Pigface

Top Artists according to last.fm

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From Adriaan:

last.fm has nice charting tools, mapping out your listening trends. From data collected over the past year, this list appears to show my top artists.

Here’s my top eleven (rather than ten, simply because these are also all the artists with more than 50 plays):

My top artists

The only slight surprise is that Pink Floyd is that high in the list. Not that I’m not a fan, but I’m not a huge fan…I do, however, have a lot of PF in my collection (thanks to picking up a box set some time ago), so their songs percolate through the random playlists fairly regularly.

Pigface, Sheep on Drugs, and MY BIRTHDAY

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This is too damn cool.

The Pigface Free For All Tour is going to be coming through Seattle.

Pigface Free for All tour

Pigface and Sheep on Drugs (and Nocturne, and possibly The Damage Manual and The Countdown) in concert — and they’re performing at the Fenix Underground on Tuesday, May 3rd.

My birthday.

I’m so there.

(many thanks to Syren666 for mentioning this!)

iTunes “15 Minutes of Fame” by Sheep on Drugs from the album Sheep on Drugs Greatest Hits (1993, 5:06).

Gallimaufry 5

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The weekly music meme: ten songs at random from my music collection, plus assorted rambling.

  • The Shamen, ‘Phorever People (Shamen Dub)’, off of Phorever People: The Shamen were one of the early-90’s techno groups that I liked a lot. Not quite as good as Utah Saints, but definitely further towards the top of the heap than many other acts, able to produce entire albums that were listenable, rather than just the odd single here or there. This is a fairly trancy ‘dub’ mix (no vocals) of one of their singles that didn’t quite break as big on the scene. Sounds like something that’d make a good background piece for the soundtrack of a tech-heavy film.

  • The Prodigy, ‘Diesel Power (Snake Break)’, off of The Fat Mixes: I’m pretty sure that The Fat Mixes isn’t an official album — at least, I’ve never found any official word about it. I downloaded it a long time ago, when I was first exploring the world of Napster (back when the world of Napster was worth exploring). It’s a collection of various remixes of tracks off of The Fat of the Land, some mediocre and some that are very impressive. The one downside is that as I’ve never found a real copy of it, all I have are mid-bitrate .mp3s that don’t sound nearly as good as I wish they did.

  • Sunscreem, ‘Love U More (A Version)’, off of Love U More: One of my favorite songs of all time. Bright, bouncy, and happy (tempered with some occasionally somewhat disturbing lyrics), saying that no matter what happens, “you know you could never make me love you more.” This one never fails to put a smile on my face when I hear it. While this version’s off of the single, it’s nearly (if not entirely) identical to the version on their album O3 — the various remixes on the single were rather boring.

  • Tag Team, ‘Whoomp! (There It Is)‘, off of DJ Bass Mix: Aaah, the joys of having been a DJ…and a DJ who every so often had to cater to popular tastes, even when they weren’t exactly up my alley. Still, as far as 90’s one-hit-wonder hip-hop songs go, this one really isn’t that bad. Best, though, was ending up with an acapella version, which allowed me to run the vocals on top of My Life With the Thrill Kill Kult‘s’A Girl Doesn’t Get Killed By A Make-Believe Lover (‘Cuz It’s Hot)‘ — and that worked a lot better than it really should have.

  • The Art of Noise, ‘Dragnet ’88’, off of Best of the Art of Noise: Experimental art-techno group The Art of Noise’s take on the Dragnet theme, done for the 1988 movie starring Tom Hanks and Dan Aykroyd. I have no memory of whether or not the movie is any good, but I really like Art of Noise, and the samples they’ve sprinkled throughout the song are fun (“You’ve got a lot of repressed feelings, don’t you Friday? Must be what keeps your hair up.”)

  • Mickey Hart and Planet Drum, ‘Indoscrub’, off of Supralingua: Planet Drum is ex-Grateful Dead drummer Mickey Hart‘s world music project, focusing primarily on various forms of ~~sitar~~ drumming and percussion. Good percussion has a tendency to catch my ear, so I picked this one up on a whim one day when I ran across it browsing at random. Good stuff, though it all sounds similar enough that I’d be hard pressed to tell one track from another by ear.

  • Bedhead, ‘Crushing‘, off of WhatFunLifeWas: A long time ago, I came across a review of this album on the ‘net that was so well-written and so complimentary of the album that I went out and picked it up based solely on the strength of that review. Lucklily, I wasn’t disappointed in the least — while it’s not my normal style of music (strictly guitar, bass, and drums, rather than the electronic-heavy music I tend to gravitate towards), it actually often reminds me of a lot of ambient music: lots of flowing themes, vocals that don’t overpower and often blend right in with the instruments, and very relaxing. A little hard to describe, but highly recommended.

  • VNV Nation, ‘Arclight’, off of Empires: Due to my DJing in Anchorage taking me away from the goth/industrial music that got me started and into more standard dance/techno/pop stuff, I ended up losing track of what was going on in the goth/industrial world for a good few years. Because of this, I’ve only recently been coming across artists that I’m finding I like a lot: Beborn Beton, Covenant, Wumpscut, Velvet Acid Christ…and VNV Nation. Time after time, I’d hear a song at The Vogue, ask the DJ what it was, and it would be VNV Nation. Eventually, I picked up two of their albums (Empires and Futureperfect), and they’re both excellent. This is very much where my tastes lie these days (and as I’m still working on discovering much of this stuff, recommendations are always appreciated!).

  • Pigface, ‘Lost Track’, off of Preaching to the Perverted: The Best of Pigface: I’ve mentioned before that Pigface is one of my favorite groups. This is a short, but very fun little track, one of the many “B-sides” on their recent “Best of” compilation two-disc album. Not much more than percussion here, just a couple minutes of heavy drumming with some odd little electronic bleeps and bloops to spice it up a bit. Sounds like the beginning of a work in progress that never made it much further than what it is.

  • Liam Howlett, ‘Section 7‘, off of Prodigy Presents the Dirtchamber Sessions, Vol. 1: Technically, the stores list this as a Prodigy album — which, since The Prodigy basically is Liam Howlett, isn’t strictly wrong — but as this album is all mixwork and no strictly original compositions, I keep it filed under Liam’s name. It’s an incredible disc, too, letting Liam show off both his DJ skills and his insanely comprehensive record collection, both of which he does handily. This track alone samples LL Cool J, Digital Underground, Uptown, and Cold Cut, and most of the other tracks on the album sample two to three times as many individual cuts over the course of each mix. Good stuff.

And this week’s bonus track…

iTunes “Sir Psycho Sexy” by Red Hot Chili Peppers from the album Blood Sugar Sex Magik (1991, 8:16).

Gallimaufry

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Terrance resurrects an old meme as a weekly thing. He titled it Friday Ten, but posted it on a Wednesday, so I’m not sure where things are going to go from here, time-wise, and so have decided that ‘gallimaufry‘ will make a good title (the definition works, and it’s a fun word). In any case, it can be entertaining to do, so let’s see what we get…

The rules are simple: put your entire music playlist on random, and post the first ten songs your music player comes up with.

  • The Postal Service, ‘Nothing Better‘, off of Give Up: Rick had me make a copy of this album to see what I thought. I’m still not entirely sure if I’d buy it, but it’s not bad — a very 80’s-synth-pop-ish feel to the songs. Catches my ear, but hasn’t yet snagged my wallet.

  • Pigface, ‘Hips, Tits, Lips, Power’, off of Fook: Pigface is one of my personal favorites, an industrial ‘supergroup’ with an ever-changing lineup. HTLP is definitely one of their better tracks, but it’s the live versions that really stand out.

  • Simple Minds, ‘Don’t You (Forget About Me)’, off of The Breakfast Club Soundtrack: Okay, yeah, I’m a child of the 80’s — not only is this one of my favorite songs from that era, but often it’s all I can do not to pump my fist in the air like the character does at the end of the film as this song kicks in just before the credits roll.

  • Scott McKenzie, ‘San Francisco (Be Sure to Wear Some Flowers In Your Hair)‘, off of Pop Music: The Golden Era 1951-1975: The Sony Soundtrack to a Century collection has an incredible set of songs spread across twenty-some discs, covering literally a century of recorded music. I’ve got most of the sets that make up the full collection, and will track the last few down eventually.

  • Tori Amos, ‘Yes, Anastasia‘, off of Under the Pink: Much as I like Tori’s work, her more recent albums have just been getting weirder and weirder lyrically. This is from back when you could still figure out what she was talking about on most of her songs. ;)

  • Delerium with Sarah McLachlan, ‘Silence (Sanctuary Mix)’, off of Plastic Compilation Vol. II: The Plastic Compilation series of samplers are some of the best collections of modern electronica I’ve found in recent years. This track (in its various remixes) was quite a hit on the dancefloors a few years back.

  • Fischerspooner, ‘Emerge (DFA Remix)‘, off of iTMS Exclusive EP: I first heard of Fischerspooner when The Vogue got a bunch of free sampler CDs that included Emerge, which was one of the more requested tracks at the club for a while. Admittedly, though, this is a rather bland remix.

  • Bytet, ‘Anything‘, off of Split Single: Bytet is Robert Geiger’s dark electronica project from Anchorage. I saw him perform on quite a few occasions, and I used to chat with Robert every so often when I ran into him around town. I was very pleasantly surprised to find out that he’s on the iTMS, even if I had to link to different mix of the song that popped up on my playlist. Going to have to drop him an e-mail later on and say hi.

  • Mojave 3, ‘Mercy‘, off of Dr. Martens: Shoe Pie: The Dr. Martens shoe company used to put CD samplers in with their shoes from time to time. Shoe Pie is one of two of the samplers that I have, though I picked it up used rather than with a pair of shoes. The song…well, I can’t really say it grabs me.

  • Tori Amos, ‘Past the Mission‘, off of Under the Pink: Now, that’s just funny. 15,189 songs in my collection, and iTunes randomly grabs two songs off of the same album. This one happens to feature Trent Reznor of Nine Inch Nails doing backup vocals — singing, even, rather than screaming!

Not a bad little list, that.

And now, a ‘bonus’ eleventh track (consider it a not-really-hidden track), thanks to the usual iTunes blurb I toss on posts when I’m posting from home…
iTunes “Higher Than the Sun” by Primal Scream from the album Just Say Anything (1991, 3:37).

Songs, A-Z

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Well, I didn’t read the rules of this game after I saw D’s list, so this list might seem a little odd. Rather than just list songs that start with a letter, I chose songs that I have in my .mp3 library, and where both the song title and the artist started with the respective letter of the alphabet. Uff!

The only times I couldn’t get a match for both were for X and Z, so I listed two songs, one for the song title that matched the letter, and one for the artist.

A: Ain’t Goin’ to Goa by A3
B: Bela Lugosi’s Dead by Bauhaus
C: Codeine, Glue and You by Chemlab
D: Destillat (VNV Nation Mix) by Das Ich
E: Emanuelle by Ex-Voto
F: Fired Up! (Club 69 Future Mix) by Funky Green Dogs
G: Games Without Frontiers (Massive D/B Mix) by Peter Gabriel
H: Hernando’s Hideaway (from The Pajama Game) by Carol Haney
I: The Indigo Swing by Indigo Swing
J: Jane Says by Jane’s Addiction
K: Kylie Said to Jason by The KLF
L: Lucy’s F*ck*ng Sky by Lords of Acid
M: Moonbeam by Men Without Hats
N: Ninety-Nine Red Balloons by Nena
O: Only A Lad by Oingo Boingo
P: Point Blank by Pigface
Q: Quad City Funk by Quad City DJs
R: Renegade Soundwave (Leftfield Mix) by Renegade Soundwave
S: Stay by Shakespeare’s Sister
T: Twist in my Sobriety by Tanita Tikaram
U: Until the End of the World by U2
V: Vengababes from Outer Space by The Vengaboys
W: Wimoweh by The Weavers
X: Dear God by XTC (or) Xhemikals by DJ H. Geek
Y: Your Horoscope for Today by “Wierd Al” Yankovic
Z: Living Dead Girl (Subliminal Seduction Mix) by Rob Zombie (or) Zeros and Ones by Jesus Jones

Pigface/My Life With the Thrill Kill Kult

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Just got back home from seeing Bile, Zeromancer, My Life With the Thrill Kill Kult and (last, but most definitely not least) Pigface at the Catwalk. Awesome show.

Work let me off early so I could go, so I got home about 6:30pm. Changed clothes and waited around the apartment for Candice to show up, then we walked down to the club and got there just a bit before Bile started. They weren’t bad, but were a little harder than I usually go for — wasn’t going to complain about seeing them, but not someone I’m likely to go searching out the CDs for, either. The high point of their show was a cover of the J. Geils Band’s ‘Love Stinks’, which worked surprisingly well as an industrial track.

Since Bile wasn’t really our thing, Candice and I hung out near the entrance, and toward the end of Bile’s set Chad and Don showed up. Not long after that, Kim and Kayo joined us right about as Zeromancer was starting. Zeromancer was more to my taste than Bile — I still might not go searching out their CDs, but if I happened to hear that they were playing in town and I had the money to go, I wouldn’t mind seeing them again. Again, the high point of their set was a cover tune, this time of Real Life’s ‘Send Me An Angel’.

We’d all stayed at our spot near the entrance during Zeromancer’s set where we could actually hear each other, as well as keep an eye on the door, and during the downtime between bands both Kate and Rick showed up. Just in time, too, as MLWtTKK hit the stage not long afterwards. Their set wasn’t quite as good as I had been hoping for — they were only a three-piece (vocalist, drums, and synth), and so nearly everything was sequenced, and they didn’t have the stage presence that I’ve seen from them in videos. That said, the updated arrangements to some of their classic material were really good, and the live drums made for a good show musically — it was just the stage show that wasn’t what I’d hoped for.

Kayo and I had gone down to the main floor for MLWtTKK, spending our time standing just on the edge of the pit, tossing people back in when they went flying out and hauling the occasional body up from the floor after a tumble (one of my favorite positions for a good show, actually). When we went back to the rest of the group during the downtime, it turned out that they’d been given a choice spot to actually watch the show, in a security booth just behind the sound booth. We all stood and peoplewatched during the downtime (and believe me, a goth/industrial show is quite the place for peoplewatching), then I headed back out to the floor when Pigface came on stage.

Pigface, quite simply, tore the place up. Incredible set — anywhere from five to twelve people on stage depending on the lineup for the song, and constant insanely high energy. I stayed right on the edge of the pit area again, getting pulled in and taking a tumble once (then getting hauled right back up to my feet). Most of the songs were from their newest album, “Easy Listening (for Difficult Fuckheads)“, but they threw in quite a few old favorites, including ‘Divebomber’ (from “Notes From Thee Underground“) and finishing off with ‘Suck’ (originally from “Gub“, though it’s appeared in many incarnations on many albums over the years).

‘Suck’ first came out on the Pigface album “Gub”, credited to Martin Atkins, William Rieflin, Paul Barker, and trent reznor. When trent included a cover of ‘Suck’ as a hidden track on his ‘Broken‘ album, he listed the credits as ‘trent reznor with Pigface’. This apparently led to something of a falling out between trent and Martin, and trent hasn’t been involved in a Pigface project since…. Interestingly enough (for me, at least), when they introduced ‘Suck’, Martin said that “this is a song by trent reznor….” In all honesty, I didn’t know that they were still ticked enough at that to be making snide remarks at the shows!

At one point, they were playing a song off of EL(fDF) (the exact one I’m not sure of, as I haven’t quite memorized that album yet) that has the refrain “Jacob is a liar.” However, in a crowded club, at high volume, and with a ton of distortion, since I didn’t know the lyrics off the top of my head, the only thing I could make them out saying was “stainless steel papaya!” I knew that that wasn’t what they were saying, but it kept me laughing throughout the song — I didn’t actually find out what the actual lyrics were until Kate told me after the show.

Anyway, incredible show. My ears aren’t likely to recover before, oh, Thursday at the earliest, but that’s all part of the fun, right (for what it’s worth, I did have earplugs that I wore for some of the show, so it’s not as bad as it could be)? I also picked up a MLWtTKK shirt and the only Pigface album I didn’t have yet (“The Best of Pigface: Preaching to the Perverted“), plus earlier in the night I was handed a CD from a band apparently from Vancouver, BC by the name of Charlie Drown (I haven’t listened to it yet, so I have no idea what it’s like but I was told, “Here — you’ll probably like this,” when it was handed to me…). All in all, quite the good night.

I’ll leave off with something that Martin Atkins (the main force behind Pigface) said at one point during the set…

Never understimate the effect that you, as one individual, can have in any situation if you put your mind to it!

[From Usenet: 12.7.93 2217]

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[Note: This was originally a post to the alt.music.alternative Usenet newsgroup. I’m including it here for completeness. Originally archived here.]

In article <1993Dec6.130843.27...@bnr.ca>, coo...@bcarh5e0.bnr.ca (Kenny G) writes:

Hello, anyone know how many pressings were made of the special 3 inch CD included in the first releases of Broken by NIN. Also which countries got this release and does anyone know the song titles. One’s an Adam Ant cover, and I think the other is Pigface?

Thanks.

Don’t know the technical info (only that I got the 3-incher up here in Alaska), but the songs are “Too Physica” by Adam Ant, and “Suck” by Pigface. Suck is available on a couple different Pigface albums in a couple different versions…don’t have ’em myself (wish I did) but heard ’em at a friends…