people I read regularly that still publish on Substack (I just read what I can for free via RSS rather than supporting Substack by subscribing to the paid content).

But even in that case, a thoughtful response would be closer to “I understand and support your choice, though for these reasons, I’m not going to walk away entirely”, not, “if I never see it, I don’t care.”

Just…ugh. Do better.

Clarkesworld Magazine Issue 218 edited by Neil Clarke

70/2024 – ⭐️⭐️⭐️

Favorites this month were “LuvHome™” by Resa Nelson, “Luminous Glass, Vibrant Seeds” by D.A. Xiaolin Spires, “Negative Scholarship on the Fifth State of Being” by A. W. Prihandita, and “Unquiet Graves” by Michael Swanwick.

Me holding Clarkesworld 218 on my iPad

Wolfs

🎥: Wolfs (2024): ⭐️⭐️⭐️

A thoroughly entertaining blend of Heat and Adventures in Babysitting. Clooney and Pitt play really well off each other. A good choice when you’re in the mood for a low-key action comedy.

Living Memory by Christopher L. Bennett

69/2024 – ⭐️⭐️⭐️⭐️

A mysterious and dangerous astral phenomenon threatens the Earth, and Spock, Uhura, and Chekov must try to solve a mystery that ends up being tied to Uhura’s forgotten past. Meanwhile, Kirk, overseeing Starfleet Academy, has to deal with some problematic new cadets. The Kirk-centric B-blot is okay, mostly interesting for fleshing out more of Kirk’s time between the films. The primary plot is more interesting, especially as it picks up the thread of how Uhura was affected by her loss of memory during the Nomad incident, something never (or very rarely) explored. That part of the story I very much enjoyed.

Me holding Living Memory

Twisters

🎥 Twisters (2024): ⭐️⭐️

Oh, this was just dumb. Not that I expected much of it, but I was hoping for more enjoyably dumb instead of just…meh. Not so bad as to be a single star, just enough amusing moments for two stars, but definitely not any more than that.

Mad Max 2

🎥 Mad Max 2 (1981): ⭐️⭐️⭐️⭐️

While the first now feels like an unnecessary origin story, this is where you can really see the world of the modern Mad Max movies taking shape in Miller’s mind. The homoeroticism and queer coded villains are simultaneously hilarious and cringy, but wow, did this film ever solidify an aesthetic. The car chases and stunts, along with the customized vehicles, really set the stage for what will come along a few decades later. Once again, I have no idea when I last watched this, but I enjoyed watching this one again more than I did the first film.

Deadpool & Wolverine

🎥 Deadpool & Wolverine (2024): ⭐️⭐️⭐️

This is not a good film. It’s two hours of profanity, obscene violence, and ludicrous fan service, with barely enough plot underlying it to string the fight scenes together. Basically, it’s a Marvel Cinematic Universe porno. It’s also rather entertaining, which I feel like I should feel bad about. I’m not disappointed to have watched it, but it’s not one I’ll ever really need to watch again, either.

Mad Max

🎥 Mad Max (1979): ⭐️⭐️

I don’t remember how long ago I last watched this, but it’s interesting watching this now, particularly with the more recent two (Fury Road and Furiosa) much more in my mind. Those are so woman-focused and nonstop, that going back to where it started, where very little happens for much of the film and women exist almost entirely as victims, is rather jarring. It’s most interesting to me as kind of a prologue to the rest of the Mad Max stories — in today’s franchises, it would be the origin story that no-one really asked for but the studio felt compelled to make, only in this case, it was actually the first one made. I can’t really say I like it, even, but I can see the impact it had and respect its place in kicking off a franchise that has just kept improving over time.

Fuck

Well, that happened.

This country is well and truly fucked, for at least the next four years, and likely (for reasons ranging from another few far-right SCOTUS judges to the possible complete abrogation of the democratic system) much longer.

And clearly, nobody should listen to my political forecasting at all.