Book 54 of 2025: ⭐️⭐️⭐️⭐️ 2004 Hugo Best Novel
This one ended up drawing me in. Bujold is just so good at creating and developing her characters, and Ista (along with the rest of her retinue) is a delight.

Enthusiastically Ambiverted Hopepunk
Whatever I’m geeking out about at the time.
Book 54 of 2025: ⭐️⭐️⭐️⭐️ 2004 Hugo Best Novel
This one ended up drawing me in. Bujold is just so good at creating and developing her characters, and Ista (along with the rest of her retinue) is a delight.

An update to my last attempt at doing this back in 2009. I originally posted this to Mastodon back in April after watching Star Trek: Section 31, and after realizing I hadn’t cross-posted it here, am doing that now. Also somewhat prompted by a friend sending me this ranking from Den of Geek, which is close, but not identical, to mine; I do broadly agree with their summaries of the various films.
I gave it some thought, and while the exact placement of any of these might vary slightly depending on time/mood/etc., I think this is a pretty good stab at my personal Star Trek film ranking, best/favorite to worst/least favorite:
A few more details:
The first three (TWoK, TVH, TUC) are essentially a three-way tie for first. At any given point, the order could be shuffled around and would probably be acceptable.
TMP remains in that place whether it’s the theatrical, TV extended, or directors cut, but of the three, the director’s cut is definitively the best.
Some purists might be surprised at the two Kelvinverse films ranking that high, but for all the faults, the casting was so good at embodying the characters without slavishly copying or parodying (intentionally or not) the original actors, and I think both films are a lot of fun.
Christopher Lloyd’s Kruge almost pushes TSfS higher, but…not quite. But it does mark the dividing line between “films I can put on at just about any time and enjoy” and “films I’ll watch when there’s a reason to” (chronological rewatch, someone else wants to watch one, etc.).
S31 is barely Star Trek. It’s a generic sci-fi spy film that someone spritzed with synthehol and Starfleet emblems; it ranks as high as it does because it’s an acceptable generic sci-fi spy film, entirely suitable for having on in the background and occasionally paying attention to. Michelle Yeoh (and Georgeau) deserved better.
Into Darkness…I just have so many issues with it. I will be quite unpleasantly surprised if they ever make a Trek film that knocks it out of the bottom spot on this list.
Sigh. Shuffle by Album seems to be broken in Apple Music (the app, not the service; what is it with companies giving their apps and services identical generic names?) under macOS 26 Tahoe.
After starting Music, if I go to my library’s Album view (that is, songs that are downloaded and stored locally), the shuffle icon in the new control bar appears to be glowing (with a bad effect
), but if you check options, through the menu bar, Controls > Shuffle shows “Off” and by “Albums”. If I switch that to “On”, I get about a two-second SPoD (Spinning Pizza of Death) — which seems really odd for an audio player on an M4 Mac Mini — before it responds again.
Pre-Tahoe, I could either hit “play” or double-click the “Albums” item in the Music app sidebar, and Music would randomly choose an album, play it through, then randomly play another album.
Now, If I hit the “play” control, Music starts playing the first album in however the album list is sorted; I usually keep my Album display sorted by year, so it always starts playing the oldest item in my collection (Victrola 88049, Enrico Caruso performing “Ideale (My Ideal!)”). If I double-click the “Albums” item in the sidebar, Music starts playing the first song of the first album sorted alphabetically by artist (for me, that’s “Take on Me” off of A-Ha’s Hunting High and Low). Either way, though the shuffle icon is still glowing, checking the menu bar’s Controls > Shuffle shows that that’s now set back to “Off”.
If I let it play as-is, it just plays through the album. If I set Shuffle back to “on”, then it start shuffling by song, not by album. Well…sometimes. Right now, I can’t get it to shuffle at all, even though Shuffle is turned on, both in the menu bar and with the glowing shuffle icon in the control bar.
Revised original line: Shuffle is either partially broken (only shuffling by song, not by album) or entirely (not shuffling at all), possibly randomly choosing (…shuffling?…) between the two options.
I know Apple’s gone all-in on their streaming Music service, but I really wish they still had a few people assigned to making sure they had a decent basic audio player. Music just gets worse and worse for those of us who have extensive non-streaming collections.
Environment:
Related question:
Are there any third-party audio players for macOS that write back metadata to the macOS Music library?
The biggest reason that I’ve stuck with Music is that I use its smart playlists to regularly update the playlists that live on my iPhone, so they’re regularly updated and the songs on them rotate around. (My regularly used playlists all have some variation of “exclude if listened to in the last two months” as one of their rules.)
As far as I know from past digging, no third-party audio players write metadata (esp. when last played) back to the Music library, so the smart playlists wouldn’t work anymore.
If there’s a good, functional audio player, especially if aimed at people who actually value listening to owned music rather than streamed, that plays nicely with the Music library metadata, I’d dearly love to know about it.
🚀 The week was extra busy with a couple nights of evening Zoom calls, but the end result of one is that after fourteen years, I have finally turned over the social media manager position for Norwescon to someone else! I’m still on the team as an assistant/consultant/graphics person, but I’m not in charge anymore, which is a welcome step. (I didn’t mind doing it, but almost a decade and a half is a long time to be the primary online “voice” of the con, and I’m happy to let someone else with other ideas take over.)
🎻 Today we went into Seattle to see Danny Elfman’s Music From the Films of Tim Burton with the Seattle Symphony. Music from 13 of the 17 films that Burton and Elfman have collaborated on, with a full symphony plus choir, and with a screen showing clips from the films interspersed with images of Burton’s character design sketches. Really well done, and the music was great. I was particularly pleasantly surprised with the section from Big Fish — I’ve seen it, but not anytime recently, and didn’t have any memory of the score, and it’s very different than Elfman’s other scores. I didn’t realize Elfman knew that there were that many major chords! ;)




Colin Nissan at McSweeney’s, with the perennial classic: It’s Decorative Gourd Season, Motherfuckers: “When my guests come over, it’s gonna be like BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air, and my house is full of mutant fucking squash.”
Varsha Bansal at The Guardian: How thousands of ‘overworked, underpaid’ humans train Google’s AI to seem smart: “A great deal of attention has been paid to the workers who label the data that is used to train artificial intelligence. There is, however, another corps of workers, including Sawyer, working day and night to moderate the output of AI, ensuring that chatbots’ billions of users see only safe and appropriate responses. ¶ ‘AI isn’t magic; it’s a pyramid scheme of human labor,’ said Adio Dinika, a researcher at the Distributed AI Research Institute based in Bremen, Germany. ‘These raters are the middle rung: invisible, essential and expendable.'”
Book 53 of 2025: ⭐️⭐️⭐️
Has all the great characterization, worldbuilding, humor, and heart of the Vorkosigan saga, only this time in a fantasy setting. This was an interesting experiment, reading fantasy from an author I became a fan of through her sci-fi work. Somewhat amusingly, and definitely interestingly, I just couldn’t quite get as much into this as I did the Vorkosigan books – which is not a fault of the book, I’ve just always been more into SF than F.

💻 A particularly exciting part of the week was getting issued my new work laptop. My old one was a Dell something-or-other, my new one is an Apple MacBook Pro with M4 Pro, 48 GB RAM, and 1 TB drive. A very nice upgrade, prompted because I need to be able to work cross-platform for accessibility testing and document remediation, and this allows me to run Windows in a virtual environment inside the macOS. Haven’t gotten very far setting it up yet, but it’ll be very nice when it’s all set up.




There’s a bit of a theme to this week’s links that will be quite obvious….
Federico Viticci at MacStories: iOS and iPadOS 26: The MacStories Review
John Voorhees at MacStories: macOS 26 Tahoe: The MacStories Review
Dan Moren at SixColors: iOS 26 Review: Through a glass, liquidly
Jason Snell at SixColors: macOS 26 Tahoe review: Power under glass
Jason Snell at SixColors: iPadOS 26 review: A computer?
Work was pretty uneventful, though this was the last week of the summer break; this coming week is our “opening week” with lots of staff and faculty welcomes and training workshops, and the week after that, students are back on campus. Back into the school year!



And I looked back on season three of Star Trek: Strange New Worlds.
I finished two books this week; one was even non-fiction! Though as it was a behind-the-scenes look at Star Trek III, it was still solidly within my usual wheelhouse.
And I’ve just started Lois McMaster Bujold’s The Curse of Chalion, as a precursor to moving forward on my Hugo best novel reading project; this one isn’t a Hugo winner, but its immediate sequel is. With how much I enjoyed Bujold’s Vorkosigan saga, which though sci-fi, combined two genres that aren’t my usual thing (military SF and romance), I’m curious what I’ll think of her in the fantasy realm, which is also secondary to SF in my interests.
Two movies this week:
The Phoenician Scheme (⭐️⭐️⭐️): I am absolutely a sucker for Anderson’s quirky hyper-stylized films.
The Thursday Murder Club (⭐️⭐️⭐️): Take some of today’s most known British actors and let ‘em run around having fun in a murder mystery. Quite enjoyable.
Erin Reed: We Must Not Posthumously Sanitize Charlie Kirk’s Hateful Life: “Charlie Kirk was not “practicing politics the right way.” His work should never “be continued.” He embodied everything corrosive about American politics today. […] His model of politics was not dialogue, but trolling: hopping from campus to campus to bait students, churn out sound bites, and spread hate. And his rhetoric was not debate—it was violent, dehumanizing, and designed to put targets on people’s backs.”
Elizabeth Spiers at The Nation: Charlie Kirk’s Legacy Deserves No Mourning: “There is no requirement to take part in this whitewashing campaign, and refusing to join in doesn’t make anyone a bad person. It’s a choice to write an obituary that begins ‘Joseph Goebbels was a gifted marketer and loving father to six children.'”
Identity 4: Racintosh Plus: Really impressive work putting a Mac Plus into a one-unit rack mount casing.
Book 52 of 2025: ⭐️⭐️⭐️
This was fun, and I can totally see it as a mid-pandemic “just need to have fun writing something” lark of a book. Having recently watched the first season of the Monarch: Legacy of Monsters series (set in one of the recent Godzilla timelines), it was amusingly easy to see this as an extension of that…or vice versa, for that matter. It did skimp a bit on actually describing any of the creatures (the kaiju are big, some have wings, claws, and/or teeth, they have parasites that are also dangerous, use your imagination for anything else), but while a little odd, I can cope.

(Previously posted on Mastodon.)
Lots of spoilers follow. Stop reading now if you haven’t finished the season yet, unless you’re not invested enough to care about spoilers.
Book 51 of 2025: ⭐️⭐️⭐️
The third in Titan Books’s series of Star Trek films “behind the scenes” coffee-table art books, and the second from the team of John and Maria Jose Tenuto. It’s always fun to see all the production art, photos of models and setups, and all the skill that goes into the films. As with the prior books, much of the information I knew, but there are always some gems and stories that I hadn’t come across yet.
