📚 4/2021: The Ringworld Engineers by Larry Niven ⭐️⭐️⭐️

More of Niven’s big-concept world building (literally), as Louis Wu returns to the Ringworld and learns much more about its history and creation as he tries to save it.

Difficult Listening Hour 2021.01.23

Unrehearsed, seat-of-the-pants, let’s-see-what-happens mixing. You never know what might fall into one of these!

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A 📚 post for micro.blog SF/F fans: The nominees for this year’s Philip K. Dick Award have been announced!

Always an interesting slate of books, the award winner will be announced on April 2nd at Norwescon (which is virtual this year, so you can attend wherever you live!).

I now have a never ending, ever morphing, randomly generated mishmash of Wellerman, the COVID rewrite, and the Star Trek filk version on loop in my head. Thanks, Internet.

📚 3/2021: Ringworld by Larry Niven ⭐️⭐️⭐️⭐️ 1971 Hugo Best Novel

This was one of my formative SF books of childhood, and for the most part, still holds up well, especially in the sheer mind-boggling nature of the Ringworld itself and the true alien-ness of the puppeteers.

📚 2/2021: The Dark Veil by James Swallow ⭐️⭐️⭐️ #startrek

A year after the attack on Mars and Picard’s retirement, Riker and the Titan (including Troi and Thad, their first child) face off with Romulans while assisting a mysterious alien ship. More good backstory building.

Difficult Listening Hour 2021.01.09

Unrehearsed, seat-of-the-pants, let’s-see-what-happens mixing. This week ended up being (nearly) all ’80s alternative. Some of my favorite classics in here, and some transitions that I’m quite happily surprised by. Enjoy!

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📚1/2021: The Left Hand of Darkness by Ursula K. Le Guin ⭐️⭐️⭐️⭐️⭐️ 1969 Hugo Best Novel

This was excellent, and rather remarkably topical for being 50+ years old. Addressing gender and politics personal and national, and though many points are quite dark, with definite hope.

🖖 Discovery S03E12 and E13: Well, it ended well, at least for the last five minutes of wrap-up. And there were some good bits scattered through the rest of these final two episodes. But on the whole, this season started strong, lost its way midway, and kind of fizzled out.

DJ Wüdi in 2020

One of the more personally entertaining bits of 2020 for me was resurrecting–to a certain extent, at least–my DJ Wüdi alter-ego. Aside from a few appearances at some Rodeo City Rollergirls derby matches in 2012, and a couple Thursday night dances for Norwescon, my DJing endeavors have been mostly a fond memory since I moved down to Seattle in 2001.

I’d been missing the DJing, and so at the start of 2020, I’d decided to start playing with using the game streaming service Twitch for broadcasting DJ sets, which I’d seen a few other DJs experimenting with. I got started, got a few weeks in…and then COVID hit. And suddenly there was an explosion of DJs showing up on Twitch, as clubs worldwide shut down and DJs and club goers scrambled to find a way to keep going, even if only from our homes.

So, as it turns out, in a sea of hundreds (at least) of DJs around the world using Twitch to broadcast sets, keep their friends and fans happy, and make a name for themselves…well, I’m one of them, but I can’t really say much more than that. Which is fine, as even pre-pandemic, this whole thing was basically a vanity hobby that I just wanted to do for fun. And in that respect, this project has been a resounding success! Some days it’s just me broadcasting to no-one, but some days there are a few people who pop in, and I even have a few regular listeners, so I’m happy with how it’s going.

In 2020, I posted 38 sets (aiming for one a week, with occasional weeks off when I had other obligations that took priority). Most of the time, I just wing it, with no set plan, just grabbing whatever I feel like at the moment. Some weeks, though, I took the time to play with a particular idea, put a set of tracks together, set them in order, and plan and practice the transitions.

I also had fun working on evolving my Twitch display as the year went on. While I can’t do many of the fancier tricks that many DJs do, with “emote” graphics dancing across the screen (things like that are reserved for streamers who broadcast more regularly and have built up enough of an audience to actually work on earning money; I’m nowhere near that level), I do like where I’ve ended up.

Twitch screenshot

The cute little avatar version of me was originally artwork by Sharii, and I’ve set it so that the graphic on the t-shirt changes every 30 seconds. The background is a motion video loop, and can be swapped out with other loops. The text overlay is just a text file that I keep open and update as I go with whatever track is currently playing. At the top, the waveforms and decks are clipped out of the djay Pro AI window. And finally, of course, there’s that goofy guy in the middle of the screen generally making a fool of himself. :)

I broadcast on my Twitch channel, and then later (usually the next day) upload the audio recording of the mix to my MixCloud account for listening at any time, and organize the mixes into playlists. Once uploaded, I posts links to the mixes along with the final track lists to my DJ Wüdi blog.

Here’s one playlist with all 38 of my 2020 mixes…

…but if you just want to sample some of the highlights, here’s a playlist with just the “theme” weeks:

For 2021? I’m just going to keep going and see how long I can keep this project going. At the very least, I figure I’ll be going until we start emerging from the COVID-19 pandemic and actually want to go places and do things with our Saturdays once it’s safe to do so again. In other words, I’m not planning on stopping anytime soon.

If you listen, thanks, and I hope you continue to do so, whether live on Twitch or later on MixCloud!