Weekly Notes: March 17–23, 2025

  • ♿️ Busy week at work. The biggest success there was launching an “Accessibility Liaisons” initiative, looking for volunteers across campus to learn more about digital accessibility to assist others in their area. Sent out a campus-wide email about it, and got the first four volunteers within an hour, and were up to twelve by the end of the day. Promising start!
  • 🚀 This weekend was the all-staff meeting weekend for Seattle Worldcon 2025. Friday afternoon I joined in person and got to put a few faces to names I’d only seen online until now; Saturday I stayed home and Zoomed in, since there was less that day that I needed to be present for, and then Sunday I joined the group for a tour of the Seattle Convention Center Summit building where the majority of the convention will be happening. The new convention center building is huge, and really nice. Going to be a great location for Worldcon!
  • 🎻 After the tour, my wife and I went to the Seattle Symphony’s performance of selections from the Fantasia movies, played live as the film clips were projected on a screen. Really enjoyed the performance, and it was fun to see how they synced the performance to the video.
  • 🚀♿️ Had a nice bit of success in crossing the streams between my paid and volunteer work. One of the pages we’d just set up for the Seattle Worldcon site (page not linked, because it’s not fully public) included a drop-down menu that revealed more information on the page, changing depending on which item in the menu was chosen. While working my way through the Trusted Tester training materials, I realized that the current implementation would fail the testing process because those page changes weren’t being announced to assistive technology. A bit of digging, experimentation, and testing, and I figured out how to properly implement an ARIA live region so that the page passes testing.

📸 Photos

A red Chevy Sonic being strapped onto a flatbed tow truck.

Not the best start to Tuesday morning. And it didn’t get much better from there; a failed water pump had led to the car dumping its coolant and cracking the radiator and coolant reservoir. A lot of money and a few days wait for repairs, that turned into a few more days when the wrong part got shipped to the service shop. Hoping we’ll have it back on Monday.

A wide-angle shot of a huge convention center ballroom, with maroonish side walls and a high ceilig with a pattern that's formed by hanging planks of wood.

The main ballroom of the convention center Summit building is huge. I mean, I know these spaces are big, but standing in it while it’s completely empty was impressive. I spent a couple moments trying to estimate how many times I could fit my entire house in there (stacked vertically as well as arranged horizontally) before just going with “lots” and giving up.

A concert hall filled with people; on the stage are seats for an orchestra below a large screen showing the logo for Disney's Fantasia.

It was good to be back in Benaroya Hall for the Seattle Symphony. The last time we were here was one of the last Messiah performances before the pandemic kicked in and shut everything down.

📚 Reading

  • Read Requiem by Kevin Ryan and Michael Jan Friedman.
  • Started Polostan by Neal Stephenson.

📺 Watching

Started NCIS: Origins. It’s pretty standard NCIS, but the ’90s setting makes for some entertaining music choices, and we’re being pretty impressed by the casting for younger versions of known characters. Also been doing a lot of Antiques Roadshow, because it’s soothing.

🎧 Listening

A few months ago I’d pre-ordered Ministry’s latest album, The Squirrely Years Revisited, where they update a bunch of those early synth pop tracks that Jourgensen has practically disowned for decades. So far, first impressions are good. While a lot of recent Ministry hasn’t done much for me, as they’ve moved more towards straightforward metal over industrial, they’ve done a really good job of blending the original synth pop tracks with their modern sound, landing in a place that works well for me. Glad Al decided to admit that these tracks are part of his history!

🔗 Linking

  • Assuming the old plugin (last updated in 2008) I found still works, this site will be participating in CSS Naked Day on April 9.
  • Robert Alexander, RSS blogrolls are a federated social network: Something for me to dig more into when I have time.
  • Chris Dalla Riva, The Greatest Two-Hit Wonders: “But if one hit is a miracle, then two hits is a near impossibility. Two-hit artists sit in a weird space, though. Pop stars a remembered because they are very famous. One-hit wonders are remembered for the opposite.”
  • Anand Giridharadas, The opposite of fascism: “The best revenge against these grifters and bigots and billionaires and bullies is to live well, richly, together. The best revenge is to refuse their values. To embody the kind of living — free, colorful, open — they want to snuff out.”

Weekly Notes: March 10–16, 2025

This is the second week in a row where I’m actually posting this wrap-up on Monday morning, but backdating it to Sunday evening. Sometimes life just gets in the way!

That said, even with life getting in the way, this is kind of a slow week. Work (both the paid job and the volunteer jobs) has been busy and we’ve had some general home things to take care of, and those have taken up enough time that there’s not really a lot for this week’s wrap-up.

📸 Photos

A store category sign for Artist Canvas that has been vandalized to read Fartist Canvass.

As seen at a local Joann’s Fabrics; I snickered, because I’m that mature.

📚 Reading

Read Space Opera by Catherynne M. Valente.

📺 Watching

We almost finished S3 of Evil, but then had a few busy days and wanted to make sure we could concentrate on the show, so took a detour into the soothing regularity of PBS’s Antiques Roadshow. And while we do enjoy it, I kind of want to challenge them to do a “breaking the pattern” episode that does not include a common musical instrument, Rolex watch, or weapon or other war memorabilia. Sure, being formulaic is part of the appeal, but they could vary the formula a little more than they do.

🎧 Listening

Another batch of requests for the Norwescon dances came in, so I’ve added and have been listening to the following albums, plus a few one-offs that aren’t listed:

Of these, Chappell Roan, Kraftwerk, Robyn, and Thumpasaurus have been catching my ear the most. Eisunfunk and Kontravoid have good bits but are a bit too noisy to go in my regular rotation, and Lady Gaga is…well, Gaga. Not bad, there’s some good dancefloor bits, but honestly, for almost all of her songs, I couldn’t tell you which album they came off of. Mayhem is actually a bit disappointing in that regard; for all the pre-release talk of how she was working with artists/producers in the darker/industrial side of things, it really just sounds like everything else she’s released. Gaga does what she does well, but it all blends together.

🔗 Linking

🇺🇸 Too much of what I read online was focused on current news and the fall of America, so nothing of note to share.

Weekly Notes: Mar 3–9, 2025

  • 🏚️ Ah, the joys of owning a 30-some year old house. We finally got around to having the bathroom fan replaced. We’d said to each other that we didn’t really think the fan that was there actually did much of anything (other than make noise), and the contractor had the same opinion, describing it as a “toy”. Now we have a new fan that’s larger, quieter, actually moves air, and vents into an insulated vent hose instead of the uninsulated one that was dripping condensation back into the bathroom during last month’s cold snap. Improvements have been made!
  • 🕺🏻 Made it out to The Mercury on Saturday night for some stompyboot üntz-üntz gothclubbing time. A slow night, with some faces I recognized but not really anyone I knew, but the music was good and I got some good floor time in, so it was worthwhile.
  • ⌚️🥱 Insert my biannual (semiannual? twice a year) rant on the evil that is daylight saving time, how much I hate the time change, and how frustrating it is that Washington voted to get rid of the time change years ago, but did it the wrong damn way, so it did no good. If we could just ditch DST and stay on standard time, this would all be done with.

📸 Photos

Me sitting in our living room holding my iPhone in my right hand and my iPad with my left hand, and with my MacBook on my lap, as I take a selfie with the latest book I read to blog about it.

From my wife, amused by my lap full of Apples as I took the selfie to go with the blog post about the book I’d just finished.

A skeletal ribcage, head, and arms, with tattered bat-like wings, lit all in red, against blue- and amber-toned bits of ceiling in the background.

Decor at the Mercury.

📝 Writing

📚 Reading

📺 Watching

  • 🇺🇸 We did not watch Trump’s State of the Union. Masochism just isn’t my thing.
  • We started Alone: Australia, where people with far more outdoor skills than we have get dropped in the middle of the Tasmanian wilderness to survive as long as they can. Because, yes, this is totally something normal people do.
  • We’ve also come back to season three of Evil. I kinda want the pop-up books (and love the way what’s essentially an opening sequence gag keeps getting worked into the action of the show).

🎧 Listening

We’re starting to get requests in for the Norwescon dances, which is always a fun way to be introduced to music I don’t know. So far, I’ve added the following to my collection:

🔗 Linking

  • April 9 is CSS Naked Day, which I should get in on: “The idea behind CSS Naked Day is to promote web standards. Plain and simple. This includes proper use of HTML, semantic markup, a good hierarchy structure, and of course, a good old play on words. In the words of 2006, it’s time to show off your <body> for what it really is.”
  • Mozi: An interesting looking, privacy focused app to coordinate with friends for real-world encounters. An “I’m going to be in [place] at [time]” sort of thing. Currently iOS only, Android maybe in the future.
  • Well, bummer: The Bulwer-Lytton Fiction Contest has ended after a 42-year run.
  • Priscilla Page, Mad Max: Fury Road: Excellent essay on the best of the Mad Max films. There was so much good analysis and commentary on this film in the months after it came out; diving back into that from a more recent perspective was a pleasure.

My Norwescon 47 Schedule

Promo image with art by Wayne Barlowe of an orange-tinted alien landscape, and the text, Norwescon 47: Through the Cosmic Telescope, April 17–20, 2025, DoubleTree by Hilton Seattle Airport, SeaTac, WA.

Norwescon 47 is coming up quick, and this year, in addition to my usual behind-the-scenes duties (website admin, social media admin, Philip K. Dick Award ceremony coordinator, assistant historian) and visible duties (Thursday night DJ, Philip K. Dick Award ceremony emcee), I’ll also be paneling!

Here’s my (tentative, but should be pretty solid) schedule for the con; any time not listed here when I’m not sleeping, I’ll likely be found wandering the convention, hanging out with people, getting into ridiculously geeky conversations, enjoying the costuming, and generally seeing what’s going on:

Thursday, 4/17

  • Thursday night dance setup (7–8 p.m.): Making sure the noise goes boom as it should.
  • Introduction to Fandom Dancing (8–9 p.m., Grand 3): Teaching people how to do things like the Time Warp, the Rasputin, the Thriller dance, and so on.
  • Thursday Night Dance: Star Trek vs. Star Wars (9 p.m.–1 a.m., Grand 3): I DJ. Noise goes boom! People boogie.

Friday, 4/18

  • A few Philip K. Dick award related things during the day.
  • Lifetime Dinner (5–7 p.m.): Munchies and chatting with other lifetime members, the guests of honor, and the Philip K. Dick award nominees.
  • Philip K. Dick Award Ceremony doors open (6:30 p.m., Grand 3): Welcoming all to the award ceremony.
  • Philip K. Dick Award Ceremony (7–8:30 p.m., Grand 3): Featuring readings of selections from the nominated works (read by their authors if attending) and the presentation of the the award.

Saturday, 4/19

  • Basics of Accessible Documents and Websites (7–8 p.m., Cascade 10): Aimed primarily at authors, especially if self-publishing, small publishers, but also for anyone distributing writing online. An overview of digital accessibility and tips on how to make sure that what is being published can be read by everyone, including readers with disabilities.

Weekly Notes: Feb 17-23, 2025

  • 🇺🇸 On Monday we took advantage of having the day off to hop the light rail into downtown Seattle and go to the Save the Civil Service / 50501 protest in front of the Federal building. Lots of people showed up, which was great (though I do wish we didn’t need to do this). I uploaded a Flickr album with photos of signs and the crowds.
  • 🤖 I’ve added a short AI disclaimer for this blog to the sidebar. In short: No generative AI, traditional/iterative AI for video captions (first pass only, then manually reviewed and corrected before finalizing).

📸 Photos

Protesters carrying signs stand on a wet plaza under buildings that seem to loom and bend over them.

Protesters are seen reflected upside-down in a puddle on a herringbone pattern brick plaza.

Even at protests, I can get a little arty with my photos sometimes.

📝 Writing

📚 Reading

Finished three books (well…a graphic novel, a government pamphlet, and a magazine) this week:

And I’ve started reading Lucy Worsley’s A Very British Murder. It’s good to get at least one non-fiction book in each year.

📺 Watching

  • Our current reality show is season 19 of Project Runway, and then we’re continuing to get caught up on Law & Order, Law & Order: SVU, and NCIS. All three of these shows are great for watching people having worse days than us. Scrubs continues to keep things a little light.
  • After a long pause, I picked back up with my ongoing project to watch all of Star Trek in chronological order (current progress 30.57% complete), and started season two of TNG. Two episodes in (“The Child” and “Where Silence Has Lease”), many, many to go.

🎧 Listening

  • I’m finally getting started practicing for DJing at Norwescon this year, and as always, I’m recording and posting my sessions. Here’s Difficult Listening Hour 2025.02.22. These are always random, seat-of-the-pants, unplanned sessions, so the song selections are a bit all over the place.
  • I also decided to sunset my DJ Wüdi blog (one gig and a few practice sessions a year doesn’t really need its own separate blog), and moved all of the posts that were there over onto this blog. All my mashups and mixes are now part of everything else here on Eclecticism.

🔗 Linking

Difficult Listening Hour 2025.02.22

Finally getting back to practicing before this year’s Norwescon! The usual randomness, slower for the first hour, faster for the final half hour.

Read more

Music Question Challenge 2025

Another blog meme! This one I found through Elena’s post, and honestly, I debated diving into this one, as it’s primarily made up of questions that I really don’t like — not because of anything wrong with the questions themselves, but because they’re so difficult for me to answer. :) But what the heck, let’s give this a shot.

One major disclaimer, though: Most of these answers could change at any moment depending on any number of reasons. This is a snapshot of a very brief moment in time.

What are 5 of your favourite albums?

Props to the original author for making this “five of your favorite”, and not “your five favorite”. That makes it easier (though not easy) to answer.

What are five of your favourite songs?

Albums was bad enough, but songs? This is where things really get difficult. Again, I appreciate that this isn’t supposed to be my five favorite songs, just five of my favorites.

Favourite instrument(s)

Cello, probably. I played violin (never terribly well) as a kid, and I’ve long wondered if I’d stuck with it more if I’d picked cello. As it was, my brother, who started with cello, went on to bass (both standup bass and electric bass guitar, depending on whether he was playing in an orchestra, a bluegrass band, or a punk band, any of which have been and still might be possibilities), while I started with violin and went on to DJing.

What song or album are you currently listening to?

Right at this moment, nothing. This week, it’s mostly been the six-disc 40th anniversary re-release of Soft Cell’s Non-Stop Erotic Cabaret that I picked up last week.

Do you listen to the radio? If so, how often?

Not unless I happen to be somewhere where someone else has it on. What with the annoyance of commercials, the lack of stations that reliably play what I want to hear, and my extensive music collection, there’s just no reason to bother.

How often do you listen to music?

As often as possible. I used to have a near constant soundtrack going, but these days it’s primarily when I’m working or puttering around on my own.

How often and how do you discover music?

“How often” is a hard one to answer, as it just kind of happens when it happens. As far as “how” goes, sometimes it’s hearing something good when I’m out clubbing, sometimes friends introduce me to new stuff, and sometimes some other way.

I’m a big fan of compilation albums, and have a few labels on Bandcamp that I’ll regularly pick up annual or themed compilations when they appear. These days, those labels are Re:Mission Entertainment, Alfa Matrix, Artoffact Records, Infacted Recordings, and Sideline Magazine.

I also enjoy a lot of mashups and get a lot of those from Bootie Mashup. Since I don’t listen to the radio or much pop, mashups have introduced me to a lot of pop that I’d otherwise not have heard (and I’m often amused when I hear a song that I recognize but it sounds weird, and realize that I’m hearing the original when I’d only heard bits and pieces as used in mashups).

What’s a song or album that you enjoy that you wish had more recognition?

Many years ago, when I visited Germany in 1990 or ’91 (I can’t remember which trip this was), I discovered the band Poems for Laila and picked up their first two albums, Another Poem for the 20th Century and La Fillette Triste (which doesn’t appear to be available as a YouTube playlist). I think both are extremely good, and have often recommended them to people, as they never got much play here in the United States (I’ve rarely found anyone else who’d heard of them).

What’s your favourite song of all time?

There is absolutely no possible way to answer this question. Too many possibilities, too many variables.

Has your taste in music evolved over the years?

Oh, absolutely.

Growing up, dad contributed a lot of rock, folk, and classic country, and mom contributed a lot of classical. Our family was very involved with the music in our churches. I spent many years in a local children’s choir (first the Anchorage Boys Choir, then the Anchorage Girls and Boys Choir when the two choirs (run by the same people) merged, and then as they changed their name to the Alaska Children’s Choir), which exposed me to a wide range of choral music.

As I grew, while I was certainly exposed to a lot of pop, I soon found myself being drawn to what was then termed “alternative” music. I started going to my high school dances, and though I was at first a definite wallflower, with regular “they’ll all laugh at me” thoughts keeping me off the dance floor, eventually I started heading out to the floor, and discovered a love for dancing.

High school dances encouraged my appreciation for pop, and after high school, I started exploring the local all-ages club, eventually finding Sharkey’s, which had pop upstairs and alternative down in the basement. Sharkey’s and the DJs there exposed me to both dance/electronica and goth/industrial, and I found my home.

Since then, I’ve mostly considered the goth/industrial and electronica/techno/dance genres to be my favorites, though I still have a love for, well, just about everything. While I used to profess a disdain for hip-hop and rap, there were always “acceptable” groups, and I’ve come to realize that there was a lot of unconscious and unexplored systemic racism and classism wrapped up in that, and I’ve been gaining more of an appreciation for both classic and modern rap and hip hop.

Eventually I found my way into DJing, and spent about ten years spinning at all-ages clubs in Anchorage as my alter-ego DJ Wüdi. Finding music for the clubs and picking up songs from requests exposed me to a lot more stuff I might not have found otherwise.

Basically, while there are certainly bad songs (though even many of those can be enjoyable at the right place and time), and lots of quite unfortunate artists (even when they produce tracks I like), there’s no such thing as universally bad genres.

Except for smooth jazz. The exception that proves the rule, right? ;)

Tag, you’re it

I’m not one for tagging people in these sorts of things, but if you come across this and want to play along, jump in!

Weekly Notes: Feb 10-16, 2025

  • 🤬 Facebook is in one of its occasional moods where it decides that as a 51 year old white male, I should be served ads for guns, holsters, body armor, ultra-right-wing religious clothing, and erectile dysfunction pills. I hide ’em all, and they’ll cycle out eventually (at least, they always have in the past), but it’s always annoying when this happens. (No unsolicited advice about how to “fix” this, please. I’ve heard it all.)

  • 🥶 So tired of the cold and snow. I do have to say, what I originally thought was just a silly joke a few weeks ago got us thinking, and y’know…hot water bottles come in really handy in weather like this! Thankfully, it looks like we’ll be warming up enough to get rain for the next week. I’ll take it!

  • 🇺🇸 I’m not going to get too much into it, but I continue to be amazed at how quickly and thoroughly our government is being dismantled. As I grumbled elsewhere, if I’m going to be forced to live in a world with a megalomaniacal tech billionaire doing everything he can to tear down the world’s superpowers for his own benefit, can I at least get James Bond to swoop in and save the day, please?

📸 Photos

Framed by silhouetted tres, the full moon sets in a sky shading from light blue to pink over the pink-tinted snowcapped Olympic mountains across the water of the Puget sound.

The moon setting over the Olympic mountains one morning before work.

A wooden bench in front of some winter vegetation. Graffiti sprayed on the backrest of the bench says 'me' on the left side and 'you' on the right side.

Amusing (Valentine’s Day inspired, perhaps?) graffiti seen this morning on a bench along the Soos Creek trail.

📚 Reading

Finished the last of this year’s Philip K. Dick Award nominated works, Adrian Tchaikovsky’s Alien Clay.

📺 Watching

Wrapped up season 16 of Drag Race (my favorite didn’t win, but I’m fine with the winner), and decided to take a slight break from Evil to get caught up with Law & Order and Law & Order: SVU. While season five of Scrubs still lands pretty solidly mostly in the “pleasantly distracting amusement” category, their homage to The Wizard of Oz is still a standout episode.

🎧 Listening

  • A few weeks ago I picked up the Resurgence compilation from Spleen+, and it’s really strong. I’m a big fan of compilations, but they’re often very hit-and-miss; while that’s certainly true for this one as well, the ratio of hit to miss is really good here.

    Embark on a sonic journey with “Resurgence”, the latest conceptual release from Brussels-based Spleen+ (a division of Alfa Matrix). This deluxe collector’s edition brings together 133 active bands from across the globe, spanning the diverse sub-genres born from post-punk’s iconic roots. Spread over an impressive 7-CD collection, this box set captures the essence of a movement that has influenced generations of music, art, and culture.

  • Soft Cell will be touring through Seattle in May (along with Simple Minds and Modern English), and while that’s a really good and very tempting lineup, I decided to go to Underworld (also in May) instead. However, that did lead me to digging through Soft Cell’s website, where I found that they’d recently released a very nice six-disc box set reissue of Non-Stop Erotic Cabaret that I picked up. It arrived this week, and so for the past few days, that’s about all I’ve been listening to.

🔗 Linking

  1. Marcin Wichary: The hardest working font in Manhattan

    A lot of typography has roots in calligraphy – someone holding a brush in their hand and making natural but delicate movements that result in nuanced curves filled with thoughtful interchanges between thin and thick. Most of the fonts you ever saw follow those rules; even the most “mechanical” fonts have surprising humanistic touches if you inspect them close enough.

    But not Gorton. Every stroke of Gorton is exactly the same thickness (typographers would call such fonts “monoline”). Every one of its endings is exactly the same rounded point. The italic is merely an oblique, slanted without any extra consideration, and while the condensed version has some changes compared to the regular width, those changes feel almost perfunctory.

    Monoline fonts are not respected highly, because every type designer will tell you: This is not how you design a font.

  2. Ex Urbe: History’s Largest & Most Famous Disability Access Ramp

    Time for the largest, most famous disability access ramp in the world, paired with a twist about how our feelings about a piece of history can reverse completely based, not just on the historian’s point of view, but what questions we start with.

  3. The Braille Institute has updated their excellent Atkinson Hyperlegible font to add two more versions.

  4. Washington state Republicans have introduced a bill to get rid of voting by mail (bill info, current bill text (PDF)). This would have no substantive effect on safety or security, but would disenfranchise many voters and would make voting much more difficult for many more. Please voice your opposition to this bill and help protect voting by mail.

  5. Seventeen states (and no surprises as to which: Alaska, Alabama, Arkansas, Florida, Georgia, Indiana, Iowa, Kansas, Louisiana, Missouri, Montana, Nebraska, South Carolina, South Dakota, Texas, Utah, and West Virginia) are suing to get rid of Section 504, which would remove all protections for disabled people. The link has more information on the case and pointers for how people in those states can contact their state Attorneys General to urge them to drop out of the case.

  6. A few software things that I’d like to see if I can find time to play with at some point:

    1. FreshRSS is a self-hosted RSS aggregator that can serve as a backend to NetNewsWire.

    2. linkding is a self-hosted bookmark service like the old del.icio.us.

    3. Both are supported by PikaPods, which looks to be a reasonably priced way to bridge the gap between where I am (I understand what the above software packages do and would like to use them) and what’s necessary to use them (self-hosting has moved on from LAMP setups and now tends to require Docker setups, which I vaguely understand but don’t know how to use and which aren’t supported by my Dreamhost account anyway).

    4. And if I could get linkding up and running, I’d love to figure out how to hack into the old Postalicious WordPress plugin so that I could get it working with modern WordPress and linkding and finally satisfy my long-dormant urge to get my old linkblog posts up and running again. Realistically, I probably don’t have the PHP/programming knowledge/time to manage it, but a guy can dream, right?

Weekly Notes: Getting Started

So I noticed Cygnoir do one of these, and I really liked the template, and thought (as she did) that it might be a good way to help me reboot my blogging habits. So here we are! My thanks to Cygnoir (and to Jedda for inspiring her) for the template and inspiration!

  • 🌨️ This week’s weather meant that we ended up with one full snow day and two late-start half days…with an end result of the week just being weird and not feeling as productive as usual.
  • ♿️ I’ve gotten started on my Section 508 Trusted Tester certification training. In theory, you have 180 days to finish this program; I’m approaching it as “180 days or until the current administration gets around to pulling the plug” and doing my best to get through as quickly as possible. Hopefully because this program is hosted under Homeland Security it won’t be in the crosshairs as soon as others, but we’ll see….
  • 🚀 Norwescon and Seattle Worldcon 2025 planning continue to move right along.
    • We’re just about two months out from Norwescon, so this is when website updates start to ramp up, I start spending more time making sure my laptop music library is ready to go, and I make sure everything is set for the Philip K. Dick Award ceremony. There’s always something to do.
    • Worldcon is still about six months out, and I have less to do there, but there’s still a pretty reasonable constant stream of stuff, with website updates and queuing up posts for the con’s blog once they’re edited and signed off on.

📸 Photos

Not much of a week for photos. But since this is my first time doing one of these weekly notes, here’s a simple one from last week, showing my current set of laptop stickers.

The top of lid of a MacBook Pro with six stickers: A rainbow A11Y, the United Federation of Planets seal, Norwescon, a classic ranbow Apple logo, Seattle Worldcon 2025, and Gothic Pride Seattle.

That’s an A11Y (accessibility) sticker I got at this year’s Accessing Higher Ground conference, the seal of the United Federation of Planets, Norwescon, a classic rainbow Apple logo that I’d had stashed away for probably close to two decades (maybe more, I don’t know when they stopped producing these), Seattle Worldcon 2025, and Gothic Pride Seattle.

📝 Writing

📚 Reading

📺 Watching

  • Evil: We’re just starting season three, and continue to really enjoy this show. Smart, creepy, funny.
  • RuPaul’s Drag Race: About midway through last season, and so far Dawn’s my favorite, though I don’t know if they’ll win. Q’s costuming skills are impressive, and Plain Jane is a strong all-arounder (but I can’t stand her attitude).
  • Scrubs: We’re early in season five in our rewatch. When we started the rewatch we were pleasantly surprised at the solidity of the first few seasons; by this point, the show’s pretty much settled into its groove and is generally pleasantly amusing, but not as strong as when it started.
  • NOVA: “Dino Birds”: Neat look at recent science exploring the evolution of birds, their ties to dinosaurs (they are dinosaurs), when flight entered the picture, and so on.

🎧 Listening

  • I now have tickets to see Underworld in May and Nine Inch Nails in August (the night before Worldcon starts). Really looking forward to both, and kind of wishing I could time travel and tell my nin-obsessed 20-something self that it would take 30 years, but I’d finally get to see them live.

  • For Reasons™, I’ve recently added the Chipmunks’ The A Files album to my collection, where they cover a bunch of vaguely SF-themed songs.

    They do a cover of “The Purple People Eater” that I swear sounds like it could have been produced by the same team behind The Rednex’s “Cotton Eye Joe”, and they’d probably mix together disturbingly well.

    “Cotton Eye Joe” is always something of a guilty pleasure (except that I’m not fond of the “guilty pleasure” thing, and prefer to just enjoy things I enjoy without guilt, however cheezy they are), and now I’m sitting here being amused at how catchy The Chipmunks’ “Purple People Eater” is. If you’re into goofy ’90s technopop, it’s better than it has any right to be.

Linking

  1. WSDOT: Brick-by-brick: The quest to get a custom Lego model on a ferry

    Local artist Wayne Hussey is a lifelong Lego lover and architect. One of his creations now lives aboard our ferry Issaquah. Getting it aboard was also quite a puzzle.

  2. Blogroll.club: A categorized list of blogs, in something of a throwback to the “old school” days of blogging. I like that there’s a single RSS feed that aggregates posts from all the blogs in the lineup, and have subscribed to that for a daily selection of posts from random (to me) people. I’ve also submitted Eclecticism to be included whenever they get around to it.
  3. Culture, Digested: Neil Gaiman is an Industry Problem

    Even taking into consideration their years of exploitation and abuse, Neil Gaiman and Amanda Palmer remain models of artistic success in the 21st century. Gaiman created an extremely sellable brand — affable, “oh goodness,” harmless Britishness wrapped up in a “I have read a lot of books” kind of storytelling — and the publishing industry used that not only to sell a lot of his books but that of his friends as well. Amanda Palmer has crowdsourced her way into a perfect little Patreon pyramid scheme, where all money flows to her and she gives back vibes and requests for domestic labor. This is the ideal artistic arrangement these days, where stars receive 95% of Patreon/Substack/other crowdsourced forms of income and everyone else competes for scraps. Both are reliant on a dedicated, servile audience, willing to turn over their time and bodies and cash to get a piece of that bohemian existence that only millionaires can manage these days. It’s the bohemianism not of Weimar, which Palmer constantly references, but the bohemianism of contemporary Burning Man, full of tech billionaires wearing the worst outfits you’ve ever seen in your life.

Norwescon Thursday Dance Sneak Peek

Video still showing Star Trek's Enterprise behind graphics of audio being played.

My Thursday night dance at Norwescon is going to have a “Star Trek vs. Star Wars” theme, so I put together a video to play behind me of starship shots from the movies. I alternated clips between franchises, and most of them have been in the 10-20 second range; a few as short as 4, a few as long as 40.

In my alternating, when I made it up to the refit Enterprise reveal in The Motion Picture, you may be surprised to read that I restrained myself, and did not just drop the full eight-minute sequence in there.

Cutting out Kirk and Scotty’s reactions and some shots that are mostly spacedock scaffolding got it down to two minutes, fifty-one seconds.
I’m biased, and I’m not even sorry about it. 😆

Here’s a two-minute sneak peek (originally posted to Facebook, and so is silent so as not to run afoul of their automated audio copyright bots; feel free to listen to whatever audio you wish as you watch) of my background graphic setup for the Norwescon Thursday night dance. This will be playing on the big projection screen/video wall on the stage behind me.

The background video is 2 hours and 12 minutes of mixed Star Wars and Star Trek spaceship and battle shots (space and space ships only, no on-the-ground battles, so no Hoth or Endor). Two hours of that goes back and forth between Trek and Wars, but the last ten minutes is all Trek, because I was only pulling from the theatrical films, and there are two more Trek films than there are Wars films.

The “vinyl” platters at the top left and right automatically update with the cover art for whatever track is being played, and rotate as if they were actual turntables.

The waveform display at the top is live waveforms of the audio being played; the top waveform is the left turntable, the bottom is the right.

The title and artist of the currently playing track at the bottom automatically update.

The graphics on the t-shirt that the mini-cartoon-me is wearing randomly change every few seconds, with a selection of mostly (but not entirely) Trek or Wars themed images.

Some slightly more technical details for those who may be interested:

All the elements are assembled in OBS, and when I’m DJing, I’ll be pushing that video stream out to the the on-stage screen behind me.

The turntables and audio waveforms are pulled from djay Pro using OBS’s window capture feature, cropping down to the elements I need, playing with the color levels, and adding an alpha channel to turn dark/black pixels transparent. Cover art with dark/black pixels that become transparent is accounted for by placing the turntable graphics over PNGs of black circles to act as “platters” and black out the background video.

The “now playing” text also comes from djay Pro; in this case, djay Pro automatically creates a “now playing” text file, and I tell OBS to read and display that text file.

The Norwescon and DJ Wüdi logos are simple static PNG files.

The cartoon me is a static PNG file with a plain black shirt. I point OBS to a directory with small square white-on-black images that it randomly picks from on a five second rotation to create the “print” on the t-shirt.