Norwescon

Norwescon is the Seattle-area SF/F convention I’ve been volunteering at since roughly 2010. Once a year, I go get geeky with about 2,500 of my closest friends at a local hotel for a weekend.

(Bi-)Weekly Notes: May 12–25, 2025

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I didn’t get to this last weekend, and this week was too busy to sneak it in and backdate it, so I’m just going for a two-week catch-up this time. Good enough!

  • ♿️ The big thing for me at work last week was Global Accessibility Awareness Day. As one of the co-chairs of SBCTC’s CATO (Committee for Accessible Technology Oversight), I’d written a letter of support and call to action that, after editing and input from the rest of the committee, we sent out to several of the high-level committees within SBCTC, and it’s being passed on from there.
  • 🚀 Last weekend was the final committee meeting for Norwescon 47, where the staff gathers for the post-con wrap-up and “onions and roses” session where we discuss what went well and what we can improve on from a staff point of view. Lots of good comments, followed by a social at a local home. And that wraps up this year’s con…on to the next! (Speaking of, I do need to find time to get our website transition process started soon….)

This past week, in addition to the usual work duties, had several evening events that were fun to do, but definitely threw our weekly routine off.

  • 🎫 On Tuesday night, I went out to my first live concert in years and saw Underworld. They’ve been a favorite artist and “bucket list” concert for decades, so even though this was on a Tuesday night, I decided (a few months ago when tickets went on sale) that it was worth it and a good birthday present to myself. Glad I did, too — the show was really, really good. They started precisely at 8 p.m. (the most prompt concert I think I’ve ever been to), played an hour-long set, took a half-hour break, and then played a 90-minute set, wrapping up right at 11 p.m. I didn’t memorize the track list, but it was a good selection from across their catalog, from the Dubnobasswithmyheadman-era with “Dirty Epic” and “Cowgirl” (a really nice version that I hope gets released), to more recent tracks like “S T A R” off of Drift and “And the Colour Red” off of Strawberry Hotel, wrapping up (of course) with “Born Slippy .NUXX“. Great show, and I’m so glad I finally to a chance to see them live. Sure, as an electronic duo, the show is mostly the lights and video as Karl Hyde performs the vocals and Rick Smith plays with the computers — but there’s something about the experience, being in a venue with lots of other fans dancing and enjoying the music, being able to feel the bass and rhythms wash over and through you, and feeling the energy of the crowd, the artists, and the whole thing, that’s so much more than the sum of its parts.
  • 🎓 Wednesday ended the workday with an end-of-the-year celebration of student leaders. Both my wife and I knew several of the students being honored (she had nominated two of them), and it’s always nice to do this celebration during spring quarter.
  • 🍻 Thursday was a get-together with other coworkers at a local bar, something which I don’t do terribly often (between not being much of a barfly if there isn’t a dance floor, not being much of a drinker, and usually just heading home to relax after work instead of socializing), but is fun to do occasionally.
  • 🪕 And then on Saturday we decided to go to this year’s Folklife festival, which we hadn’t done for years. It ended up being a perfect day for it — sunny and mid-70°s — and we spent a nice few hours wandering around, listening to neat music, watching a performance of a 1950s radio show by American Radio Theater, munching on fair food, and running into a few friends.

📸 Photos

Underworld performing, with Karl Hyde singing and pointing to the sky, lit all in reds.

Underworld performing, list all in purples, blues, and magentas.

Underworld performing, lit yellows, greens, and oranges, in front of a crowded floor.

Three shots from the Underworld show. Plus a bonus shot…

A camera person using a large professional camera during the Underworld concert, with everything lit in green.

This cameraperson was a real MVP of the evening, having to keep the camera trained on the stage…and keep it steady. There is no way I could do that job; the camera would be bouncing all over the place in time with the music. I was really impressed!

People sit on a lawn in front of an outdoor stage with the Space Needle stretching up into a cloudless blue summer sky.

Live music under the Space Needle on a gorgeous early summer day.

📝 Writing

A question on a work mailing list got me rambling about my frustrations with the popular confusion of machine learning with “artificial intelligence”.

📚 Reading

  • Finished Greg Cox’s Star Trek TOS novella Miasma.
  • Read Lois McMaster Bujold’s Vorkosigan saga book Cryoburn.
  • Started James Swallow’s just-released Star Trek SNW book Toward the Night.

📺 Watching

  • Together, we wrapped up a season of Hell’s Kitchen, hopped into an older season of Drag Race All Stars, and supplemented that with our ongoing binge through the three Chicago shows.
  • I’ve made it through ten episodes of season two of Andor (hoping to get through the last two tomorrow, and maybe rewatch Rogue One afterwards), and on a whim started watching Max Headroom. Honestly, I don’t think it would be terribly difficult to update Max Headroom for the modern world, especially with AI-generated everything all around us.

🎧 Listening

I’ve added a few albums over the past two weeks that I’m enjoying:

  • Synthetic. Facts. Seven., Infacted Recording’s latest sampler of EBM/futurepop/however you want to categorize this kind of stuff. Quite a few tracks I’m enjoying, particularly Alex Braun + Rob Dust’s take on “25 Years“, originally by The Catch in 1983.
  • Peter Murphy’s Silver Shade came out, and is really strong. He’s still going really strong, and this album shows it.
  • Orbital’s expanded re-release of Orbital 2 (The Brown Album Expanded) also just came out. Orbital’s also been high on my list of long-time favorite electronic artists, and I’m really enjoying the string of expanded album releases that both Orbital and Underworld have done in the past few years. Alternate takes, remixes, and other stuff that might not be critical for a new or casual listener, but for fans, there’s a lot of gold in these reissues.

🔗 Linking

Particularly interesting reads from across the web.

  • Apparently IBM offers accessibility checking tools, which someone said may be good? I need to take some time to investigate these.
  • This is a motherfucking website: “I’m not actually saying your shitty site should look like this. What I’m saying is that all the problems we have with websites are ones we create ourselves. Websites aren’t broken by default, they are functional, high-performing, and accessible. You break them. You son-of-a-bitch.”
  • Apple unveils powerful accessibility features coming later this year: “New features include Accessibility Nutrition Labels on the App Store, Magnifier for Mac, Braille Access, and Accessibility Reader; plus innovative updates to Live Listen, visionOS, Personal Voice, and more.”
  • Andrew Liszewski at The Verge: This modern cassette boombox will lure you in with glowing VU meters: I certainly don’t need a $500 cassette deck, no matter how pretty. But I’ll admit, it is pretty….
  • Shoreline Area News: Disabled Hiker’s Guide to 5 Washington State Parks is now available: “Each park guide includes an overview of the park, suggested activities, and information on the accessibility of many features in the park. Features are broken out into sections, and include parking, restrooms and facilities, picnic areas and shelters, trails, campgrounds, and more, with detailed information and directions.”
  • Grimoire: A Grim Oak Press Anthology For Seattle Worldcon 2025: Pre-order now, pick up at Worldcon, and get it signed by as many of the authors as you can track down!
  • Neal Stephenson: Remarks on AI from NZ: “Speaking of the effects of technology on individuals and society as a whole, Marshall McLuhan wrote that every augmentation is also an amputation. […] Today, quite suddenly, billions of people have access to AI systems that provide augmentations, and inflict amputations, far more substantial than anything McLuhan could have imagined. This is the main thing I worry about currently as far as AI is concerned.”
  • James Reffell at DesignCult: The secret origin of “log in”: “‘Log in’ is one of those phrases that sounds weirder the more you say it. It’s ubiquitous in online life, though it does seem like it’s being slowly overtaken by ‘sign in’. But where does the phrase come from in the first place?”
  • Constance Grady at Vox: Why does Elon Musk love this socialist sci-fi series?: “The politics of these books are not subtle, and they are also not compatible with the existence of billionaires. So it’s worth thinking about why the broligarchs have so consistently cited a socialist author as an inspiration. What do they find tantalizing about Banks’ work? Are they missing the point altogether?”
  • Georgia Jackson at the University of South Florida’s College of Arts and Sciences profiles faculty member and this year’s Philip K. Dick Award winner Brenda Peynado: In ‘Time’s Agent,’ pocket worlds reveal deep truths — and earn USF faculty a Philip K. Dick award.
  • Christian Balderas at King 5: Kent grapples with repeat internet outages caused by vandalism: We got hit by both of these outages; twice in two days. And there was another only a few weeks ago. It’s really frustrating.
  • Nora Claire Miller at The Paris Review: Recurring Screens: “The world’s first screen saver was not like a dream at all. It was a blank screen. It was called SCRNSAVE, and when it was released in 1983 it was very exciting to a niche audience. It was like John Cage’s 4’33″ but for computers—a score for meted-out doses of silence.” This is either a history of screensavers or a poetry review. Or both?
  • Alexander Hurst at The Guardian: Volodymyr Zelenskyy has courage. Pope Francis had it too. Why are there so many cowards?: “What is just? Who is acting with honour? With courage? When did we stop thinking it normal to consider such questions – and to demand those things from the people who lead us? To demand that they, well, lead?”
  • Ed Pilkington at The Guardian: Meet the new American refugees fleeing across state lines for safety: “America is on the move. Hundreds of thousands of people are packing up boxes, loading U-Hauls, and shipping out of state in an urgent flight towards safety. ¶ They’re being propelled by hostile political forces bearing down on them because of who they are, what they believe, or for their medical needs. ¶ All are displaced within their own country for reasons they did not choose. They are the new generation of America’s internal refugees – and their ranks are growing by the day.”
  • Sarah Kuta at Smithsonian Magazine: A Young Cooper’s Hawk Learned to Use a Crosswalk Signal to Launch Surprise Attacks on Other Birds: “Researcher Vladimir Dinets watched the bird repeatedly sneak behind a row of cars to ambush its unsuspecting prey.”

Weekly Notes: May 5–11, 2025

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Really, this is one of those weeks that just boils down to being another week, without any noteworthy points.

  • ♿️ As we’re approaching the end of spring quarter and commencement gets closer, I’m pretty constantly feeling like I’m just slightly behind where I should be with everything, Not enough to be in panic mode, just enough to never feel quite satisfied with the situation. Definitely looking forward to the summer quarter and hoping things slow down a touch.

  • 🚀 Norwescon has just about wound down, with just this coming weekend’s post-con meeting to wrap things up until we spin up in the fall for next year. Of course, that means a little less for me, as the website needs to be archived and reworked; hopefully I’ll be able to arrange time with my team to start that work soon. The Worldcon situation has dropped down to a light simmer rather than a full boil, which is progress. Mostly, I keep watching what people write and constantly have to fight the temptation to jump in and correct mistaken assumptions or assertions. As satisfying as it might be in the moment, it wouldn’t actually help. Sometimes knowing that I’m better off keeping my mouth shut really sucks, though.

  • 🏡 We spent part of the weekend cleaning up our little back yard for the summer and refreshing the herb and flower planters. (By which I mean, my wife did the planting, and I did the manual labor of moving planters around and hauling the old stuff out to the trash.) Hoping we have more chances to relax back there than we have for the past couple summers.

📸 Photos

Rows of purple and white, yellow, and orange pansies.
Pansies at the garden center.

My knees visible in the foreground as I sit in a small, gravel-surfaced pocket back yard, with tall trees visible behind the fence, and my wife's hand just visible to one side as she plants flowers.
Sitting for a moment between moving things around.

Potted herbs in front of a decorative glass ball, a metal peacock sculpure, and a small ornament of a fanged frog wearing a spiked collar sitting under a sign that says 'Beware of Frog'.
One corner of our yard.

Planters with herbs and flowers, several with small decorative gnomes sitting in them, next to a metal birdbath.
Another corner of the yard.

📚 Reading

📺 Watching

Lately it’s been a fair amount of old Hell’s Kitchen, because it can be entertaining to watch Gordon Ramsey yell at people.

🎧 Listening

VNV Nation’s “Construct” came out this week, and new VNV Nation is always good. I did see one friend describe it as “the new VNV Music Factory”, which is funny, but also not wrong, but y’know, I’m good with that. It’s like a review I once saw comparing KMFDM to a Big Mac: You always know that what you get is going to be maybe not not great, but big, cheezy, and acceptably satisfying when that’s what you’re in the mood for. VNV Nation isn’t the same sound, of course, but it’s kind of the same idea: You know what you’re getting, and it’s good comfort food (and occasionally really, really good, though I haven’t identified any tracks off this album that are particular standouts yet).

🔗 Linking

  • Joe Kissell at Take Control Books: Introducing MailMaven, a Better Mac Email App: “MailMaven is an email client for people who love email but want total control over every aspect of it. If there’s something you always wished your email app could do, Maven probably does it (or will before long). But it also does lots of things you never realized you absolutely need in an email app, and soon won’t be able to live without.” Mostly I’m fine with Apple Mail, but sometimes I wonder if something else might work better for me, and this one looks promising.
  • Niléane at MacStories: Are Pride Wallpapers and a Watch Band Enough in 2025?: “At a time when some trans people are actively seeking to flee the U.S. to preserve their fundamental right to a healthy, safe, and decent life free from the threat of President Trump’s actions, Apple doesn’t seem to be stepping up to its professed values to the extent that the situation requires.”
  • Erin Underwood at File 770: Op-Ed: About Choosing Convention Program Participants: “I understand the frustration and anger toward LLMs, but I think that we need to grant a little grace and understanding … and even kindness … to the people who are donating their time and putting their hearts, blood, sweat, and tears into trying to create these events that bring our community together.” Whatever your stance on generative AI and the Seattle Worldcon, this is well worth reading.
  • Eli Wizevich at Smithsonian Magazine: Who Created This Peculiar Painting of a Drooling Dragon? Nobody Knows—but a Museum Just Bought It for $20 Million: “The Virgin and Child With Saints Louis and Margaret is truly one-of-a-kind. Emma Capron, a curator at the museum who was responsible for the acquisition, describes the altarpiece as ‘wildly inventive’ and ‘full of iconographical oddities,’ per the Art Newspaper.”
  • Adrian Roselli: Do Not Publish Your Designs on the Web with Figma Sites…: “…Unless you want to fail all the WCAGs, create litigation risk, close off opportunities in Europe, engage in reputational harm, and oh yeah, throw up barriers to your customers and users.”
  • Liv Lyons in The Thunderword, Highline’s student paper: Student panel leads from the front on IPSE Day: “Building 7 was the beating heart of campus one week ago, as the students and faculty who make up Highline’s Achieve Program embodied the tenets of accessibility, diversity, and self-acceptance, further highlighting the importance of Inclusive Post-Secondary Education (IPSE) Day at collegiate institutions nationwide.” Our students put on a great panel for IPSE Day!
  • Mac Themes Garden: “Mac Themes Garden is dedicated to showcasing schemes made for Kaleidoscope and celebrating the customization and expressiveness it enabled on Classic Mac OS.” I miss Kaleidoscope, and really wish there was this sort of customization available for the modern macOS.
  • I Don’t Have Spotify: Paste in a link to a music track on one service, get links to it on other services. Handy for those of us who refuse to give Spotify money.

Weekly Notes: April 21-27, 2025

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While not a bad week, this was a long week. Having just finished the four days of Norwescon, I had Monday off to rest, and then went right into three days of two combined work conferences for DSSC and WAPED. They were good, and it’s always good to connect with work colleagues from across the state, but oof. Even in different contexts, that was about a week and a half of being on.

This weekend we did as little as possible.

📸 Photos

A desktop with eight piles of papers and booklets stacked around and on top of the keyboards and other computer peripherals.

One of my roles for Norwescon is as assistant historian (a side effect of running the convention’s online archives, and this year, I was given three and a half boxes with several decades of old convention ephemera. Lots was from Norwescon, but there was also a lot of stuff from other cons, including OryCon, CascadiaCon (the 2005 Nasfic), Westercon, the World Fantasy Convention, Worldcon, and bits and pieces from a few others. I’ve sorted through it all, and most of it I’ll try to pass off to more appropriate interested parties, but the Norwescon stuff will be slowly scanned and added to our archives. Lots of fun to see this old stuff!

The coner of my work desk, with a desk lamp with a colorful space vista printed on the shade, and the TOS Enterprise dangling from the chain. Around the base are seven model Star Trek ships. To the right is a green glowing schematic of the TOS Enterprise.

The Star Trek corner of my desk at work got a fun upgrade with the addition of a desk lamp with the TOS Enterprise dangling from the pull chain. A friend was decluttering, so I…well, I cluttered, but that’s okay.

📝 Writing

I inadvertently took a ride in a new Tesla Model Y, and wasn’t impressed.

📚 Reading

Started Lois McMaster Bujold’s Captain Vorpatril’s Alliance. I’m almost done with the Vorkosigan Saga books, and the next book on my Hugo reading project is the second in Bujold’s World of the Five Gods series, so my current plan is to go ahead and finish off the Vorkosigan saga before moving on to her fantasy work.

🎧 Listening

I posted the recording of my set DJing the Thursday night dance at Norwescon. Three and a half hours of listening pleasure for you to enjoy!

🔗 Linking

  • Chrysalis Magazine: “Chrysalis is a literary magazine by trans youth, for trans youth (created with a little help from trans adults).”

  • Anne Minahan: “Martha’s Rules”: An Alternative to Robert’s Rules of Order (PDF link): “…Martha’s Rules…were developed by Martha’s Housing Co-op for families in Madison, Wisconsin. Martha’s Rules are not only an alternative to Robert’s Rules, but provide ideas for people in organizations who are committed to consensus decision-making and who want to make it work well.”

  • Catherine Zhu at CBC Radio: 45-year mystery behind eerie photo from The Shining is believed to be solved: “In Stanley Kubrick’s 1980 horror classic The Shining, the camera zooms in toward a black-and-white photograph hanging in the hallway of the Overlook Hotel. It’s dated July 4, 1921. Dead centre stands Jack Torrance — played by Jack Nicholson — smiling in a crowd of partygoers. ¶ But the photo wasn’t taken on set with extras. It was a real photo from the 1920s, and Nicholson’s face had been superimposed over someone. But whose face was it?”

  • Tim Stevens at The Verge: The $20,000 American-made electric pickup with no paint, no stereo, and no touchscreen: “Meet the Slate Truck, a sub-$20,000 (after federal incentives) electric vehicle that enters production next year. It only seats two yet has a bed big enough to hold a sheet of plywood. It only does 150 miles on a charge, only comes in gray, and the only way to listen to music while driving is if you bring along your phone and a Bluetooth speaker. It is the bare minimum of what a modern car can be….” I’m not at all a pickup person, so am not really in the market, but I’m rather fascinated by Slate‘s approach. Kinda wish there was a car version of this.

  • Lia Woodward and Leah Folta at McSweeney’s: This Five-Hundred-Word Bumper Sticker On My Tesla Explains Why I’m Not A Bad Person: “Before the last few months, Musk was only mean toward some people, and I hope you can understand that I and most people in my social circles were not among them. So when that suddenly changed for me this year, I was just as outraged as any of you, as evidenced by this five-hundred-word bumper sticker prominently placed on my Tesla.”

Norwescon 47 Thursday Night Star Trek vs Star Wars Dance

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From Norwescon 47: Are you Team Enterprise or Team Skywalker? Do you dream of the final frontier, or a galaxy far, far away? Lightsaber or phaser? The Force or the Prime Directive? Let your attire display your affiliation as we dance the night away with DJ Wüdi!

One note: Due to technical issues that plagued the start of the dance, the first 20-some minutes of this has been reconstructed at home. Everything from 27 minutes on was recorded live at Norwescon. This also means there’s one duplicated track…have fun finding it!

Costumed people, inculding Ursula from the Little Mermaid, a Starfleet science officer, and a Vulcan, dance in a circle to The Firm's "Star Trekkin'" as I stand on stage with my DJ gear in front of a video backdrop showing a Super Star Destroyer maneuvering through an asteroid field.

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Weekly Notes: April 14–20, 2025 (Norwescon 47 wrap-up edition)

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This week was all about Norwescon! Well, Monday and Tuesday were normal workdays, but from then on, it was all con, all the time.

Cat Valente, Wayne Barlowe, Tracy Drain, Jenny Jarzabski, Mike Kimmel, Isis Asare, and Lydia K. Valentine on the main stage in front of the Norwescon logo on the video wall. The Opening Ceremonies, with the guests of honor being introduced and briefly interviewed.

  • Wednesday: Day zero of con is load-in, setup, and generally getting things ready. I spent the morning at home packing up all my stuff, and at noon drove to pick up my wife from work, then she dropped me off at the hotel and headed home for a quiet weekend on her own. From there, it was a lot of wandering around and helping where I could help until I could check into my room, then more of the same.
  • Thursday: Day one of con starts with more helping with setup, plus a lot of general wandering around, saying hi to people, socializing with friends, and so on. I had two official duties for Thursday:
    • 8 p.m.: Introduction to Fandom Dancing was my first time paneling at a convention…though rather than the usual “sit at a table and talk”, this was “play music and help teach people how to do dance”. We concentrated on the Time Warp, the Rasputin, the Macarena, and Thriller, plus encouraging people to just have fun and get out and move and not worry about what you look like.
    • 9 p.m.: Immediately following that was the Thursday Night Dance: Star Trek vs. Star Wars. Unfortunately, I had some technical issues that made the first 20-30 minutes really dodgy, with a lot of starting and stopping and apologizing as I tried to figure out why my headphones weren’t working, making it impossible for me to pre-cue and mix upcoming tracks. Everyone there understood that these things happen, and once I figured out a solution (though I still need to go back and experiment to really nail down what was going on so it doesn’t happen again), I got a good three-hour set in, going until 12:30 a.m., which is pretty good for Thursday night. I was a little frazzled from the clumsy start, so many of my ideas for what I was going to do disappeared from my brain and I know I didn’t play a lot of the tracks I had planned, but people danced and had fun, which was the important part. I recorded the set, and will have it processed and uploaded to my MixCloud page as soon as I can get around to it.
  • Friday: Friday morning I had free to wander and socialize, but the afternoon and evening of day two of the con was all about the Philip K. Dick Award.
    • 3 p.m.: All About the Philip K. Dick Award is held on Fridays to give people a bit of a history of the award and introduce the attending PKD nominees and let them talk about their work for a bit. This year we had three attending nominees, Bora Chung, Tara Campbell, and Subodhana Wijeyeratne. Normally this panel is moderated by award administrator Gordon Van Gelder, but travel difficulties had him delayed, so I stepped up to moderate instead. I was a bit nervous, having only done one panel before (the prior night’s dance panel, where I mostly played DJ) and never having moderated, but I’d sat in on the panel enough to have a pretty good idea of what Gordon usually said. Between myself and a little assistance from audience members asking questions, we had a very nice conversation with the nominees.
    • 4 p.m.: The Philip K. Dick Award social is a private event for the nominees to spend some time meeting and chatting with each other. I got them set up in the room, hung around and chatted for about half an hour, and then left them on their own as I headed down to my room to change.
    • 5 p.m.: The Lifetime Member dinner is another private event for Norwescon’s lifetime members (a group I was inaugurated into two years ago) along with our guests of honor, PKD nominees, and charitable partner representatives. I had a table with all of the PKD nominees and their plus-ones, so we were able to continue the conversations from the prior couple hours as we ate. I left about 6:15 to head to the next room over to do some final setup, and then it was time for…
    • 7 p.m.: The Philip K. Dick Award Ceremony! This was my third year as ceremony coordinator, and after first-year jitters and second-year “we’re switching the room the ceremony is held in three hours before the ceremony” scrambling, this year went off smoothly and without a hitch. Our three attending nominees read selections from their nominated works, readers read for those nominees who were unable to attend, and it all went well. This year’s winners were Brenda Peynado for Time’s Agent and Adrian Tchaikovsky getting the special citation for Alien Clay, and though neither winner was in attendance, a good time was had by all.
    • At that point, I was done for the day, and spent the rest of the evening bouncing back and forth among the dance, room parties, and general socializing as I came across people.
  • Saturday: Day three of the con is normally a free day for me that I can spend doing whatever seems right in the moment. However, this year I was giving a presentation panel in the evening, and though I’d had “finish the presentation materials” on my to-do list for months…well, yeah. Sometimes procrastination bites us in the butt, and I ended up spending nearly my entire Saturday holed up in my room getting everything finished and ready to go. And so, finally, I emerged, got some socializing in, and then it was time for…
    • 7 p.m.: Basics of Accessible Documents and Websites. This is essentially an adaptation of the kind of thing I do for my day job all the time, and a variation on a panel I gave at last winter’s SMOFcon and will be giving at Seattle Worldcon 2025 in August. For SMOFcon and Worldcon I aim it more at “why/how your convention can make your materials more accessible”; for Norwescon, I tweaked it a bit to be aimed more at authors, especially if self-publishing or marketing, and publishers. While I only had five attendees, all of them were interested and engaged with good comments and questions, and as this was the first time trying this out, with a somewhat niche interest, and programmed at 7 p.m. on Saturday against the masquerade, I’m counting it as a success, and hopefully will be bringing it back next year as well.
    • After the panel, it was another evening of floating among the dance, parties, and chatting with whomever I came across as the evening rolled on.
  • Sunday: And finally, it was Sunday, day four and the final day, with nothing on my schedule except packing up and loading out. I took the day slow, got packed up, and headed home just after the closing ceremonies. With that, another con was done!

📸 Photos

Me outside the hotel, standing next to a hotel luggage cart with all my stuff on it, smiling and wearing a black kilt and black t-shirt. The now-traditional photo my wife takes as she drops me off for “nerd summer camp”.

Me wearing a black kilt and black shirt with the vulcan salute on it, standing next to a trio of women in Star Trek: The Next Generation themed 50s style poodle skirts. Star Trek poodle skirts!

Me standing next to a woman in Vulcan ceremonial robes, both of us giving the Vulcan salute. With T’Resik, who was stoically bemused by the shenanigans of the humans around her.

Me wearing a t-shirt with that says Star Trek but is written in the style of the Star Wars logo, in front of a video wall showing my DJ graphics, including turntables and waveforms for the currently playing tracks, the Norwescon logo, a cartoon version of me, and a video loop of Star Trek and Star Wars spaceship shots, here showing the Enterprise in drydock from The Motion Picture. I may have the smallest dance, since it’s on Thursday night, but in my not-at-all humble opinion, I have the best looking dance graphics!

The three attending PKD award nominees and myself at the About the PKD Award panel. Philip K. Dick Award nominees Bora Chung, Tara Campbell, and Subodhana Widjeyeratne and myself at the All About the Philip K. Dick Award panel.

Me on stage wearing a black kilt and black suit jacket, holding a microphone and gesturing as I speak. Opening and welcoming the audience to the Philip K. Dick Award ceremony.

A few more photos are available in this Flickr album.

🔗 Linking

  • Radek Sienkiewicz: Why do AI company logos look like buttholes?: “The fluidity and warmth of human-centered thinking through the use of circles is perhaps the most elegant way anyone has ever described making a logo that resembles an anus.”
  • Jeremy Reimer at Ars Technica: An Ars Technica history of the Internet, part 1: “In our new 3-part series, we remember the people and ideas that made the Internet.” I actually haven’t read this one yet, but want to remember to do so and continue on through the series.

Weekly Notes: Mar 3–9, 2025

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  • 🏚️ Ah, the joys of owning a 30-some year old house. We finally got around to having the bathroom fan replaced. We’d said to each other that we didn’t really think the fan that was there actually did much of anything (other than make noise), and the contractor had the same opinion, describing it as a “toy”. Now we have a new fan that’s larger, quieter, actually moves air, and vents into an insulated vent hose instead of the uninsulated one that was dripping condensation back into the bathroom during last month’s cold snap. Improvements have been made!
  • 🕺🏻 Made it out to The Mercury on Saturday night for some stompyboot üntz-üntz gothclubbing time. A slow night, with some faces I recognized but not really anyone I knew, but the music was good and I got some good floor time in, so it was worthwhile.
  • ⌚️🥱 Insert my biannual (semiannual? twice a year) rant on the evil that is daylight saving time, how much I hate the time change, and how frustrating it is that Washington voted to get rid of the time change years ago, but did it the wrong damn way, so it did no good. If we could just ditch DST and stay on standard time, this would all be done with.

📸 Photos

Me sitting in our living room holding my iPhone in my right hand and my iPad with my left hand, and with my MacBook on my lap, as I take a selfie with the latest book I read to blog about it.

From my wife, amused by my lap full of Apples as I took the selfie to go with the blog post about the book I’d just finished.

A skeletal ribcage, head, and arms, with tattered bat-like wings, lit all in red, against blue- and amber-toned bits of ceiling in the background.

Decor at the Mercury.

📝 Writing

📚 Reading

📺 Watching

  • 🇺🇸 We did not watch Trump’s State of the Union. Masochism just isn’t my thing.
  • We started Alone: Australia, where people with far more outdoor skills than we have get dropped in the middle of the Tasmanian wilderness to survive as long as they can. Because, yes, this is totally something normal people do.
  • We’ve also come back to season three of Evil. I kinda want the pop-up books (and love the way what’s essentially an opening sequence gag keeps getting worked into the action of the show).

🎧 Listening

We’re starting to get requests in for the Norwescon dances, which is always a fun way to be introduced to music I don’t know. So far, I’ve added the following to my collection:

🔗 Linking

  • April 9 is CSS Naked Day, which I should get in on: “The idea behind CSS Naked Day is to promote web standards. Plain and simple. This includes proper use of HTML, semantic markup, a good hierarchy structure, and of course, a good old play on words. In the words of 2006, it’s time to show off your <body> for what it really is.”
  • Mozi: An interesting looking, privacy focused app to coordinate with friends for real-world encounters. An “I’m going to be in [place] at [time]” sort of thing. Currently iOS only, Android maybe in the future.
  • Well, bummer: The Bulwer-Lytton Fiction Contest has ended after a 42-year run.
  • Priscilla Page, Mad Max: Fury Road: Excellent essay on the best of the Mad Max films. There was so much good analysis and commentary on this film in the months after it came out; diving back into that from a more recent perspective was a pleasure.

My Norwescon 47 Schedule

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Promo image with art by Wayne Barlowe of an orange-tinted alien landscape, and the text, Norwescon 47: Through the Cosmic Telescope, April 17–20, 2025, DoubleTree by Hilton Seattle Airport, SeaTac, WA.

Norwescon 47 is coming up quick, and this year, in addition to my usual behind-the-scenes duties (website admin, social media admin, Philip K. Dick Award ceremony coordinator, assistant historian) and visible duties (Thursday night DJ, Philip K. Dick Award ceremony emcee), I’ll also be paneling!

Here’s my (tentative, but should be pretty solid) schedule for the con; any time not listed here when I’m not sleeping, I’ll likely be found wandering the convention, hanging out with people, getting into ridiculously geeky conversations, enjoying the costuming, and generally seeing what’s going on:

Thursday, 4/17

  • Thursday night dance setup (7–8 p.m.): Making sure the noise goes boom as it should.
  • Introduction to Fandom Dancing (8–9 p.m., Grand 3): Teaching people how to do things like the Time Warp, the Rasputin, the Thriller dance, and so on.
  • Thursday Night Dance: Star Trek vs. Star Wars (9 p.m.–1 a.m., Grand 3): I DJ. Noise goes boom! People boogie.

Friday, 4/18

  • A few Philip K. Dick award related things during the day.
  • Lifetime Dinner (5–7 p.m.): Munchies and chatting with other lifetime members, the guests of honor, and the Philip K. Dick award nominees.
  • Philip K. Dick Award Ceremony doors open (6:30 p.m., Grand 3): Welcoming all to the award ceremony.
  • Philip K. Dick Award Ceremony (7–8:30 p.m., Grand 3): Featuring readings of selections from the nominated works (read by their authors if attending) and the presentation of the the award.

Saturday, 4/19

  • Basics of Accessible Documents and Websites (7–8 p.m., Cascade 10): Aimed primarily at authors, especially if self-publishing, small publishers, but also for anyone distributing writing online. An overview of digital accessibility and tips on how to make sure that what is being published can be read by everyone, including readers with disabilities.

Weekly Notes: Getting Started

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So I noticed Cygnoir do one of these, and I really liked the template, and thought (as she did) that it might be a good way to help me reboot my blogging habits. So here we are! My thanks to Cygnoir (and to Jedda for inspiring her) for the template and inspiration!

  • 🌨️ This week’s weather meant that we ended up with one full snow day and two late-start half days…with an end result of the week just being weird and not feeling as productive as usual.
  • ♿️ I’ve gotten started on my Section 508 Trusted Tester certification training. In theory, you have 180 days to finish this program; I’m approaching it as “180 days or until the current administration gets around to pulling the plug” and doing my best to get through as quickly as possible. Hopefully because this program is hosted under Homeland Security it won’t be in the crosshairs as soon as others, but we’ll see….
  • 🚀 Norwescon and Seattle Worldcon 2025 planning continue to move right along.
    • We’re just about two months out from Norwescon, so this is when website updates start to ramp up, I start spending more time making sure my laptop music library is ready to go, and I make sure everything is set for the Philip K. Dick Award ceremony. There’s always something to do.
    • Worldcon is still about six months out, and I have less to do there, but there’s still a pretty reasonable constant stream of stuff, with website updates and queuing up posts for the con’s blog once they’re edited and signed off on.

📸 Photos

Not much of a week for photos. But since this is my first time doing one of these weekly notes, here’s a simple one from last week, showing my current set of laptop stickers.

The top of lid of a MacBook Pro with six stickers: A rainbow A11Y, the United Federation of Planets seal, Norwescon, a classic ranbow Apple logo, Seattle Worldcon 2025, and Gothic Pride Seattle.

That’s an A11Y (accessibility) sticker I got at this year’s Accessing Higher Ground conference, the seal of the United Federation of Planets, Norwescon, a classic rainbow Apple logo that I’d had stashed away for probably close to two decades (maybe more, I don’t know when they stopped producing these), Seattle Worldcon 2025, and Gothic Pride Seattle.

📝 Writing

📚 Reading

📺 Watching

  • Evil: We’re just starting season three, and continue to really enjoy this show. Smart, creepy, funny.
  • RuPaul’s Drag Race: About midway through last season, and so far Dawn’s my favorite, though I don’t know if they’ll win. Q’s costuming skills are impressive, and Plain Jane is a strong all-arounder (but I can’t stand her attitude).
  • Scrubs: We’re early in season five in our rewatch. When we started the rewatch we were pleasantly surprised at the solidity of the first few seasons; by this point, the show’s pretty much settled into its groove and is generally pleasantly amusing, but not as strong as when it started.
  • NOVA: “Dino Birds”: Neat look at recent science exploring the evolution of birds, their ties to dinosaurs (they are dinosaurs), when flight entered the picture, and so on.

🎧 Listening

  • I now have tickets to see Underworld in May and Nine Inch Nails in August (the night before Worldcon starts). Really looking forward to both, and kind of wishing I could time travel and tell my nin-obsessed 20-something self that it would take 30 years, but I’d finally get to see them live.

  • For Reasons™, I’ve recently added the Chipmunks’ The A Files album to my collection, where they cover a bunch of vaguely SF-themed songs.

    They do a cover of “The Purple People Eater” that I swear sounds like it could have been produced by the same team behind The Rednex’s “Cotton Eye Joe”, and they’d probably mix together disturbingly well.

    “Cotton Eye Joe” is always something of a guilty pleasure (except that I’m not fond of the “guilty pleasure” thing, and prefer to just enjoy things I enjoy without guilt, however cheezy they are), and now I’m sitting here being amused at how catchy The Chipmunks’ “Purple People Eater” is. If you’re into goofy ’90s technopop, it’s better than it has any right to be.

Linking

  1. WSDOT: Brick-by-brick: The quest to get a custom Lego model on a ferry

    Local artist Wayne Hussey is a lifelong Lego lover and architect. One of his creations now lives aboard our ferry Issaquah. Getting it aboard was also quite a puzzle.

  2. Blogroll.club: A categorized list of blogs, in something of a throwback to the “old school” days of blogging. I like that there’s a single RSS feed that aggregates posts from all the blogs in the lineup, and have subscribed to that for a daily selection of posts from random (to me) people. I’ve also submitted Eclecticism to be included whenever they get around to it.
  3. Culture, Digested: Neil Gaiman is an Industry Problem

    Even taking into consideration their years of exploitation and abuse, Neil Gaiman and Amanda Palmer remain models of artistic success in the 21st century. Gaiman created an extremely sellable brand — affable, “oh goodness,” harmless Britishness wrapped up in a “I have read a lot of books” kind of storytelling — and the publishing industry used that not only to sell a lot of his books but that of his friends as well. Amanda Palmer has crowdsourced her way into a perfect little Patreon pyramid scheme, where all money flows to her and she gives back vibes and requests for domestic labor. This is the ideal artistic arrangement these days, where stars receive 95% of Patreon/Substack/other crowdsourced forms of income and everyone else competes for scraps. Both are reliant on a dedicated, servile audience, willing to turn over their time and bodies and cash to get a piece of that bohemian existence that only millionaires can manage these days. It’s the bohemianism not of Weimar, which Palmer constantly references, but the bohemianism of contemporary Burning Man, full of tech billionaires wearing the worst outfits you’ve ever seen in your life.

Norwescon Thursday Dance Sneak Peek

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Video still showing Star Trek's Enterprise behind graphics of audio being played.

My Thursday night dance at Norwescon is going to have a “Star Trek vs. Star Wars” theme, so I put together a video to play behind me of starship shots from the movies. I alternated clips between franchises, and most of them have been in the 10-20 second range; a few as short as 4, a few as long as 40.

In my alternating, when I made it up to the refit Enterprise reveal in The Motion Picture, you may be surprised to read that I restrained myself, and did not just drop the full eight-minute sequence in there.

Cutting out Kirk and Scotty’s reactions and some shots that are mostly spacedock scaffolding got it down to two minutes, fifty-one seconds.
I’m biased, and I’m not even sorry about it. 😆

Here’s a two-minute sneak peek (originally posted to Facebook, and so is silent so as not to run afoul of their automated audio copyright bots; feel free to listen to whatever audio you wish as you watch) of my background graphic setup for the Norwescon Thursday night dance. This will be playing on the big projection screen/video wall on the stage behind me.

The background video is 2 hours and 12 minutes of mixed Star Wars and Star Trek spaceship and battle shots (space and space ships only, no on-the-ground battles, so no Hoth or Endor). Two hours of that goes back and forth between Trek and Wars, but the last ten minutes is all Trek, because I was only pulling from the theatrical films, and there are two more Trek films than there are Wars films.

The “vinyl” platters at the top left and right automatically update with the cover art for whatever track is being played, and rotate as if they were actual turntables.

The waveform display at the top is live waveforms of the audio being played; the top waveform is the left turntable, the bottom is the right.

The title and artist of the currently playing track at the bottom automatically update.

The graphics on the t-shirt that the mini-cartoon-me is wearing randomly change every few seconds, with a selection of mostly (but not entirely) Trek or Wars themed images.

Some slightly more technical details for those who may be interested:

All the elements are assembled in OBS, and when I’m DJing, I’ll be pushing that video stream out to the the on-stage screen behind me.

The turntables and audio waveforms are pulled from djay Pro using OBS’s window capture feature, cropping down to the elements I need, playing with the color levels, and adding an alpha channel to turn dark/black pixels transparent. Cover art with dark/black pixels that become transparent is accounted for by placing the turntable graphics over PNGs of black circles to act as “platters” and black out the background video.

The “now playing” text also comes from djay Pro; in this case, djay Pro automatically creates a “now playing” text file, and I tell OBS to read and display that text file.

The Norwescon and DJ Wüdi logos are simple static PNG files.

The cartoon me is a static PNG file with a plain black shirt. I point OBS to a directory with small square white-on-black images that it randomly picks from on a five second rotation to create the “print” on the t-shirt.

Norwescon 46 Thursday Dance: Fandom Mash with DJ Wüdi

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It’s the Thursday night dance! On our first evening venturing Into the Wylde, who knows what manner of fantastical beings we will encounter… or we will be? Mix-and-match from whatever outfits you brought for the weekend to create mashup costumes, or wear something to represent your fandom(s), and come down and dance to a mix of dance tracks across eras, convention favorites, and all manner of mashups and oddities, all brought to you by DJ Wüdi!

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