Not a Spotify Wrap-up

Okay, so lots of people are posting their end-of-year Spotify wrap-ups showing off their listening habits. I don’t subscribe to Spotify (they don’t pay their artists nearly enough, and they have a history of supporting podcasters I have issues with, so they don’t get my money), but I do have Apple Music (who, really, should also pay their artists more, but they’re at least better than Spotify), and Apple does an end-of-year “replay” thing.

Of course, even this is a very small peek at my listening habits, because I really don’t use Apple Music all that much. I get it as part of a subscription bundle, and only really use it briefly in the mornings before work, or occasionally in the evenings before bed. Most of the time I listen to songs from my local collection.

That said, though, here’s what Apple says about the, oh, 10% (if that) of my music listening that it knows about….

Top Artists

Top Artists
549 total artists
1
The Orb
137 minutes
2
Nine Inch Nails
136 minutes
3
4
Dolly Parton
128 minutes
Orbital
124 minutes
5
Underworld
89 minutes 6
Bonobo
71 minutes
7
Hooverphonic
69 minutes
8
Imperative Reaction
64 minutes
9
Velvet Acid Christ
61 minutes
10
Apoptygma Berzerk
51 minutes 11
VNV Nation
50 minutes
12
Seabound
50 minutes
13
Front Line Assembly
46 minutes
14
Rotersand
44 minutes
15
Icon of Coil
44 minutes

549 total artists

  1. The Orb 137 minutes
  2. Nine Inch Nails 136 minutes
  3. Dolly Parton 128 minutes
  4. Orbital 124 minutes
  5. Underworld 89 minutes
  6. Bonobo 71 minutes
  7. Hooverphonic 69 minutes
  8. Imperative Reaction 64 minutes
  9. Velvet Acid Christ 61 minutes
  10. Apoptygma Berzerk 51 minutes
  11. VNV Nation 50 minutes
  12. Seabound 50 minutes
  13. Front Line Assembly 46 minutes
  14. Rotersand 44 minutes
  15. Icon of Coil 44 minutes

I’m quite amused that Dolly landed so high on this list, particularly how out of place she looks. But her recent Rock Star album is great, and it has been getting a lot of plays since it came out. Worth it!

Top Songs

Top Songs
872 total songs
1
BAD GUYS
FEELIN' ALRIGHT
ELLE KING
Feelin' Alright (from...
Elle King
8 plays
2
Wide Open
The Crystal Method
6 plays
3
Cuts You Up
Peter Murphy
5 plays
4
Came Back Haunted
Nine Inch Nails
5 plays
5
Dial8
Velvet Acid Christ
5 plays 6
Modern Love
David Bowie
7
5 plays
HOOVERPHONIC
2Wicky
Hooverphonic
5 plays
8
IMMA ATE
Express Yourself (Edi...
Madonna
Madonna
5 plays
9
The Night (feat. Aliso...
Röyksopp
4 plays
10
Underworld
I Exhale
Underworld
4 plays 11
12
13
14
15
SOME NIGHTS
INVNATION
AUTOMATIC
Spock
VCMG
4 plays
Eraser E
Nine Inch Nails
4 plays
Some Nights E
Fun.
4 plays
Gratitude
VNV Nation
4 plays
Funk 4 Peace...
Fort Knox Five
4 plays

Again, I’ve listened to many of these tracks far more times this year than is represented here, and have listed to a lot of other stuff as well, probably far more than the 4-8 times shown in these screenshots. That said, it’s not really that bad of a sampler of what I listen to.

So…it’s a weird list, and only somewhat representative of my tastes. But hey, since I have a limited sample size to work from because I don’t stream much of what I listen to, it’s what we get.

Barry Manilow listens to Underworld?!?

I never would have guessed this.

I was poking around on the iTunes Music Store, and started looking at some of the Celebrity Playlists — essentially “mix tapes” (only there’s no tape involved) assembled by famous people. I saw Barry Manilow listed, and had to know.

Two tracks immediately jumped out at me — favorites of mine, and not at all what I expected to see.

First, Underworld’s “Born Slippy/NUXX“. Underworld is one of my favorite modern electronica acts, and while most people know them for “Cowgirl” off of the Hackers soundtrack, they’ve done a lot of other excellent work, including this track (also featured on the Trainspotting soundtrack). Driving rhythms, inscrutable lyrics, and lots of electronic bleeps and bloops — good stuff. ;)

Even better, though, was seeing the Peter Gabriel/Kate Bush collaboration “Don’t Give Up” off of Peter’s album ‘So‘. Where many people would rank “In Your Eyes” (also featured on the Say Anything soundtrack) as their favorite song of his, “Don’t Give Up” has always been my personal pick. Beautiful, haunting, and full of hope for the future, this song is one that often helps me get through some of the rougher times in life. It also has one of the best videos I’ve ever seen — good enough that I remember it clearly, though I only ever saw it once, in a hotel in Italy during one of my trips to Europe. Just Peter and Kate embracing each other against a sunrise, standing on a platform that revolved so that each was facing the camera as they sang their lines. Very simple, and very effective, much like the song itself.

Good to know that Barry’s got better taste in music than I’d expect.

Underworld

Saw Underworld yesterday. While I won’t go quite as far as to call it a Big. Steaming. Noxious. Pile. of. shite., I will say that I found it very disappointing and frustrating. There was a lot of promise and potential in the film, which unfortunately was entirely wasted. I’d almost prefer that a film be flat-out bad, but when you can see the seeds of a worthwhile effort in the midst of the crap, it makes it just that much harder to deal with.

First off, the good points (and yes, there are some).

The film is extremely pretty. Lots of worthwhile eye candy — cast, sets, costumes — just about everywhere, there’s something worth looking at.

The writers have concocted a new mythology for the creation of both vampires and werewolves, and included an explanation for the enmity between the two species, that I really liked. I’d have to see the movie again (rent, though, not in the theater) to get it down completely, but it involved a disease that one person had an immunity to which was passed to his children. Those two children were bitten by animals — one by a bat, one by a wolf — and the mutation that allowed their father to survive the disease mixed with the animal’s blood to create the beasties. After years of the werewolves acting as the vampire’s daylight guardians, a conflict between the two set off the years of warring between the clans. It’s a definite step away from the traditional storylines, and I liked the new ideas.

Unfortunately…

The writing, the overall story, and the direction were horrid. So much could have been done with the story to make it coherent, and it never happened. Alliances are formed that don’t make any sense, motiviation is never given for much of what happens, and too much of the plot dissolves into an incoherent mess.

The actors are something of an on-again, off-again mix. Kate Beckinsale does decently with what she has, she just wasn’t really given that much to do — her character is essentially either brooding or fighting during the entire movie. Bill Nighy as Viktor, the recently-resurrected elder of the vampire clan did fine by me up until the end, when a suddenly bleated out, “But I loved my daughter!” line completely destroyed all credibility for the character in my eyes. Sure, it was bad writing, but he played the line so badly that it just made it that much worse. Shane Brolly as Kraven, leader of the vampire clan until Viktor’s appearance was fairly ridiculous, to tell the truth. In fact, the only actor — and character — that I really though much of was Lucien, leader of the werewolves, played by Michael Sheen. Not only did he get the only character in the film given any decent amount of personal backstory and motivation, but he was the only actor to really seem like he fit his part.

Special effects wise, the movie was decent for the most part, with a few sudden moments where it got so astoundingly bad that it surprised me (Celine’s sword-slash-and-floating-jump across the pool of water at the end [which can also be seen in the trailer — it’s the sequence that looks like it could be straight out of a video game] stands out in my mind). The soundtrack, both musically and just as effects, drove me nuts. Apparently the sound designers felt that the best way to make sure that something was interesting and intense was to make it loud, and then they decided that everything in the movie counted as interesting and intense.

So that’s Underworld — some definite promise and potential that was completely pissed away during its two hours on screen. A shame, really — in my minds eye, I can see the same elements creating a film that would have been well worth watching, but it just didn’t happen here.